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Oh Lord, When will You Come and Remove Our Material Coverings Too?

Availability: Only One in stock
Oh Lord, When will You Come and Remove Our Material Coverings Too?






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Specifications
Item Code: HJ41

Water Color on Paper
Artist: Kailash Raj

6.8 inches X 10.0 inches
Price: $495.00   Shipping Free - 4 to 6 days


 With Frame (Add$90.00)
Viewed times since 1st Sep, 2010
Description
Always the loveable prankster, Krishna never missed a chance to tease the innocent women of Vrindavana, who were desperately in love with Him, the Supreme God. This is one of the most daring and famous of His pranks, an episode which is loaded with immense spiritual meaning. Having spied the gopis bathing in the waters of the sacred river Yamuna, Krishna quietly picked their clothes lying on the bank and climbed on to a Kadamba tree. The hapless women requested Krishna to give back their clothes, but He compelled each out to come out of the water, thus exposing themselves to Him, and only then did hand back their garments.

Even though many have seen it so, this episode has no titillation value. Not only does Krishna inform us in the Shrimad Bhagavatam that it is not proper to bathe in the river waters totally devoid of clothes, but also on a higher level, each gopi represents the individual soul (jiva-atman), which cannot merge with the supreme soul (param-atman), unless it has shed away all material baggage and stands exposed in complete submission to God.

Here we see the crowned Krishna sitting calmly on the tree, holding on to it with His right hand and gesturing to the gopis with His left. The colorful clothes of the maidens' hang high on the branches of the tree. The abashed gopis, though smiling slightly, each reacts in her own way. While one of them hides her face in the waters blooming with lotuses, the one near her looks perplexed, unable to decide what to do next. The ladies' standing on the bank are in the more advanced stage of surrender, and with folded hands announce their total sharanagati.

On viewing this artwork, the heart screams out in agony: "O Lord, when will You come and remove our material coverings too?"


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Customer Comments
  • Self deception. You're fooling yourself if you assert that this painting is devoid of eroticism in your statement, "Even though many have seen it so, this episode has no titillation value." The "one (who) hides her face in the waters blooming with lotus petals" is in fact clearly, carnally, hiding her face within her lover’s petals. Her lover does not look “perplexed” but rather ambivalent to Krishna’s antics, at least until she reaches/completes her own orgasm.
    Furthermore, if you examine the whole painting (h t t p : / / w w w. exoticindiaart.com/hindu/chir__harana_the_stealing_of_the_garments_of_the_ha91sm.jpg), that is to say not just the cropped version you presented to assert your own “non-titillating theory”, you will see that the tree itself is phallic symbology of Krishna’s own sex organ, and that the one woman who is lovingly enrapt in her embrace of his phallus is clearly “first”, with the other virgins waiting in line for his sexual attention—this recognizes the duality that has always existed in this world and suggests an effort on our part to bring these two forces together, ultimately leading to a higher unity and non-dual state of Oneness. You can even see that the 4th and 5th girls on the shore (from the left) are even masturbating as they wait!
    The actual legend says that Krishna teased the women until he was greeted with “Namaste’ and only then did he relent” As you can see, the 2nd, 3rd, and 6th maidens are all gesturing the Namaste’ mudra, with the 3rd maiden raising it above her head as a sign of utmost reverence or respect.
    - Kevin (Kevin11x@hotmail.com)
    29th Sep 2010
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