Contents
I | The World ot he Painter | 9 |
II | Chitrakara Caste | 19 |
III | Jagannatha and the Chitrakara Nijoga | 30 |
IV | Chitrakara Seva | 41 |
V | Origin and Growth of the Seva | 54 |
VI | Paintings for Sale | 68 |
VII | Decline and Revival | 82 |
VIII | Materials, tools and Technique | 94 |
IX | Conventions inPata | 106 |
X | Polular Motifs I Pata | 116 |
XI | Learning and Transmission | 131 |
XII | Pata and other Orissn Paintings | 141 |
XIII | Puri Paintings : an Overview | 150 |
Appendix | ||
I | References to Chitrakara in Temple Documents | 163 |
II | Pata and Oriya Literature | 172 |
figures | 177-200 | |
Plates | 201-232 | |
Colour Paltes | 233-240 | |
Bibliography | 241 | |
Index | 244 |
Contents
I | The World ot he Painter | 9 |
II | Chitrakara Caste | 19 |
III | Jagannatha and the Chitrakara Nijoga | 30 |
IV | Chitrakara Seva | 41 |
V | Origin and Growth of the Seva | 54 |
VI | Paintings for Sale | 68 |
VII | Decline and Revival | 82 |
VIII | Materials, tools and Technique | 94 |
IX | Conventions inPata | 106 |
X | Polular Motifs I Pata | 116 |
XI | Learning and Transmission | 131 |
XII | Pata and other Orissn Paintings | 141 |
XIII | Puri Paintings : an Overview | 150 |
Appendix | ||
I | References to Chitrakara in Temple Documents | 163 |
II | Pata and Oriya Literature | 172 |
figures | 177-200 | |
Plates | 201-232 | |
Colour Paltes | 233-240 | |
Bibliography | 241 | |
Index | 244 |