Subscribe for Newsletters and Discounts
Be the first to receive our thoughtfully written
religious articles and product discounts.
Your interests (Optional)
This will help us make recommendations and send discounts and sale information at times.
By registering, you may receive account related information, our email newsletters and product updates, no more than twice a month. Please read our Privacy Policy for details.
.
By subscribing, you will receive our email newsletters and product updates, no more than twice a month. All emails will be sent by Exotic India using the email address info@exoticindia.com.

Please read our Privacy Policy for details.
|6
Your Cart (0)
Share our website with your friends.
Email this page to a friend
Books > Art and Architecture > Resurgence: Revival of Indian Embroideries (A Classic Collection of Ornate Textiles)
Displaying 1066 of 1643         Previous  |  NextSubscribe to our newsletter and discounts
Resurgence: Revival of Indian Embroideries (A Classic Collection of Ornate Textiles)
Resurgence: Revival of Indian Embroideries (A Classic Collection of Ornate Textiles)
Description
Foreword

Indian embroidered textiles have always been closely associated with the habitats and lifestyles of the communities. They are strong regional identities which the artisans have acquired through generations of repeated practice. The artisan’s capacity is built up on fine life skill derived from childhood while assisting their elders and mastering the technique. Indian communities with their diversity have many variations of embroideries to offer.

Embroideries are not simply a particular way of making surface ornamentation but are intricately bound up with the structures, values, histories and identities of the communities in which they are practiced. A Bengal nakshi kantha or a kutchi taka are both forms of running stitch, but they have different characters. While it is possible to identify areas in which embroidered surface can be seen to play a role, it is equally important to acknowledge the great diversity that exists within these areas. The nature of surface ornamentation and its significance to their practitioners are not fixed but rather, they change over time and vary across regions of the country.

IGNCA, a premier resource centre in the field of arts and culture has a well laid-out programme on Ethnographic Collection under its Janapada Sampada Division which studies, documents and disseminates knowledge about arts and crafts traditions of diverse communities of India. The present exhibition, curated by Asif Shaikh, includes some rare pieces from the IGNCA archives and Resurgence Exhibits from Asif’s collection, which displays a fine insight into the handling of materials and tools.

Preface

The Indira Gandhi National Centre for the Arts (IGNCA), was established in the memory of Late Smt. Indira Gandhi and is visualized as a centre encompassing the study and experience of all the arts, each form with its own integrity yet within a dimension of mutual interdependence, interrelated with nature, social structure and cosmology.

The Janapada Sampada Division of the IGNCA undertakes research on Indian cultural heritage from eco-cultural, socio-economic and historical perspectives through a multidisciplinary approach. One of the major programmes of the Division is Ethnographic Collection under which creativity at different levels is explored and documented. A core collection has been built that includes textiles, masks, puppets, ritual objects and musical instruments from all over the country.

Indian craft is well known for its variety, composition, colour palette, motif, technique and its contextual significance. It forms part of our festivals, traditions, rituals, beliefs and spiritual practices. Each craft has its own historical background and a traditional context. Over centuries of practice, the processes, methods and skills were developed which continued to evolve in specific ways through generations giving a particular character to the respective craft.

The Mughal and Rajasthani court embroideries of 17th-18th century reflect Persian and Central Asian influence. Royal workshops or karkhanas were established in major cities such as Delhi, Agra, Lahore, Ahmedabad and Bidar. The collaboration of Hindu and Muslim craftsmen resulted in emergence of syncretic styles. With the use of rich materials, real surface decoration, new motifs and excellent craftsmanship, the embroideries started acquiring refinement, elegance and richness. The Mughal influence was seen in embroideries on silk with patterns of hillocks, flowering trees, plants, peacock, butterflies, insects and animal motifs.

The IGNCA has completed twenty five years and is celebrating its silver jubilee by holding seminars, conferences and exhibitions on various dimensions of Indian arts and culture.

Keeping with this spirit, the Centre is organizing an exhibition on Indian embroideries entitled, “resurgence: revival of indian embroideries” curated by Asif Shaikh. The exhibition includes live demonstrations by master craftsmen. A one day symposium has also been organized where noted scholars will speak on different aspects of textile and embroidery traditions across India.

Resurgence: Revival of Indian Embroideries (A Classic Collection of Ornate Textiles)

Item Code:
NAF951
Cover:
Hardcover
Edition:
2013
ISBN:
9788173054761
Language:
English
Size:
11.5 inch X 9.5 inch
Pages:
111 (Throughout Color Illustrations)
Other Details:
Weight of the Book: 910 gms
Price:
$50.00
Discounted:
$37.50   Shipping Free - 4 to 6 days
You Save:
$12.50 (25%)
Add to Wishlist
Send as e-card
Send as free online greeting card
Resurgence: Revival of Indian Embroideries (A Classic Collection of Ornate Textiles)

Verify the characters on the left

From:
Edit     
You will be informed as and when your card is viewed. Please note that your card will be active in the system for 30 days.

Viewed 5682 times since 7th Mar, 2014
Foreword

Indian embroidered textiles have always been closely associated with the habitats and lifestyles of the communities. They are strong regional identities which the artisans have acquired through generations of repeated practice. The artisan’s capacity is built up on fine life skill derived from childhood while assisting their elders and mastering the technique. Indian communities with their diversity have many variations of embroideries to offer.

Embroideries are not simply a particular way of making surface ornamentation but are intricately bound up with the structures, values, histories and identities of the communities in which they are practiced. A Bengal nakshi kantha or a kutchi taka are both forms of running stitch, but they have different characters. While it is possible to identify areas in which embroidered surface can be seen to play a role, it is equally important to acknowledge the great diversity that exists within these areas. The nature of surface ornamentation and its significance to their practitioners are not fixed but rather, they change over time and vary across regions of the country.

IGNCA, a premier resource centre in the field of arts and culture has a well laid-out programme on Ethnographic Collection under its Janapada Sampada Division which studies, documents and disseminates knowledge about arts and crafts traditions of diverse communities of India. The present exhibition, curated by Asif Shaikh, includes some rare pieces from the IGNCA archives and Resurgence Exhibits from Asif’s collection, which displays a fine insight into the handling of materials and tools.

Preface

The Indira Gandhi National Centre for the Arts (IGNCA), was established in the memory of Late Smt. Indira Gandhi and is visualized as a centre encompassing the study and experience of all the arts, each form with its own integrity yet within a dimension of mutual interdependence, interrelated with nature, social structure and cosmology.

The Janapada Sampada Division of the IGNCA undertakes research on Indian cultural heritage from eco-cultural, socio-economic and historical perspectives through a multidisciplinary approach. One of the major programmes of the Division is Ethnographic Collection under which creativity at different levels is explored and documented. A core collection has been built that includes textiles, masks, puppets, ritual objects and musical instruments from all over the country.

Indian craft is well known for its variety, composition, colour palette, motif, technique and its contextual significance. It forms part of our festivals, traditions, rituals, beliefs and spiritual practices. Each craft has its own historical background and a traditional context. Over centuries of practice, the processes, methods and skills were developed which continued to evolve in specific ways through generations giving a particular character to the respective craft.

The Mughal and Rajasthani court embroideries of 17th-18th century reflect Persian and Central Asian influence. Royal workshops or karkhanas were established in major cities such as Delhi, Agra, Lahore, Ahmedabad and Bidar. The collaboration of Hindu and Muslim craftsmen resulted in emergence of syncretic styles. With the use of rich materials, real surface decoration, new motifs and excellent craftsmanship, the embroideries started acquiring refinement, elegance and richness. The Mughal influence was seen in embroideries on silk with patterns of hillocks, flowering trees, plants, peacock, butterflies, insects and animal motifs.

The IGNCA has completed twenty five years and is celebrating its silver jubilee by holding seminars, conferences and exhibitions on various dimensions of Indian arts and culture.

Keeping with this spirit, the Centre is organizing an exhibition on Indian embroideries entitled, “resurgence: revival of indian embroideries” curated by Asif Shaikh. The exhibition includes live demonstrations by master craftsmen. A one day symposium has also been organized where noted scholars will speak on different aspects of textile and embroidery traditions across India.

Post a Comment
 
Post Review
Post a Query
For privacy concerns, please view our Privacy Policy

Based on your browsing history

Loading... Please wait

Related Items

Indian Embroidery
Item Code: IDJ899
$20.00$15.00
You save: $5.00 (25%)
Add to Cart
Buy Now
Asian Embroidery
Deal 20% Off
by Jasleen Dhamija
Hardcover (Edition: 2004)
Abhinav Publications
Item Code: IDK304
$115.00$69.00
You save: $46.00 (20 + 25%)
Add to Cart
Buy Now
The Art of Kantha Embroidery
Item Code: NAC133
$50.00$37.50
You save: $12.50 (25%)
Add to Cart
Buy Now
Embroidery In Asia - Sui Dhaga- Crossing Boundaries Through Needle and Thread
by Kapila Vatsyayan
Hardcover (Edition: 2010)
Wisdom Tree
Item Code: IHL691
$65.00$48.75
You save: $16.25 (25%)
Add to Cart
Buy Now
Indian Folk Arts and Crafts
by Jasleen Dhamija
Hardcover (Edition: 2005)
National Book Trust, India
Item Code: IDG936
$20.00$15.00
You save: $5.00 (25%)
SOLD
Indian Textiles
Item Code: NAB865
$95.00$71.25
You save: $23.75 (25%)
Add to Cart
Buy Now
Woven Wonder: The Tradition of Indian Textiles
by AshaRani Mathur 
Paperback (Edition: 2002)
Rupa Publication Pvt. Ltd.
Item Code: IDD303
$30.00$22.50
You save: $7.50 (25%)
Add to Cart
Buy Now
Unfolding Contemporary Indian Textiles
by Maggie Baxter
Hardcover (Edition: 2015)
Niyogi Books
Item Code: NAK643
$80.00$60.00
You save: $20.00 (25%)
Add to Cart
Buy Now
Feet and Footwear In Indian Culture
by Jutta Jain-Neubauer
Hardcover (Edition: 2000)
Mapin Publishing Pvt. Ltd.
Item Code: NAJ920
$80.00$60.00
You save: $20.00 (25%)
Add to Cart
Buy Now
Indian Folk and Tribal Paintings
by Charu Smita Gupta
Hardcover (Edition: 2008)
Roli Books
Item Code: IDC390
$30.00$22.50
You save: $7.50 (25%)
Add to Cart
Buy Now
The Diverse World of Indian Painting (Essays In Honour of Dr. Vishwa Chander Ohri)
Deal 40% Off
Item Code: IDL013
$115.00$51.75
You save: $63.25 (40 + 25%)
Add to Cart
Buy Now
Himadri Temples (A.D. 700-1300)
Item Code: IDG842
$40.00$30.00
You save: $10.00 (25%)
Add to Cart
Buy Now
Textiles and Dress of Gujarat
by Eiluned Edwards
Hardcover (Edition: 2011)
Mapin Publishing Pvt. Ltd
Item Code: NAC131
$90.00$67.50
You save: $22.50 (25%)
Add to Cart
Buy Now

Testimonials

THANK YOU SO MUCH for your kind generosity! This golden-brass statue of Padmasambhava will receive a place of honor in our home and remind us every day to practice the dharma and to be better persons. We deeply appreciate your excellent packing of even the largest and heaviest sculptures as well as the fast delivery you provide. Every sculpture we have purchased from you over the years has arrived in perfect condition. Our entire house is filled with treasures from Exotic India, but we always have room for one more!
Mark & Sue, Eureka, California
I received my black Katappa Stone Shiva Lingam today and am extremely satisfied with my purchase. I would not hesitate to refer friends to your business or order again. Thank you and God Bless.
Marc, UK
The altar arrived today. Really beautiful. Thank you
Morris, Texas.
Very Great Indian shopping website!!!
Edem, Sweden
I have just received the Phiran I ordered last week. Very beautiful indeed! Thank you.
Gonzalo, Spain
I am very satisfied with my order, received it quickly and it looks OK so far. I would order from you again.
Arun, USA
We received the order and extremely happy with the purchase and would recommend to friends also.
Chandana, USA
The statue arrived today fully intact. It is beautiful.
Morris, Texas.
Thank you Exotic India team, I love your website and the quick turn around with helping me with my purchase. It was absolutely a pleasure this time and look forward to do business with you.
Pushkala, USA.
Very grateful for this service, of making this precious treasure of Haveli Sangeet for ThakurJi so easily in the US. Appreciate the fact that notation is provided.
Leena, USA.
TRUSTe
Language:
Currency:
All rights reserved. Copyright 2017 © Exotic India