Soaring Together presents flight not as escape, but as a shared act of balance and trust. The form unfolds within a crescent arc, as though movement itself has been given a boundary, one that holds rather than confines. At the centre, two abstracted figures stretch outward, their wings extending in opposite directions yet anchored to the same core. Neither dominates the space; both rely on the other to complete the gesture.
What is striking here is the tension between openness and containment. The outer curve reads almost like a horizon or a sheltering sky, while the figures inside appear caught at the precise moment where effort becomes lift. This is not effortless flight- it is coordinated motion, achieved only through alignment. The negative spaces between the bodies are as deliberate as the stone itself, allowing air, light, and imagination to circulate freely.
The marble’s pale warmth softens the geometry, lending the sculpture an emotional register that feels human rather than monumental. The figures do not strain upward individually; instead, their reach is lateral, expansive, and relational. Togetherness here is not symbolic decoration- it is a structural necessity.
Rather than depicting arrival, the sculpture honours the act of becoming airborne itself. Soaring Together captures that fragile, powerful instant when momentum is shared, direction is mutual, and ascent is only possible because no one rises alone.
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