There are several versions of the legend explaining his eleven heads, but
they all resolve themselves into the following:
Avalokiteshvara, the all pitying one, descended into hell, converted the
wicked, liberated them, and conducted them to Sukhavati, the paradise of his
spiritual father, Amitabha.
He discovered, however, to his dismay, that for every culprit converted and
liberated, another instantly took his place. Legend claims that his head
split into ten pieces from grief and despair on discovering the extent of
wickedness in the world, and the utter hopelessness of saving all mankind.
Amitabha caused each piece to become a head, and placed the heads on the
body of his spiritual son, Avalokitesvara. Nine of the heads have benign
faces and are depicted in three rows; the tenth has an angry face, while the
head at the top is that of Amitabha.
All the heads, except that of Amitabha, is crowned. In contrast to the
floral crowns of the three rows of heads, the top wrathful head is adorned
with a crown of skulls.
At a symbolic level, eight of the heads represent the cardinal directions
and their intermediate points, and the other three signify the zenith, the
center, and the nadir.
Fascinating as this myth is, it probably disguises an earlier myth of cosmic
creation in which a primal being created the universe by disintegrating his
Amitabha further said to Avalokiteshvara that there was still another way to
accomplish his goal. Mahakala, the wrathful aspect of Avalokiteshvara, was
then created to fight against negative forces with compassion and to destroy
obstacles in the path towards righteousness, thereby helping all sentient
beings reach enlightenment. The tenth wrathful head is thus that of
In addition Avalokiteshvara is given a thousand arms, which form a mandala
around his body and symbolize his pervasiveness. The palm of each hand is
marked with an eye, the 'eye of mercy', to see the sufferings of all beings,
and to help sentient beings overcome them.
The two central arms hold a wish-fulfilling gem; one main right arm is
holding the wheel of combined spiritual teaching and benevolent governance;
another upraised right hand holds the rosary. a left hand holds a bow and
arrow, their pairing symbolizes the coincidence of wisdom and method, or the
union of wisdom and concentration. Another upraised left hand holds a lotus
in full bloom. This is a symbol of purity, renunciation, and divinity.
Of Related Interest:
Eleven Headed Thousand Armed Avalokiteshvara (Tibetan Thangka Painting)
Eleven Headed Thousand Armed Avalokiteshvara (Brass Statue)
Eleven Headed Thousand Armed Avalokiteshvara (Antiquated Sterling Silver Pendant)
Eleven Headed Avalokitesvara Chenresigs, Kuan-yin, or Kannon Bodhisattva: Its Origin and Iconography (Book)
The Bodhisattva Ideal: Buddhism and the Aesthetics of Selflessness (Article)
Nepalese Copper sculptures – Their Care and maintenance
Nepalese sculptures are well-known throughout the globe for their distinctive features. The artists of Nepal specialize in making small religious figures, especially Buddhist and Hindu, and ritual objects in copper or bronze alloy. The characteristic features of sculptures of Nepal are elongated and languid eyes, exaggerated physical postures, round facial features, and sensuous youthful bodies. All these features exhibit a high level of skill and exquisite beauty that draw their influence from the artistic style of the Gupta and Pala Empires from ancient India. Nepali sculptures are especially appreciated for perfectly portraying the spiritual cultures of Buddhism and Hinduism.
Maintenance of copper statues
The ancient artists of Nepal preferred to use copper more than any other material due to its amazing properties. It is a soft and malleable metal that makes it suitable for molding into any desired shape or form. A sculpture requires a structure with realistic intricate details and copper is an appropriate material for this purpose. Although copper sculptures do not need much care and maintenance, you should not question the need of cleaning them carefully.
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