Devi Padmavati

$860
Item Code: XH69
Specifications:
Brass Statue
Height: 19.7 inch
Width: 11 inch
Depth: 7 inch
Weight: 14.80 kg
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
Shipped to 153 countries
Shipped to 153 countries
More than 1M+ customers worldwide
More than 1M+ customers worldwide
This excellent 55 cm. tall and 28 cm. wide brass-cast represents Devi Padmavati in characteristic Orissa style, an art tradition which always sought its strength in its folk art forms, elements, symbols and vivacity. The prabhavali, or the fire-arch, enshrining the deity is a common feature in both Orissa and South Indian art but the Shrimukha or Kirtimukha of the type, as it is seen in this statue, is more akin to Orissa tradition. The halo consisting of radiating sun motif is yet another motif from Orissa art tradition. In classical Orissa iconography, figures are somewhat heavily built. Anatomy is well proportioned, but with features defined only broadly, the contours lose their significance. Though the faces are usually rounded, or with an oval thrust, appear to be semi-rounded, yet a kind of broadness, not only of faces but also of other features, mitigate their aesthetics. In characteristic Orissa tradition, the belly of the figure protrudes out of proportion. The lotus motifs, used for comprising deity's seat, rise spirally like 'shakharas' of a temple and the deity image seems to ride on them. A floral motif tops the pointed end of each lotus, which crests it like a finial on temple's shikhara. In Orissa tradition, whether of art or textile, such temple motifs are in great prevalence.

The statue represents the most evolved tradition of votive images of deity Padmavati. Being the supreme deity of riches, prosperity and fertility and by virtue of enshrining in the heart of Vishnu, the lord of three worlds, her images are usually consecrated inside a sanctum sanctorum, which is replaced and symbolised in visual arts by a lavishly laid prabhavali, or the fire-arch. They are richly bejeweled and have a high pedestal symbolic of massive high throne. In this icon, both pedestal and prabhavali, have been designed exquisitely in Orissa temple tradition, where jagati, or the base, is elaborately carved. The front side of the pedestal comprises a pentagon. Its forearm has a size double of the size of other arms. This larger arm is divided into two vertical rectangles by a beautifully carved column. Other four arms are identified by similar decorative columns. The central one has a floral creeper, two flanking it on its right and left have a different but mutually identical designing pattern and so have each two of the rest.

These seven columns constitute six vertical rectangles, which frame within them six Devi figures. Anti-clock-wise, the first Devi figure is in Lalitasana. It is a four-armed image carrying in three noose, standard and vajra and the fourth is in abhaya. The Devi form, diagonally opposite to it and the last in the ring, is identical to this first one. The second figure is seated with both feet planted on the earth but curved in the posture of dance. In two of its hands the figure has lotus buds and the other two are in abhaya and varada. The third and fourth deity figures are in Lalitasana and hold in their hands the attributes as carried the second deity image. The fifth image has been modeled alike except that it is seated in cross-legged posture. The second and the fourth icons have haloes as well. With the main deity image, these six pedestal images comprise a group of seven, which number is suggestive of Sapta-matrikas, but in their iconography they are almost identical and may, hence, hardly represent Sapta-matrikas, the seven manifestations of the female energy.

The image of the presiding deity, Padmavati, has been installed inside a prabhavali, designed with exquisite details. On both of its sides, the lower part has niches with female devotee figures. The portion above these niches has a gradual rise with well-designed architectural members. It terminates into a flat terrace like top where perch two peacocks, one on each side and from their heads rises the actual arch consisting of conventionalised foliage. The prabhavali is topped by a triple crowned Kirtimukha motif, which in Indian tradition represents the apex of auspices.

The principal image, with lotuses in two of her four hands and an elaborate Padmasana, represents Goddess Lakshmi in her Padmavati manifestation. As prescribed in the iconography of Padmavati, her other two hands depict abhaya and varada. She is seated in Lalitasana, a posture known for its aesthetic charm. In conformity to the Vaishnavite iconography, she has on her head a spirally rising and elaborately carved Vaishnava crown and a Vaishnava tilaka on her forehead. Her face bears a benign look and lips a mild smile. Her three-fourth open eyes are in a thoughtful mood and the entire figure seems to move. Except the chin, which is slightly angular, her face is round and the mouth is subdued. The entire figure has been elaborately bejeweled and adorned from head to toe. On her nose she is wearing a floral ornament and a ring with three pearls. The ornaments on her neck and breasts cover almost the entire part and completely replace the upper garment. Her sensuously modeled breasts, too, have been exquisitely adorned with floral motifs and design. She is wearing a thick silk sari with still thicker border but it covers only her body below her waist. This sari is supported by a broad girdle and beautifully conceived sash. The image represents both a great tradition of art and one of the principal female deity forms now for centuries in worship.

This description by Prof. P.C. Jain and Dr Daljeet. Prof. Jain specializes on the aesthetics of ancient Indian literature. Dr Daljeet is the chief curator of the Visual Arts Gallery at the National Museum of India, New Delhi. They have both collaborated on numerous books on Indian art and culture.

Of Related Interest:

LAKSHMI The Goddess of Wealth and Fortune (An Introduction)

Padmahasta Lakshmi

Deep Lakshmi

Devi Lakshmi

Invocation to Lakshmi


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Unveiling the Divine: Exploring the Symbolism and Significance of Lakshmi

Lakshmi Devi is one of the principal Goddesses in Hinduism. In the Vaishnava tradition, especially the Sri Vaishnava Sampradaya, Vishnu and Lakshmi are considered the Supreme or Absolute Truth. Mother Lakshmi is known as the Goddess of fortune who blesses the living entities in the material world with material wealth and prosperity. Our Vedic scriptures mention that Lakshmi Ji is the eternal consort of Lord Vishnu who is the Supreme Personality of Godhead. He maintains and controls everything in the material and spiritual world. Goddess Lakshmi is also His internal potency and is thus always engaged in the loving devotional service of the Lord in His spiritual abode Vaikuntha, a place where there is no misery.

The transcendental form of Mother Lakshmi is extremely beautiful. She is the emblem of beauty and mercy. She sees every individual soul as her own child and whoever approaches her with faith and devotion, certainly gets the mercy of Lakshmi Devi. She is often depicted wearing a red saree and holding different items in her four arms. She holds a lotus flower in each of her two upper arms. With one of her lower hands, she holds a pot full of gold coins (representing wealth) while the other hand stays in a mudra that signifies charity.
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Can we keep a Lakshmi statue at home?

As stated earlier, Lakshmi Ji bestows good fortune upon her devotees and takes care of them. She is full of compassion and therefore accepts anyone who comes to her even with ulterior motives. However, she not only gives material wealth to her devotees but those who approach her to know the real goal of human life or to know about the Absolute Truth, she blesses them with spiritual wealth (wisdom and mercy) by which they can come to a higher platform and consciousness. Thus, it is only by the mercy of Goddess Lakshmi that a living entity starts its spiritual journey toward Lord Vishnu.

If you want to attract this special mercy, you can keep the deity of Goddess Lakshmi at your home and worship her every day with an attitude of surrender. By doing so, you will develop a personal relationship with her and you will be able to experience transcendental happiness.
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Which Lakshmi idol is good for home?

Lakshmi Devi expands herself into eight major forms (Ashta Lakshmi) that are Dhana Lakshmi, Dhanya Lakshmi, Gaja Lakshmi, Sanatana Lakshmi, Dhairya Lakshmi, Vijaya Lakshmi, Vidya Lakshmi, and Aishwarya Lakshmi. You can keep any of the forms of Lakshmi in your home to bring material and spiritual auspiciousness. However, if you want her ultimate mercy, you may keep the deity of Goddess Lakshmi along with her master, Lord Vishnu.
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Which material is good for Lakshmi idol?

The idol or deity of Goddess Lakshmi comes in various materials such as brass, wood, marble, copper, bronze, etc. If you are planning to keep a deity of Lakshmi Devi at your home, the best material would be either brass or marble. Brass is known for its exquisite appearance resembling gold and is also a strong material. Marble is preferred by most people because it lasts longer than any other material.

How to keep a Brass statue well-maintained?


Brass statues are known and appreciated for their exquisite beauty and luster. The brilliant bright gold appearance of Brass makes it appropriate for casting aesthetic statues and sculptures. Brass is a metal alloy composed mainly of copper and zinc. This chemical composition makes brass a highly durable and corrosion-resistant material. Due to these properties, Brass statues and sculptures can be kept both indoors as well as outdoors. They also last for many decades without losing all their natural shine.

 

Brass statues can withstand even harsh weather conditions very well due to their corrosion-resistance properties. However, maintaining the luster and natural beauty of brass statues is essential if you want to prolong their life and appearance.

 

  • The best and simplest way to maintain a brass statue is to clean it at least twice a week using a soft cloth or cotton rag. This will prevent dust from accumulating on the surface. Dusting is especially important for outdoor statues since it is prone to dust accumulation much more than indoors.

 

 

  • To give a natural shine and luster to the statue, you may apply coconut or olive oil using cotton on every portion. You can use a toothbrush to get to the small crevices but do not be too harsh. This will make the brass statue appear fresh and new with a polished look.


  • In case you have a colored brass statue, you may apply mustard oil using a soft brush or clean cloth on the brass portion while for the colored portion of the statue, you may use coconut oil with a cotton cloth. 

 

Brass idols of Hindu Gods and Goddesses are especially known for their intricate and detailed work of art. Nepalese sculptures are famous for small brass idols portraying Buddhist deities. These sculptures are beautified with gold gilding and inlay of precious or semi-precious stones. Religious brass statues can be kept at home altars. You can keep a decorative brass statue in your garden or roof to embellish the area and fill it with divinity. 

Frequently Asked Questions
  • Q. Is the statue hollow or solid ?
    A. Brass statues are made through a process of clay casting, hence are hollow. Whereas, panchaloha bronze statues are made through a process of lost wax casting, hence they are solid.
  • Q. Can I see the original photo of the product ?
    A. For original pictures of the statue, kindly email us at help@exoticindia.com.
  • Q. Can I return the statue ?
    A. All returns must be postmarked within seven (7) days of the delivery date. All returned items must be in new and unused condition, with all original tags and labels attached. To know more please view our return policy.
  • Q. Can you customise the statue for me ?
    A. For any customisation, kindly email us at help@exoticindia.com.
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