Indeed she is the very image of beauty and art in motion. One arm she raises above her head, adjusting the jaunty bun on her head; with the other she holds a stylish handheld mirror up to her face in order to see the effect. One of her gorgeous legs is bent at the knee and raised mid-air, with her hips jutting deliciously out in the opposite direction. Blue floral shells conceal the curves on her torso and a skirt of layered silk her hips, as a sea of sashes and vines float about her.
The style of composition is in keeping with ancient South Indian temple architecture. Her toes graze a lotus pedestal, from either side of which emerges an aureole of wild overgrowth. Thick snake-like vines interspersed with bits of juicy fruit, on which birds of luxuriant plumage are feeding. The intricate latticework is an example of superfine craftsmanship. Like a ripe fruit caught in the flora, the beauteous apsara continues her dance, much to the pleasure of the inhabitants of Indraloka whose fortune it is to witness her.