About the Author
Gold Medalist in M.A. (Vocal), besides owning M. Phil
and NET (National Eligibility Test by the U.G.C.) Gradations, Tripti Watwe is at present
pursuing advanced research studies (Ph. D) in music from Visva-Bharati
University, Santiniketan, West-Bengal.
came to her at the tender age of 3years through Sri Ram Mungi.
Ustad Sirajuddin Khan, Padmashree H.H. Goswami Gokulotsavji Maharaj and Smt. Shubhda Marathe.
tutelage in Indian Classical Music, received a purpose and completeness with
her initiation into Spiritual life by her own Spiritual Mentor and Diksha-Guru Param Pujya Swami Abhedananda
(Residential Achary and Head of Chinmaya
Mission, Durban, South Africa) who has been her Friend, Philosopher and Guide.
performed at various prestigious platforms all over India, Tripti
was felicitated twice by S.A.M. (Society for Action through Music, New Delhi)
with Swarshri 2007 Samman
and ‘Samman 2011 and “Sur-Mani-2008” by the “Sur-Singar Sansad”, Mumbai.
Tripti has an audio CD
‘Shravanmritam’ to her credit. Her introspective
articles keep publishing in various esteemed books and journals.
Watwe, an Ex-Head of Department in the Department of
Music, Women’s College of Agartala, Tripura is presently serving as an Assistant Professor at
the Sachin Debbarman
Memorial Government Music College, Agartala and as a
Guest Lecturer at the Department of Music, Tripura University, Agartala, Tripura.
time immemorial music has predominantly been a subject of practical knowledge.
Before the arrival of print media, music was limited within the confines of the
Guru-Shishya Parampara of
imparting musical knowledge, concerts and stage shows. And there was rarely a
term used as a thinking musician! And if used, there was hardly any medium of
expression for the musician which in turn obscured his ideologies on music from
the rest world. But now times have changed, and so has the outlook for music.
Today it’s equally necessary for a musician, be it a vocalist, dancer or an
instrumentalist to think, assess and contemplate about the music he she
performs. And it is an altogether undoubted fact that thinking always
this process of thinking and delving on the diverse elements of music, this
book has endeavoured to present before the seekers of music an analogy of
jewels of music from the practitioners of various genres like vocal,
instrumental and dance forms of music belonging to various parts of prestigious
Institutions of Indian as well as eloquent artists. As lamps so may this effort
inspire more lamps to be enlightened.
work holds greater significance since it has been brought out for the first
time from Agartala, a small but relevant town of the
North-Eastern State of Tripura which has a glorious musical and cultural
blessings and best wishes go for the editor and the entire team behind this
work. May the readers be benefited through this effort.
Eternal Relationship Between Music and Meditation: An Introspective Analysis
Education-Its Indispensability and Mechanism of it Positive Effects
of Music in Socialization
Benaras Baaz: Specialty
and Skill of its Table Presentation
Shri Bharat Kumar Mishra
Vivekananda: Monk and the Musician
elopement of the Tradition of Solo Performance in Ancient Indian String
of Music in our Daily Life
Lawanya Kirti singh kavya
Bandish: Stanchion of the Music Temple
A Powerful Therapy of Medical Science
Role of Background Music in Expressing Emotions in Modern Drama
Tabla Playing- The
Importance of Training Practice
of Globalization on Indian Classical Music After Independence
of Taal and Fondness of the People: An Unflinching
and Rhythms of Patna: In Context of the Durga Puja Celebrations
Maihar Gharana: A Brief Chronicle of a Musical Tradition and
of Indian Taal System in the Light of Tagore’s
Perspective: An Analysis
Shri Sandip Kumar Ghosh
Concord: Assessing Musical Edification
Vernacular of Lucknow Gharana:
A Subtle Introspectio
Techno-Savvy Approach to Symphony
Music in the Changing Social Perspective
Nature and Spirituality in Abstract Art
and Evolution of Pakhawaj
Swapan Kumar Ghosh
Music and Media: The Influential Parameters of Music
and Critical Analysis-In the Perspective of North Indian Music
Vijay Shanker Mishra
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