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Superfine Tibetan Buddhist Guru Padmasambhava (Made in Nepal)

$1375
Includes any tariffs and taxes
Specifications
ZDF90
Copper Statue Gilded with 24 Karat Gold
Height: 13.5 inch
Width: 9.7 inch
Depth: 7.5 inch
Weight 3.88 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodiment of Enlightenment and Wisdom

This exquisite copper statue, meticulously crafted in Nepal, depicts Guru Padmasambhava, a figure of immense significance in Tibetan Buddhism. Known as the "Lotus-Born," Padmasambhava is revered as the second Buddha, credited with bringing Buddhism to Tibet in the 8th century. His presence is believed to dispel negativity, overcome obstacles, and guide practitioners toward spiritual awakening. The statue's serene yet powerful posture, seated in a meditative pose, reflects the profound peace and wisdom he embodies. The intricate details, from the flowing robes adorned with delicate patterns to the serene expression on his face, speak to the skill and devotion of the artisans who brought this sacred representation to life. The liberal application of 24-karat gold gilding imbues the sculpture with a radiant luminescence, symbolizing purity, enlightenment, and the celestial realm. ––––––––––

A Beacon of Spiritual Heritage

Guru Padmasambhava is a central figure in the Nyingma school of Tibetan Buddhism. Legend tells of his miraculous birth from a lotus flower in the Dhanakosha lake, a testament to his divine nature. He is renowned for his mastery over tantric practices, his ability to subdue demons and negativities, and his tireless efforts to spread the Dharma. His teachings and practices continue to inspire millions, offering a path to liberation and ultimate realization. In Tibetan culture, Padmasambhava is often depicted with symbolic attributes. He may hold a vajra (thunderbolt) and a skull-cup, representing indestructibility and the conquest of ego. In this particular depiction, his left hand rests in his lap, signifying meditation and the accumulation of merit, while his right hand is raised, possibly holding a symbolic object or engaged in a gesture of blessing or protection. The vibrant, multi-colored element held aloft in his raised hand likely represents a symbolic ritualistic implement, further enhancing the spiritual narrative of the piece. The ornate crown he wears signifies his regal status as a spiritual king. ––––––––––

A Sacred Treasure for Devotion and Contemplation

This statue serves not only as a beautiful objet d'art but also as a powerful focal point for meditation and devotion. Its substantial size and the rich detail make it a commanding presence in any sacred space, home altar, or meditation room. The gleaming gold finish reflects light beautifully, drawing the eye and inspiring reverence. Each curve, fold, and expression has been rendered with an exceptional level of craftsmanship, reflecting a deep understanding of the iconography and spiritual essence of Guru Padmasambhava. Owning this statue is an invitation to connect with the profound wisdom and compassionate energy of this revered master, bringing a sense of peace, protection, and spiritual growth into your life. It is a testament to the enduring artistry and spiritual depth of traditional Nepalese craftsmanship.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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