Goddess Lakshmi in a Mandap Tanjore Painting

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 Set inside a solid and modern square teakwood frame, this Tanjore artwork is an awe-inspiring representation of the Hindu mother goddess Lakshmi, fusing two of her eight forms (Ashtalakshmi). The white elephants that flank the goddess with lotus offerings in their trunks are associated with the goddess Gajalakshmi, an ancient imagery of Devi Lakshmi as she emerges from the Kshirasagara. Infusing a rarity and aesthetic lushness to the goddess Lakshmi Tanjore painting is the pot of gold coins (attributes of Dhanalakshmi) placed in her lap from which a stream of coins flows and a semi-circular pedestal in the foreground on which a vase of plenty and numerous gold coins are placed. Embossing, the technique of creating a three-dimension effect on the canvas which gives Thanjavur paintings their world-famous artistic quality, is masterfully used by the maker of this artwork on the coins and the golden pot as well as the pillars and ornamentation of Sri Lakshmi turning it into an unparalleled masterwork. 

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Item Code: PHC503
Specifications:
Traditional Colors with 24 Karat Gold
Dimensions 43 inch Height X 43 inch Width X 6 inch Depth (With Frame)
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
Fair trade
Fair trade

The painting shows a balanced use of rules of perspective to give the image a stunning depth. The bloomed lotus flower on which the goddess is sitting has its petals delineated with realistic detailing. Devi Lakshmi is in her four-armed (chaturbhuja) form holding lotuses that symbolize the origin of life and emanate riches that sustain life forms. The goddess showering money is an auspicious icon for the household or business, acting as praise and evocation to her powers of bestowing endless wealth in her roopa as Dhanalakshmi.


A skillful addition of architectural marvel in a two-dimensional medium, the pillared hall of the glistening royal palace displays the sumptuousness of Tanjore painting tradition in its ornate embellishments. Five glass lamps in the center, multiple arches, and the expansiveness of a blue horizon in the background infuse this Thanjavur Maa Lakshmi painting with a generous grandeur. Fragrant flowers lay in front of the goddess, on the chequered floor of the palace of Devi Lakshmi, who as the regal Gajalakshmi and bountiful Dhanalakshmi bequeaths everlasting universal affluence.

Gilded Elegance: Unraveling the Artistry of Tanjore Paintings

Tanjore painting is a traditional form of art in the South Indian style and was started by the inhabitants of a small town known as Thanjavur of Tamil Nadu. This gives it another name called “Thanjavur painting”. This painting draws its figures, designs, and inspiration from the time when Vedic culture was prevalent in India. Certain remarkable features of a Tanjore painting distinguish it from other paintings. Some of these are pure gold or gold foil coating on gesso work, the use of rich and vivid colors, and the inlay of cut-glass or semi-precious and precious stones. The subjects of most of the Tanjore paintings are Hindu Gods, Goddesses, and saints. The main devotional figure is portrayed in the central portion of the painting and is usually surrounded by various secondary figures.

The process of making a Tanjore painting

The classic Tanjore paintings are done on wooden planks and hence are also referred to as Palagai Padam in South India (Palagai = Wooden plank, Padam = Picture). Creating a masterpiece is never an easy task but the skilled artists of Thanjavur have been following the tradition of making timeless Tanjore paintings for decades.
The making process begins with preparing the wooden board or canvas. The size of the board depends upon the choice of the patron. The next step is to paste cardboard over the wooden board and then a cotton fabric is stretched and pasted upon it using Arabic gum.
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Now that the cloth is attached to the wooden panel, a rough sketch of the motifs and figure is drawn onto the fabric. After this, a paste of chalk powder and water-soluble adhesive is evenly applied over the base and smoothed.
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Thereafter, the outlines which were made or traced using a stencil are now ready to be beautified and decked with various add-ons. The usual materials for decoration are cut-glass, pearls, semi-precious and precious gems, gold leaf, and laces. 22 or 18 Karat Gold leaves and gems of varied hues are especially inlaid in areas like pillars, arches, walls, thrones, and dresses. In the final step, the rest of the painting is filled with rich and striking colors such as shades of red, blue, and green. Formerly, the artists used natural colors like vegetable and mineral dyes instead of chemical paints. The entire painting is then cleaned and refined to give a flawless finished look.
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Since the making of a single piece of Tanjore painting requires a complex and elaborate process, the artists usually take at least one or two months to complete it. The use of pure gold foil and gems for beautification is a characteristic of an authentic Tanjore painting. Due to this, Tanjore paintings last for generations without getting tarnished and are much more expensive than general paintings. Though the art form has undergone various changes and technique modifications over the years, it continues to attract the hearts of art lovers.
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