Goddess Who Descends into the Heart of the Devotee from Her Heavenly Heights

$505
Item Code: RU54
Specifications:
Copper Statue Gilded with 24 Karat Gold
Height: 13.3 inch
Width: 8.5 inch
Depth: 6 inch
Weight: 3.19 kg
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
Shipped to 153 countries
Shipped to 153 countries
More than 1M+ customers worldwide
More than 1M+ customers worldwide
This exquisitely made sculpture depicts the Buddhist goddess Tara. She is considered a female Buddha and meditational deity, and is very much popular in Tibet, Nepal and Mongolia In her Green Tara form she is also considered to be the goddess of universal compassion and a manifestation of the actions of all Buddhas.

There are various forms of Tara and among them the Green and White forms are most popular. Green Tara helps her devotees to overcome dangers, fears and anxieties and fulfills their wishes. She also helps believers to cross over from danger to safety or from suffering to happiness and protects them from sixteen popular perils.

She is seated here in the lalitasana on a lotus seat with her right leg pendant on a smaller lotus and the left leg folded in her lap. She has two hands; the right hand is in the gesture of charity (varada) and holding the stem of a full-blown lotus flower, and the left hand which is in the gesture of argumentation / protection likewise holds the stem of a lotus.

Green Tara is considered an incarnation of the Nepalese queen of king Sron-btsan-sgam-po. In paintings, her body complexion is green. The green colour points to the power of performing every kind of action. Her right hand as mentioned above is in the attitude of gifting in order to point out the perfection of liberality (dana-paramita), her left hand is in the gesture of abhaya, because it protects creatures from all kinds of fear. She holds the lotus flower in order to show that from her all beings, taking refuge in her, derive their blessedness. She indeed has the power to realize the welfare of all.

The body of the deity is full yet lissome. Her eyes are half closed and there is a sacred tika or mark between the eyebrows. She is adorned with a five-pronged crown, earrings, necklaces, armlets, bracelets, waistband and anklets.

The uniqueness of this composition lies in the beautiful finish the artist has imparted to the sculpture. After carefully imbuing the Devi with a bronze hue, he has then deftly set out to inlay the whole sculpture with wires of copper and silver. Even though this effort is highly painstaking, nevertheless, the beauty of the final result amply justifies it. We can see its effectiveness in the highlighting of the goddess’s jewelry, the incisions making up the folds of her dhoti and also the bordering of her lotus seat. Definitely a sculpture which justifies her epithet as the goddess ‘who descends into the heart of the devotee from her heavenly heights’.


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How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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