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Nataraja
Batik Painting On Cotton
72 inches x 57 inches
Item Code: BM60
$95.00
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Shiva and Parvati
Batik Painting On Cotton
30 inches x 21 inches
Item Code: BM63
$20.00
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Lord Shiva
Batik Painting On Cotton
27.5 inches x 21 inches
Item Code: BM67
$20.00
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Nataraja
Batik Painting On Cotton
23 inches x 18 inches
Item Code: BM78
$15.00
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Lord Shiva
Batik Painting On Cotton
45.0 inches x 28.5 inches
Item Code: BM36
$45.00
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Dancing Shiva at Ellora
Batik Painting On Cotton
36 inch x 49 inch
Item Code: BJ60
$35.00
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Nataraja
Batik Painting On Cotton Fabric
2.5 feet x 3.6 feet
Item Code: BJ91
$35.00
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Shiva Lord of the World
Batik Painting On Cotton
30 inch x 44 inch
Item Code: BL68
$55.00
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Shiva
Batik Painting On Cotton
19 inch x 28 inch
Item Code: BL38
$25.00
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Meditating Shiva
Batik Painting On Cotton
30 inch x 42 inch
Item Code: BI63
$55.00
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"Shiva the Hindu god of destruction is also known as Nataraja, the Lord of Dancers (In Sanskrit Nata means dance and raja means Lord). The visual image of Nataraja achieved canonical form in the bronzes cast under the Chola dynasty in the tenth century AD, and then continued to be reproduced in metal, stone and other substances right up to the present times. The Chola Nataraja is often said to be the supreme statement of Hindu art."
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"God of eroticism, Shiva is... the master of Yoga, which is described as the method used to sublimate virile power and transform it into mental and intellectual power. He is therefore the 'great Yogi.'... 'I have never renounced any vice: it is they who have left me' summarizes the message of Shiva."
The Dance of Shiva
"Shiva, the Mahadeva, represents...dissolution or destruction of the cosmos...(among) the functional aspects of God, namely, the creation, preservation and dissolution (of the cosmos)... Brahma and Vishnu have their roots in the Vedas, and not before. Shiva has a pre-Vedic origin, as his worship cult seems to have been in vogue amongst the Indus dwellers, even around 3000 B.C... excavated material includes a number of terracotta seals representing a yogi icon and the phallus type baked clay objects...suggestive of some kind of phallus-worship cult of the non-Aryan settlers of the Indus cities... Shiva's divine perception as well as iconic visualization developed into two directions, one growing out of his serene sublime benevolent Saumyarupa and the other out of his awe-striking Raudra-rupa... The violent jungle god of Vedas and the grim looking horn wearing Yogi of Indus emerges upon the altar of the believing ones, on painter's canvas, in metal casters' mould and in the strokes of hammer and chisel, as the harmless Bholanath, the innocence Lord and the good incarnate, as the supreme auspice, the most formidable of divine powers, the paramount lover and the holiest model of the Vedic family cult..."
The Iconographic Genesis of Shiva
"Shiva's...is the imagery and iconography that evolved over a period of five millennia - perhaps the longest period for an image, or worship tradition, to have evolved and sustained through... Shiva's imagery reveals wondrous unity and unique growth perspective... there is absolute unanimity in regard to the fact that he had iconic presence much before the Vedas came into being... Shiva has been conceived in visual arts as timeless youth, though sometimes with moustaches defining an advanced age and sometimes without them close to juvenescence..."
The Forms of Shiva in Visual Arts
"Shiva is an embodiment of the three principal themes of Indian philosophy....The marriage of Shiva and Parvati was preceded by a long interval of courtship. It was no ordinary engagement however....Shiva was tempted enough to touch her, and Parvati, tantalizing him, withdrew....She would exist only as an intense flame burning for Shiva....Tapasya means to gradually start bringing restraint into our lives....She was no different from the way trees live in this world....Though he possesses nothing, he is the source of all possessions....Inevitable union between male and female…"
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