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How to Play Sitar

How to Play Sitar






Specifications
Item Code: IDJ863

by Vikas Aggarwal

Paperback

Creative Publications
ISBN 8176810193

Size: 9.1" X 7.1"
Pages: 112 (Black & White Illustrated is 11)
Weight of the Book: 333 gms
Price: $14.00   Shipping Free
Viewed times since 1st Mar, 2011
Description
Introduction to musical notes>

In Indian Classical Music Naad produces Shruti, which in turn produces musical notes (Swars). Naads are of two types.

1. Anahat Naad :- Naad produced without making any sound is called Anahat Naad. When you close your ears with your fingers. 'Ghan Ghan' sound is produced. Since it is produced without any stroke, it is called Anahat Naad.

2. Ashat Naad :- The sound that is produced by stroke, touch, friction, is called Aahat Naad. Music relates to this Naad and Musical Notes are produced from this Naad.

Difference between Swar and Shruti

Shruti means what you can only hear. The sound or Dhwani which you can hear is Shruti. Shruti when shown only by mingling of two notes in music and by touching is called Shruti; when there is pause in Shruti, and its sound is heard in steady manner, it is called 'Swar'.

Indian Music is based on 22 'Shrutis'. 'Swaras' are born from these 'Shrutis'. There are seven Swaras in Music- Sa, Re, Ga, Ma, Pa, Dha, Ni

Swaras are of two types-

(i) Komal Swaras - Komal Swaras are the ones which are higher or lower than the normal Swaras. These are also called 'Vikrit' notes.

(ii) Tivra (Pure) notes - Tivra means sharp. These notes are pure notes. But 'Ma' Swara is the only Komal Swara, which is called Pure. Tivra 'Ma' is Vikrit (Impure).

Except 'Sa' and 'Pa', all Swaras are Komal and Tivra. Sa and Pa are not Komal. These Swaras are stagnant; meaning thereby that sound doesn't to high or low. They are firm in their place.

Contents
First DayIntroduction to musical notes:1. Komal Swaras, 2. Tivra Swara, Saptak:-1. Mandra saptak, 2. Madhya Saptak, Taar Saptak, Introduction to sings in Music-notations.5-7
Western Notation8-11
Second DayHolding the Sitar,method of wearing (Mijraab). Pictoral representation of keeping fingers, sitting position of men and women while playing sitar, Bols of Sitar, Tuning the Sitar.12-16
Third DayMethod of playing Sitar. Various Swaras are produced by pressing the wire on the different portion of screen, meaning coordinating wires with Swaras, Sargams of pure notes which includes Aarohi and Avrohi for practicing.17-26
Fourth DayIntroducing:-1. Thaat Bilawal, 2. Thaat Kalyan, 3. Thaat Khammaj, 4. Thaat Bhairav, 5.. Thaat Purvi, 6. Thaat Marva, 7. Thaat Kaafi, 8. Thaat Aasavari, 9. Thaat Bhairavi, 10. Thaat Todi.27-38
Fifth DayIntroducing Raags-Jaati of Raags, Vadi Samvadi, 1. Raag Bilawal, 2. Raag Yaman, 3. Raag Khammaj, 4. Raag Kaafi, 5. Raag Aasavari, 6. Raag Bhairavi, 7. Raag Marva, 8. Raag Bahar, 9. Raag Kedara, 10. Raag Bhimpalasi, Gaten Raage, within Taal and matra 1. Gat Raag Bilawal, 2. Gat Raag Yaman, 3. Gat Raag Khammaj, 4. Gat Raag Kaafi, 5. Gat Raag Aasawari, 6. Raag Bhairavi, 7. Gat Raag Marva, 8. Gat Raag Bahar, 9. Gat Raag Kedara, 10. Gat Raag Bhimpalasi39-48
Sixty DayPracticing hit filmi-songs
1. Mai ni mai munder pe tere49
2. Mai tujhko bhaga laya hun51
3. Didi tera dewar diwana53
4. Ai mere pyare watan55
5. Dil to pagal hai57
6. Sona kitna sona hai59
7. Sandese aate hain humen tadpate hain61
8. Babul ka ye ghar gori65
9. Roop suhana lagta hai66
10. Ye teri aankhen68
11. Bajigar o bajigar69
12. Hum tumse juda hoke71
13. Mehandi laga ke rakhna73
14. Ai mere watan ke logon75
15. Koyal kuke huk uthai79
16. Achha sila diya tune mere pyar ka81
Seventh DayFilmi, Non-filmi Songs-Gazal-Bhajan etc.
17. Kaht ahai jokar sara jamana82
18. Mera piya ghar aaya83
19. Puchho jara puccho mujhe kya hua hai85
20. Rang bares bhige chunar wali87
21. Humko sirf tumse pyar hai88
22. Chand si mehbooba ho meri90
23. Tu chij badi hai mast mast92
24. choo lene do najuk honthon ko94
25. Ai meri johra jabin95
26. Ye mere prem patra padhkar96
27. Kis tarah jite hain98
28. Wo dur ke musafir100
29. Waqt se din aur raat101
30. Ye do diwane dil ke103
31. Ye do diwane dil ke105
32. Kitna pyara tujhe106
33. Bewafa yun tera muskurana109
34. Ishque mein kya batayen ke dono111-112
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