Three figures rise from a single, unbroken base, not fully emerged, yet unmistakably present. Their forms are pared down to essentials: rounded heads, gentle shoulders, no defining features to separate one from the other. What distinguishes them is not individuality, but proximity. They stand shoulder to shoulder, held within the same rough-hewn mass, as if shaped by one continuous decision.
The lower portion retains the raw texture of stone, deliberately unfinished. It feels like ground, memory, or circumstance, the common material from which all three figures are drawn. Above it, the bodies smooth out, quieter, calmer, suggesting consciousness lifting itself just enough to be seen. There is no hierarchy here. The figures do not lead or follow; they simply coexist.
Their facelessness is not absence but openness. Without expressions to guide interpretation, the viewer is invited to project: community, witness, kinship, shared waiting. The trio could be elders, companions, or even different moments of the same self-aligned in time. What matters is their collective stance- upright, steady, unperformative.
The sculpture resists drama. Its power lies in restraint. By binding three presences to one base, it proposes a subtle truth: that identity is often shaped not in isolation, but through those who stand beside us. What rises here is not the individual figure, but the quiet dignity of togetherness- a shared horizon held in stone.
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