Garuda - Glorious, Humble, and Powerful

$1880
Item Code: ZU27
Specifications:
South Indian Temple Wood Carving
Height: 32 inch
Width: 17 inch
Depth: 8.5 inch
Weight: 10 kg
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
Shipped to 153 countries
Shipped to 153 countries
More than 1M+ customers worldwide
More than 1M+ customers worldwide
Garuda 'the devourer,' is the mythical 'Lord of Birds' in the Hindu tradition. In the Puranic legends, he is the son of Kashyapa and Vinata, and is said to have emerged fully grown from an egg, after incubating for five hundred years.

Originally the Indian Garuda was represented as a bird. Later his form assumed that of a 'bird man'- a creature half eagle and half man, combining a human body with a bird's head, beak, and wings. Zoomorphic variations of the Garuda's artistic representation diffused throughout India, Nepal, Sri Lanka, Burma, Thailand, and South East Asia. In Bali his animalistic image assumed great popularity.

Bejewelled richly, and wearing a short dhoti which ends slightly above his knees, Garuda is adorned here with the typical South Indian high-crown, known as kirti-mukuta, or the 'crown of glory.' He stands upon a high, multiple-tiered pedestal, embellished with lotus-petal motifs all round.

Garuda's body is well-proportioned and majestic. Though his hands folded in the 'namaskar' mudra express his humility, the strong and lithe body are ample indicators of his inherent power. He stands in a dynamic posture with the left leg slightly ahead of the right. There is a Vaishnavite tilaka on his joyful, smiling face, indicating his status as the mount of Lord Vishnu. His fully outstretched wings extend to the two sides. For earrings, Garuda has two serpents, while another entwines itself in his left arm, raising its venomous hoods at the wrist.

Garuda has always been the sworn enemy of snakes and nagas. The archetypal legend of the enmity that exists between birds of prey and serpents occurs across a wide spectrum of transcultural mythologies. Such birds include the Sumerian and Greek eagle, the poison-transmuting peacock of Persia and India, the Chinese peng-niao, and the gigantic snake-eating simurgh or rukh of Sinbad's adventures in Arabian nights.

Literally, the word Garuda means 'wings of speech'. He actually personifies Vedic knowledge. On his wings,as it were, Vedic knowledge has come down to us. He is also known as Suparna (beautiful wings), Garutman (the solar bird), Sarparati (enemy of serpents), and Khageshvara or Pakshiraj (Lord of birds). The female bird is known as Garudi.

The sculptor of this fine representation of Garuda is Shri S. Dhatcinamoorthi of Kallakurichi (dist. Villupuram, Tamil Nadu).


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Sculpting Serenity: Unveiling the Art of Crafting Wood Statues

Wood has been a preferred material for sculptures and statues since ancient times. It is easy to work with than most metals and stones and therefore requires less effort to shape it into any desired shape or form. The texture of the wood gives an element of realism to the sculpture. The selection of an appropriate wood type is necessary for carving. Woods that are too resinous or coniferous are not considered good for carving as their fiber is very soft and thus lacks strength. On the other hand, wood such as Mahogany, Oakwood, Walnut wood, Weet cherry wood, etc., are preferred by sculptors because their fiber is harder. A wood sculptor uses various tools such as a pointed chisel in one hand and a mallet in another to bring the wood to the desired measurement and to make intricate details on it. A carving knife is used to cut and smooth the wood. Other tools such as the gouge, V-tool, and coping saw also serve as important tools in wood carving. Although the wood carving technique is not as complex and tough as stone carving or metal sculpting, nonetheless, a wood carver requires a high level of skills and expertise to create a stunning sculpture.

1. Selecting the right wood

The process of wood carving begins with selecting a chunk of wood that is required according to the type and shape of the statue to be created by the sculptor. Both hardwoods and softwoods are used for making artistic pieces, however, hardwoods are preferred more than softer woods because of their durability and longevity. But if heavy detailing is to be done on the statue, wood with fine grain would be needed as it would be difficult to work with hardwood.
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2. Shaping the wood

Once the wood type is selected, the wood carver begins the general shaping process using gouges of various sizes. A gouge is a tool having a curved cutting edge which is useful in removing large unwanted portions of wood easily without splitting the wood. The sculptor always carves the wood across the grain of the wood and not against it.
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3. Adding detailing

When a refined shape of the statue is obtained, it is time for making details on the statue using different tools. This is achieved by using tools such as a veiner to make and a V-tool to create decorative and sharp cuts.
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4. Surface finishing

Once finer details have been added, the sculptor is ready to smoothen the surface and give it a perfect finish. Tools such as rasps and rifflers are used to get a smooth surface. The finer polishing is obtained by rubbing the surface with sandpaper. If a textured surface is required, this step is skipped. Finally, to protect the statue from excessive dirt accumulation, the sculptor applies natural oils such as walnut or linseed oil all over it. This also brings a natural sheen to the statue.
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How to care for Wood Statues?


Wood is extensively used in sculpting especially in countries like China, Germany, and Japan. One feature that makes the wood extremely suitable for making statues and sculptures is that it is light and can take very fine detail. It is easier for artists to work with wood than with other materials such as metal or stone. Both hardwoods, as well as softwood, are used for making sculptures. Wood is mainly used for indoor sculptures because it is not as durable as stone. Changes in weather cause wooden sculptures to split or be attacked by insects or fungus. The principal woods for making sculptures and statues are cedar, pine, walnut, oak, and mahogany. The most common technique that sculptors use to make sculptures out of wood is carving with a chisel and a mallet. Since wooden statues are prone to damage, fire, and rot, they require proper care and maintenance.

 

  • Wood tends to expand and contract even after it has been processed, thus it is always recommended to keep the wooden sculptures in rooms with little humidity. Excess moisture can harm your masterpiece.

 

  • Periodical dusting of the finished piece is necessary to maintain its beauty as dust accumulation on the surface takes away the shine of the sculpture. You can use a clean and soft cloth or a hairbrush for this purpose.

 

  • You must avoid applying any chemical-based solutions that may damage the wood from the inside. Instead, you can apply lemon oil or coconut oil using a cotton rag to the sculpture to bring out its natural shine. Lemon oil also helps to clean any stains on the sculpture.

 

  • Applying a layer of beeswax protects the wood from sun damage and hides even the smallest imperfections on the wood.

 

It is extremely important to preserve and protect wooden sculptures with proper care. A little carelessness and negligence can lead to their decay, resulting in losing all their beauty and strength. Therefore, a regular clean-up of the sculptures is a must to prolong their age and to maintain their shine and luster. 

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