Item Code: IDG270by Preface by Leela Gandhi Nissim Ezekiel Introduction by John ThiemePaperback (Edition: 2005)OXFORD UNIVERSITY PRESS ISBN 0195672496 Language: English Size: 8.5"X5.5" Pages: 340 |
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'When Adil Jussawalla threw an impromptu party for Nissim's 70th birthday with wine from Vasai and pizzas from Colaba, there were three generations of poets roiling around him.
'Three generations of anything can create an awful amount of roil but three generations of poets who loved him, hated him, felt pity for him, tried to ignore him, took their revenge in public, apologised in private? It must have taken an awful lot of determination to continue to "only connect".
'But he was a man who reached out, who was accessible in a way few people can be.'
-Jerry Pinto, Mid-day
'When I was a boy we used to meet at the Naaz cafe on a rooftop in Cumballa Hill. He would look beyond the chairs and tables to the open sea, a cigarette in his long fingers, and smile his kindly smile, contented with this time and this place. He had the gift, given only to a few people, of being happy with small and humble things.'
-Dom Moraes, Outlook
'Over the last decade he was less a poet than a patriarch among Bombay poets, chatting, advising, joking as he read their poems and tried to place them somewhere. Though forthright, he was seldom blunt, never pontificated and normally put his views across with considerable wit. He was a friend and not a mentor. He had more or less sloughed off his earlier roles-art critic, literary editor of important journals, radical humanist a la M. N. Roy, book reviewer, and lucid and sometimes trenchant prose as V. S. Naipaul discovered to his discomfiture.'
-Keki N. Daruwalla, The Hindu
'Ezekiel's poetry described love, loneliness, lust, creativity and political pomposity, human foibles and the "kindred clamour" of urban dissonance. He echoed England's postwar Movement (Philip Larkin, DJ Enright and Ted Hughes) but honed a distinct, ironic voice, moving from strict metre to free verse.'
-Lawrence Joffe, The Guardian
'his tight rhymed quatrains...displayed a wry, dryly mischievous sense of humour and an eye that was observant and sympathetic at once.'
-Dom Moraes, Outlook
'He was a poet of the heart, of failure, of doubt, of "the unquiet mind, the emptiness within", someone who revelled in rodent-like explorations of love.'
-Keki N. Daruwalla, The Hindu
'By absorbing the lessons of modernism and making his poetic debut in an idiom that remains fresh after 50 years, he showed the way to his younger contemporaries...Someone in a mood for coining phrases could justifiably identify all contemporary Indian English poets as the tribe of Ezekiel.'
-Kaiser Haq, University of Dhaka
'Nissim Ezekiel radicalised the subject matter of poetry: not just the "barbaric city" but how to find viable way of living in and relating to it.'
-Eunice de Souza
| Preface by LEELA GANDHI | xiii |
| Introduction by JOHN THIEME | xix |
| A TIME TO CHANGE (1952) | 1 |
| A Time to Change | 3 |
| On an African Mask | 6 |
| Communication | 7 |
| The Double Horror | 7 |
| On Meeting a Pedant | 8 |
| Robert | 9 |
| The Worm | 10 |
| An Affair | 11 |
| In Emptiness | 11 |
| History | 12 |
| Poetry | 13 |
| Something to Pursue | 14 |
| Morning Prayer | 20 |
| A Word for the Wind | 21 |
| The Great | 21 |
| Advice | 22 |
| Words in a Gentle Wind | 23 |
| Occupation | 24 |
| The Old Woman | 24 |
| And God Revealed | 25 |
| Commitment | 26 |
| Birth | 26 |
| To a Certain Lady | 27 |
| Failure | 30 |
| Year's End | 31 |
| Planning | 31 |
| Preferences | 32 |
| The Prophet | 33 |
| Reading | 33 |
| Declaration | 34 |
| Encounter | 34 |
| SIXTY POEMS (1953) | 37 |
| NEW POEMS | |
| A Poem of Dedication | 39 |
| The Stone | 40 |
| The Crows | 41 |
| Song | 42 |
| Situation | 43 |
| Lines | 43 |
| A Visitor | 44 |
| Portrait | 44 |
| For William Carlos Williams | 45 |
| Marriage Poem | 46 |
| Boss | 47 |
| Two Nights of Love | 47 |
| Description | 48 |
| The Old Abyss | 48 |
| A Poem of Blindness | 49 |
| Scriptures | 49 |
| Nothingness | 50 |
| Foresight | 51 |
| Sotto Voce | 51 |
| POEMS (1951-1) | |
| Speech and Silence | 53 |
| Prayer I | 54 |
| Prayer II | 55 |
| Transmutation | 56 |
| The Child | 56 |
| Song for Spring | 57 |
| Night Piece | 58 |
| Day | 59 |
| Nakedness I | 60 |
| Nakedness II | 60 |
| Remember and Forget | 61 |
| Tribute | 62 |
| Squirrel | 62 |
| Confession | 63 |
| After Rain | 63 |
| Illness | 64 |
| A Song, A Violin | 64 |
| My Cat | 65 |
| A Short Story | 66 |
| For Her | 67 |
| The Female Image | 68 |
| Episode | 68 |
| The Fisher man | 69 |
| The Stuffed Owl | 70 |
| Song | 71 |
| Penitence | 71 |
| Lamentation | 72 |
| I Wore a Mask | 72 |
| Psalm 151 | 73 |
| I Told the Thames | 73 |
| Love Song | 74 |
| Nocturne | 74 |
| Agony in the Morning | 75 |
| First Theme and Variations | 75 |
| Second Theme and Variations | 77 |
| Cain | 78 |
| Creation | 79 |
| EARLY POEMS (1945-8) | 80 |
| The Problem | 80 |
| The Recluse | 80 |
| Townlore | 81 |
| Question | 82 |
| Delighted by Love | 82 |
| Dualism | 83 |
| Invocation | 83 |
| Heart-hardening | 84 |
| Report | 84 |
| THE THIRD (1958) | 85 |
| POEMS, JANUARY 1954 TO DECEMBER 1958 | |
| Portrait | 87 |
| Division | 87 |
| For Her | 88 |
| Waking | 89 |
| Admission | 89 |
| Memo for a Venture | 90 |
| Advice | 91 |
| Paean | 92 |
| Aside | 93 |
| Declaration | 93 |
| Tonight | 94 |
| The Cur | 95 |
| In the Queue | 96 |
| Conclusion | 96 |
| Two Adolescents | 97 |
| At the Party | 98 |
| Episode | 98 |
| Wisdom | 99 |
| Encounter | 100 |
| Prayer | 100 |
| Insight | 101 |
| Insectlore | 102 |
| Song of Desolation | 103 |
| Sparrows | 103 |
| Midmonsoon Madness | 104 |
| Gallantry | 105 |
| What Frightens Me | 106 |
| Sonnet | 107 |
| Night and Day | 107 |
| Letter from Rangoon | 108 |
| Situation | 109 |
| Road Repairs | 110 |
| For Love's Record | 110 |
| The Language of Lovers | 111 |
| At the Hotel | 112 |
| December '58 | 112 |
| THE UNFINISHED MAN (1960) | 115 |
| POEMS (1959) | |
| Urban | 117 |
| Enterprise | 117 |
| A Morning Walk | 119 |
| Love Sonnet | 120 |
| Commitment | 121 |
| Morning Prayer | 122 |
| Event | 122 |
| Marriage | 123 |
| Case Study | 124 |
| Jamini Roy | 125 |
| THE EXACT NAME (1965) | 127 |
| POEMS (1960-4) | |
| Philosophy | 129 |
| Night of the Scorpion | 130 |
| In India | 131 |
| Perspective | 134 |
| Poet, Lover, Birdwatcher | 135 |
| Poetry Reading | 136 |
| Beachscene | 136 |
| The Visitor | 137 |
| Virginal | 138 |
| Paradise Flycatcher | 139 |
| A Woman Observed | 140 |
| A Warning | 141 |
| Progress | 141 |
| Love Poem | 142 |
| Two Images | 143 |
| Fruit | 143 |
| In Retrospect | 144 |
| Platonic | 145 |
| Art Lecture | 145 |
| A Conjugation | 146 |
| POEMS (1965-74) | |
| Transparently | 149 |
| Three Women | 150 |
| In the Theatre | 151 |
| A Small Summit | 152 |
| Motives | 15 |
| After Reading a Prediction | 155 |
| Theological | 156 |
| In the Country Cottage | 158 |
| Testament | 159 |
| In Twenty-four Lines | 160 |
| Lawn | 161 |
| Happening | 163 |
| process | 164 |
| POEMS WRITTEN IN 1974 | |
| The Truth about Dhanya | 169 |
| At Fifty | 170 |
| Talking | 171 |
| Drawing Room | 172 |
| Notes | 172 |
| The Poet Contemplates his Inaction | 173 |
| Haiku | 174 |
| HYMNS IN DARKNESS (1976) | 175 |
| Subject of Change | 177 |
| Cry | 178 |
| Background, Casually | 179 |
| Island | 182 |
| The Couple | 183 |
| The Railway Clerk | 184 |
| The Truth about the Floods | 185 |
| On Bellasis Road | 188 |
| Goodbye Party for Miss Pushpa T.S. | 190 |
| Guru | 191 |
| Distance | 192 |
| Entertainment | 193 |
| For Satish Gujral | 194 |
| Poem of the Separation | 195 |
| Rural Suite | 196 |
| London | 198 |
| How the English Lesson Ended | 200 |
| Ganga | 202 |
| Tone Poem | 203 |
| Advice to a painter | 204 |
| Tribute to the Upanishads | 205 |
| The Room | 206 |
| Mind | 207 |
| Poster Poems | 208 |
| The Egoist's Prayers | 212 |
| Passion Poems | 214 |
| Hymns in Darkness | 217 |
| LATTER-DAY PSALMS (1982) | 227 |
| Counsel | 229 |
| Poverty Poem | 230 |
| Healers | 231 |
| Hangover | 232 |
| Warning: Two Sonnets | 233 |
| Jewish Wedding in Bombay | 234 |
| Minority Poem | 236 |
| from Very Indian Poems in Indian English | 237 |
| from Songs for Nandu Bhende | 240 |
| from Postcard Poems | 244 |
| Nudes 1978 | 245 |
| Latter-Day Psalms | 252 |
| POEMS (1983-1988) | |
| Torso of a Woman | 265 |
| Woman and Child | 265 |
| from Very Indian poems in Indian English | 268 |
| The Way it Went | 270 |
| Sub-conscious | 271 |
| A Different Way | 271 |
| At 62 | 273 |
| Ten Poems in the Greek Anthology Mode | 274 |
| Occasion | 277 |
| The Fence | 278 |
| A Film Fable | 279 |
| Blessings | 280 |
| Cleaning Up | 283 |
| To the Sun | 284 |
| More Songs for Nandu Bhende | 285 |
| An Atheist Speaks | 287 |
| Death of a Hen | 288 |
| from Edinburgh Interlude | 289 |
| Recently found, among the late poet's papers- | |
| The Second Candle | 296 |