There is a world of details in this seemingly minimalistic watercolour. Lord Vishnu looks up at the multitude of Sheshanaga’s hoods reaching over them both. The laidback stance of each of His four arms (He is chaturbhujadhari, possessed of four arms), the angavastram irretrievably wound around them. The divine implements of each of those hands floating in the air in His line of vision. The gossamer aanchal of His wife that has slid off Her bosom, of which She is wholly unaware, so devoted She is to the comfort and pleasure of Her husband.
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