What holds the eye first is the quiet pull of the opening- a circular void placed not as an absence, but as a point of arrival. The sculpture unfolds around it in measured ridges, as if the stone has been gently persuaded into motion and then asked to pause. Every line radiates outward, disciplined yet organic, echoing forms found in shells, leaves, or slow-moving currents shaped by time rather than force.
The asymmetry of the outer edge resists perfection. One side rises sharply, the other softens and recedes, creating a tension between ascent and release. This imbalance gives the work its vitality: it feels neither decorative nor rigid, but alert, aware of gravity, aware of breath. The carved grooves catch light differently at every angle, making the surface appear to shift without ever moving.
The central aperture becomes crucial here. It is not a window, nor a hole, but a pause- a moment where form steps aside. The eye passes through it, rests, and returns to the surrounding structure with renewed clarity. In this way, the sculpture proposes that stillness is not the absence of energy, but its quiet organisation.
Anchored on a simple base, the form stands without assertion. It does not narrate or symbolise overtly. Instead, it invites sustained looking, rewarding patience with a sense of inward calm- a reminder that balance is often found not at the edges, but at the centre where movement resolves into poise.
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