The Thousand Buddha Wall

$275
Item Code: TJ45
Specifications:
Tibetan Thangka Painting
Dimensions 13.5" x 17.0"
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
100% Made in India
100% Made in India
Fair trade
Fair trade
"At his birth, Siddhartha said that he was coming to earth for the last time and this was the last in a perpetual series of existences. The many previous existences of the Buddha are known from legends and jatakas, stories about his previous births. In Mahayana Buddhism, the idea developed that the historic Buddha was only one in a long series of Buddhas. Shakyamuni's period will last 5,000 years, until about the year 4500, after which the new Buddha, Maitreya, will come.

In the later forms of Buddhism, the theology grew and, incidentally, so did the number of Buddhas, to a series of 8, 9, 24, 35, 52 or 1,000, and various other numbers. Here, it is not the power of the story that counts, but the might of the number, with its symbolic value of infinity. Much is good, more is better, or there strength in numbers and repetition. In fact, it is a theological impoverishment, caused by many teachers.

This type of portrayal is typical in monasteries with what are known as thousand-Buddha walls, and they frequently appear as a thangka theme.

The positive effect of this numerousness is equal to the endless circling of a prayer wheel that contains a mantra such as OM MANI PADME HUM, and which people turn, repeating the prayer over and over.

This thangka most closely resembles a thousand-Buddha wall. The central Buddha, Shakyamuni, is sitting on the Six-Ornament Throne of Enlightenment, in bhumisparshamudra and is repeated over and over, in identical fashion, in a long series.

Below his throne, and between Shariputra and Maudgalyayana, the intertwined form of the frequently occurring symbol of fortune, ashtamangala, the eight good luck tokens, can be seen.

Click Here to View the Thangka Painting along with its Brocade

Of Related Interest:

Prayer Wheels

OM Mani Padme Hum

Assembly of Buddhas


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Unveiling the Divine Art: Journey into the Making of Thangkas

A Thangka is a traditional Tibetan Buddhist painting that usually depicts a Buddhist Deity (Buddha or Bodhisattva), a scene, or a mandala. These paintings are considered important paraphernalia in Buddhist rituals. They are used to teach the life of the Buddha, various lamas, and Bodhisattvas to the monastic students, and are also useful in visualizing the deity while meditating. One of the most important subjects of thangkas is the Bhavacakra (the wheel of life) which depicts the Art of Enlightenment. It is believed that Thangka paintings were developed over the centuries from the murals, of which only a few can be seen in the Ajanta caves in India and the Mogao caves in Gansu Province, Tibet. Thangkas are painted on cotton or silk applique and are usually small in size. The artist of these paintings is highly trained and has a proper understanding of Buddhist philosophy, knowledge, and background to create a realistic and bona fide painting.
The process of making a thangka begins with stitching a loosely woven cotton fabric onto a wooden frame. Traditionally, the canvas was prepared by coating it with gesso, chalk, and base pigment.
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After this, the outline of the form of the deity is sketched with a pencil or charcoal onto the canvas using iconographic grids. The drawing process is followed in accordance with strict guidelines laid out in Buddhist scriptures. The systematic grid helps the artist to make a geometrical and professional painting. When the drawing of the figures is finalized and adjusted, it is then outlined with black ink.
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Earlier, a special paint of different colors was made by mixing powdered forms of organic (vegetable) and mineral pigments in a water-soluble adhesive. Nowadays, artists use acrylic paints instead. The colors are now applied to the sketch using the wet and dry brush techniques. One of the characteristic features of a thangka is the use of vibrant colors such as red, blue, black, green, yellow, etc.
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In the final step, pure gold is coated over some parts of the thangka to increase its beauty. Due to this beautification, thangkas are much more expensive and also stand out from other ordinary paintings.
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Thangka paintings are generally kept unrolled when not on display on the wall. They also come with a frame, a silken cover in front, and a textile backing to protect the painting from getting damaged. Because Thangkas are delicate in nature, they are recommended to be kept in places with no excess moisture and where there is not much exposure to sunlight. This makes them last a long time without their colors fading away. Painting a thangka is an elaborate and complex process and requires excellent skills. A skilled artist can take up to 6 months to complete a detailed thangka painting. In earlier times, thangka painters were lamas that spent many years on Buddhist studies before they painted.
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