Born in an orthodox Brahmana family of Bengal and educated traditionally in Varanasi, Dr. S.N. Ghoshal Sastri started his carrier as a teacher of a Sanskrit Institution and an editor of the Chaukhambha Sanskrit Series, Varanasi.
During the time, he had the privilege to sit under the feet of some celebrated scholars of the time; like Mm. Pramthantha Tarkabhusana, Mm. Balakrsna Misra and Mm. Gopinath Kaviraj.
He took active part in the '42 Movement and went underground as a suspect of the Chukaghat-case, Varanasi; that provided him a chance to learn English.
Acquitted of the alleged charge, he completed university education from B. H. U. and joined Visva-Bharati with an experience of a Sanskrit lecturer for 12 years in Jaunpur and Varanasi, U.P. He was entrusted with teaching & editing MSS. In the Dept. of Sanskrit, Pali & Prakrita. In addition to his normal duties, he extended cooperation to other departments, like Philosophy, Education and Ancient Indian History Culture & Archaeology.
As a veteran teacher and seasoned manuscriptologist, he edited two Urtexts on Indian Aesthetics of the Scholastic School as well as the Neo-Rasa-Scholastic School as well as the Neo-Rasa-School. He had the honour of compiling and publishing the Ist volume of the Descriptive Catalogues of Sanskrit MSS. Deposited in the Sanskrit MSS. Section, Vidya-Bhavana, Visva-Bharati.
Now, as an inmate of poet Tagore's hermitage, Santiniketan; he dovoted his life to present the country a complete work on Indian Aesthetics, ventilating its three major streams; Poetry, Arts and Music, extracting their fundamental principles of 'one-in-Two,' from the Yamala stream of the Tantra-Sastra.
Dr. S. N. Gghoshal Sastri, M.A.; B.T.; Ph.D.;
Kavya-Vyakaranatirhta, Sahitya-sastri,
Reader, Department of Sasnkrit, Pali & Prakrta
Hony. Editor, Sanskrit MSS.
Visva-Bharati: Santiniketan, West Bengal, India
Fascicule I: | Wood for images and system of measurement | 157-177 |
Fascicule II: | Murti-nirmana or Art of Image-making | 177-235 |
Evaluation: | The Source Mss. And their influences: | 236-244 |
| ||
Chapter I: | Myths Behind the Siva-Tandava: | 245-253 |
Chapter II: | The Earliest Image of Nataraja: | 254-264 |
Chapter III: | Two Streams of Indian Fine Arts: | 265-277 |
Chapter IV: | Chronology of Tantrika Art: | 278-287 |
Chapter V: | Images of Nataraja devised by the South Indian School: | 288-296 |
Index | 1 | |
Bibliography & Abbreviation | 11 | |
Errata | 15 | |
Born in an orthodox Brahmana family of Bengal and educated traditionally in Varanasi, Dr. S.N. Ghoshal Sastri started his carrier as a teacher of a Sanskrit Institution and an editor of the Chaukhambha Sanskrit Series, Varanasi.
During the time, he had the privilege to sit under the feet of some celebrated scholars of the time; like Mm. Pramthantha Tarkabhusana, Mm. Balakrsna Misra and Mm. Gopinath Kaviraj.
He took active part in the '42 Movement and went underground as a suspect of the Chukaghat-case, Varanasi; that provided him a chance to learn English.
Acquitted of the alleged charge, he completed university education from B. H. U. and joined Visva-Bharati with an experience of a Sanskrit lecturer for 12 years in Jaunpur and Varanasi, U.P. He was entrusted with teaching & editing MSS. In the Dept. of Sanskrit, Pali & Prakrita. In addition to his normal duties, he extended cooperation to other departments, like Philosophy, Education and Ancient Indian History Culture & Archaeology.
As a veteran teacher and seasoned manuscriptologist, he edited two Urtexts on Indian Aesthetics of the Scholastic School as well as the Neo-Rasa-Scholastic School as well as the Neo-Rasa-School. He had the honour of compiling and publishing the Ist volume of the Descriptive Catalogues of Sanskrit MSS. Deposited in the Sanskrit MSS. Section, Vidya-Bhavana, Visva-Bharati.
Now, as an inmate of poet Tagore's hermitage, Santiniketan; he dovoted his life to present the country a complete work on Indian Aesthetics, ventilating its three major streams; Poetry, Arts and Music, extracting their fundamental principles of 'one-in-Two,' from the Yamala stream of the Tantra-Sastra.
Dr. S. N. Gghoshal Sastri, M.A.; B.T.; Ph.D.;
Kavya-Vyakaranatirhta, Sahitya-sastri,
Reader, Department of Sasnkrit, Pali & Prakrta
Hony. Editor, Sanskrit MSS.
Visva-Bharati: Santiniketan, West Bengal, India
Fascicule I: | Wood for images and system of measurement | 157-177 |
Fascicule II: | Murti-nirmana or Art of Image-making | 177-235 |
Evaluation: | The Source Mss. And their influences: | 236-244 |
| ||
Chapter I: | Myths Behind the Siva-Tandava: | 245-253 |
Chapter II: | The Earliest Image of Nataraja: | 254-264 |
Chapter III: | Two Streams of Indian Fine Arts: | 265-277 |
Chapter IV: | Chronology of Tantrika Art: | 278-287 |
Chapter V: | Images of Nataraja devised by the South Indian School: | 288-296 |
Index | 1 | |
Bibliography & Abbreviation | 11 | |
Errata | 15 | |