"It is well established in the canons of Indian thought that every woman mirrors in herself the divine feminine... Envisioned as totally naked, the visual tales of her terrible form do not end with her dense black color or with the skirt made up of decapitated hands...(or) the necklace made up of heads she has severed from the torsos of beings...The truth behind the mystery of Kali, it seems, is to not be found by a conventional appraisal of her physical appearance....it is the female of the species who comes out with honors here, by resolutely establishing that when they are wives and when they progress to being mothers, Kali forms an integral part of their characteristic buildup."
"The earliest term applied to the divine feminine... is Shakti... Specifically, Shakti means power, force and feminine energy. She represents the fundamental creative instinct underlying the cosmos, and is the energizing force of all divinity, of every being and every thing... The yoni or female generative organ is... venerated for its obvious properties of fertility and growth... While Durga is the most potent icon to express the aggressive and destructive behavior of Shakti, Lakshmi is the quintessential goddess who proclaims her creative aspect... (It) is emphasized in the Gandharva Tantra (that) 'She who is the sun, moon, and fire, lays down the purusha (male) and enjoys him from above.'..."
"...the originator of families, the preserver of the established order and the perpetuator of traditions...As the Great Goddess rules the heavens, her earthly counterpart, the woman, rules the home..."
"The Mother Goddess is India's supreme Divinity... In fury or in frown, she is always the same protective, caring, loving Mother with a benign face and a blessing hand... In her material manifestation, She represents, with absolute motherhood, also the absolute womanhood. She causes life and sustains it, and is also the cause of life, its inspiration and aspiration, and the reason to live... She is the eternal upholder of Dharma and truth, the promoter of happiness and the giver of salvation and prosperity but also of sorrows, grief and pain... As Adi Shakti, She represents Prakriti, which operates in and on all things, the manifest or otherwise, materially present or abstract..."
"Iconographically, they (Mahavidyas) are individually shown dominating male deities. Kali and Tara are shown astride Shiva, while others like Shodashi sit on the body of Shiva... By subverting... conventional social norms, the adept seeks to liberate his or her consciousness from the... inhibiting categories of proper and improper, good and bad, polluted and pure."