From the Jacket
Indian literature abounds in a variety of myths and legends narrating allegorical/historical stories with moral teachings where celestial or semi-celestial beings, in particular the apsarases, occupy an important place. Of such legends, a few have become very popular, and they reappear in the course of the history of literature at various stages. One such legend is that of Urvasi and Pururavas, which is one of the most ancient legends of India, owing its origin to the Rgveda.
This scholarly work, based on extensive sources - primary, comprising ancient Sanskrit texts, commentaries and glosses, and modern literary pieces, kavyas and plays, as well as critical writings on these original works, studies the origin and development of the institution of apsarases and their characteristics as described in the vast corpus of Vedic, Epic-Puranic, and classical works. In this context, it undertakes an interesting survey of the concept of nymphs (apsarases) in Indo-European, especially Greek mythology. Dr. Handique then thoroughly examines the depiction of the legend of Urvasi and Pururavas - a favourite theme that has been immortalized in literary masterpieces in Indian literature as a whole: from the ancient Vedas and Puranas, the Harivamsa and Vikramorvasiyam, to modern works like Urvasi Janani and Abhisapta Urvasi and stray poetic pieces.
Presenting angle to the study anew, the book attempts to explore aspects of an age-old tradition that bears close affinity with the institution of the apsarases in terms of mode of living, worship, and ideals, like the system of the devadasis.
The book will prove invaluable to scholars of Indian mythology, culture, and literature as well as interest general readers of ancient India's legends and tales.
About the Author
Dr. Krishna Kanta Handique is a reputed scholar of Sanskrit and folk literature who has presented research papers and represented the country in world conferences. His published works are Dvatrsaputtalika, Nagananda, Drama by Sriharsa, Uduyana: Vasavadutta, and Bohe Brahmadaka Bhedi.
THIS book presents a study of the popular traditional legend of Pururavas and Uravasi in some detailed form. It pays adequate attention to the origin, development, and characteristics of the apsaras or 'nymphs' in Indo-European and Indian works. Lastly, it tries to deal with the social problem of the devadasis of a later age.
I was greatly helped and inspired by my friend, philosopher, and guru Dr. Thaneswar Sarmah, the seniormost Reader in the Sanskrit Department, Gauhati University, in the course of my research. I am greatly indebted to him, and I shall ever remain grateful to him.
Besides, my siksa-gurus Dr. M.M Sharma, Dr. A.K Goswami, Dr. A.C. Barthakuria, and Dr. R.N. Sharma also encouraged me to undertake this work and strive diligently towards its completion. I am thankful to all of them. I thank my erstwhile teacher, Sjt. Ramchandra Bhattacharya, my associate in the department, and my colleagues Dr. Akan Chandra Saikia, Dr. Pradip Gogoi, Prof. Jatin Bora, Prof. Guna Baruah, and Prof. Namal Gogi of Tinsukia College, my student and colleague Mrs. Anupama Mahanta, Prof. Chitralata Phukan, Head of Assamese Department of our college, for their encouragement. I would like to mention here the librarians of the K.K Handique Library, G.U., and J.B. College Library, and also Dimbeswar Sarma, a teacher of Narmal School, Jorhat, who helped me procure books for study. I am much indebted to my family members for their constant support.
MYTHS and legends, stories and anecdotes allure the minds of not only the masses but also intellectuals and scholarly persons. Through the ages, human imagination has given rise to a vast literature replete with myths and legends, wherein the free thought of men finds easy expression. Sometimes, absurdities surpass the dictates of rationality, only to evoke or rouse interest in the human mind. But that does not prevent the listener or reader from enjoying the myths or legends. Therefore, myths and legends are accepted on all hands irrespective of barriers of caste, creed, race, and ethnic group. Thus, every language culture preserves this sort of literature for ages. And the Indians are no exception to it; rather, they have preserved a vast literature abounding with myths, legends, stories, parables, tales, and narratives. In fact, no other literature can claim equal footing with Indian literature where this literary form is concerned.
Myths and legends are abundantly found in the folk literature of any and every nation. It forms a part of the folk culture. The older generation conveys this form of art and literature to the younger generation. The younger folks lend their attentive ear to learn the many myths and legends from their elders. Thus, this piece of literature is carried forward from generation to generation.
The themes of myths and legends are varied. On many occasions, the historical pieces intrude into it. Sometimes, the allegorical stories relating to animals, birds, and other lower beings have hidden moral teachings. Fantasies, too, connected with absurd activities of the celestial or semi-celestial beings, find a place in such myths and legends. The apsarases, gandharvas, vidyadharas, and kinnaras occupy an important place in such myths and legends in Indian literature. In all stages of Indian literature, beginning from the Rgveda down to modern literature, fantastic myths and legends about gods and demigods are abundantly found. Some legends become so appealing to the people that the same legend reappears at various stages of the literature, repeatedly changing its outer form and assuming new attire. The legend of Pururavas and Urvasi appears to be such a piece, for it has continued to be a favourite theme throughout our literature. It is, of course, very interesting to follow the course of such a legend and study the same, making a note of all elements, original and peripheral, innovations, and so on, relating to such a legend. With that end in view, the legend of Pururavas and Urvasi is now undertaken for a detailed study.
Vedas (1264)
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