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A Captive of Her Love - Letters and Paintings of Janina Stroka
Paperback (Edition: 1998)
Sri Aurobindo Ashram, Pondicherry
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Sri Aurobindo's Savitri (A Study of The Cosmic Epic)
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Baji Prabhou
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Letters on Savitri
by K. D. Sethna
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Sri Aurobindo Ashram, Pondicherry
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Sirshendu Mukhopadhyay (Selected Short Stories)
by Shoma A. Chatterji
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Sahitya Akademi
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Jareela: The Castrato by Bhalchandra Nemade
by Santosh Bhoomkar
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Sahitya Akademi
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Khauna Mihir's Mound (Based on Bengali Novel)
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An Essence of Eternity
by Ankush Banerjee
Paperback (Edition: 2016)
Sahitya Akademi
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Signature by Puviyarasu (Collection of Tamil Poetry)
by K. S. Subramanian
Paperback (Edition: 2016)
Sahitya Akademi
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Brahmarshi Sree Narayana Guru (Makers of Indian Literature)
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India's Intellectual Traditions
by Radhavallabh Tripathi
Paperback (Edition: 2016)
Sahitya Akademi
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Sabad - An Anthology of World Poetry
by K. Satchidanandan
Hardcover (Edition: 2016)
Sahitya Akademi
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A Woven Rope - Buni Huyi Rassi (Award Winning Collection of Hindi Poems)
by Bhawani Prasad Mishra
Paperback (Edition: 2016)
Sahitya Akademi
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Outline of Abhinavagupta's Aesthetics (An Old and Rare Book)
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Mohammad Mujeeb (Makers of Indian Literature)
by Meher Fatima Hussain
Paperback (Edition: 2016)
Sahitya Akademi
Item Code: NAN934
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Manohar Malgonkar (Makers of Indian Literature)
by Usha Bande
Paperback (Edition: 2016)
Sahitya Akademi
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Bidhar - On the Move by Bhalchandra Nemade
by Santosh Bhoomkar
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Sahitya Akademi
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The Dowry and Other Japanese Stories
by Anita Khanna
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Sahitya Akademi
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Zool - Caparison by Bhalchandra Nemade
by Santosh Bhoomkar
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Sahitya Akademi
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Islam - Aesthetics of a Mystic Religion
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man's 'bhava-jagat'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - 'rasika', as he is called, witnesses a dramatic performance for the enjoyment of 'Rasa'... This 'Rasa'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject's instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created 'Rasa', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - 'gunas' as he called them; ten faults - 'doshas', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat's perception was thus broad as well as minute and analytical..."
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