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Tibetan Buddhist Gau Box (Portable Shrine) Made in Nepal

$86
Includes any tariffs and taxes
Specifications
ZDF69
Copper Statue
Height: 4.8 inch
Width: 4.3 inch
Depth: 1.8 inch
Weight 140 gm
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Portable Sanctuary of Sacred Artistry

This exquisite portable shrine, known as a Gau box in Tibetan Buddhist tradition, is a testament to the rich artistic heritage of Nepal. Crafted from copper and adorned with intricate repoussé work, it serves as a sacred vessel, designed to hold precious religious items and imbue its surroundings with spiritual energy. Its compact size makes it an ideal companion for pilgrims, travelers, or anyone seeking to maintain a personal connection to their faith while on the move. The dark, contrasting leather exterior provides a sturdy and dignified frame for the meticulously detailed silver-plated copper facade.

Symbolism and Divine Embellishments

The surface of this Gau box is alive with symbolic imagery, each element carrying profound meaning within Buddhist philosophy. At the apex, a stylized lotus flower blooms, representing purity, enlightenment, and the unfolding of spiritual awareness. Flanking this central motif are depictions that often allude to the Eight Auspicious Symbols, such as the endless knot, symbolizing the interconnectedness of all things, and paired fish, representing freedom from suffering and the joy of spiritual liberation. The intricate patterns and divine figures adorning the shrine are not merely decorative; they are visual prayers and meditations, intended to inspire devotion and mindfulness. The central arched opening is designed to house sacred objects, such as mantras, small statues of deities, or blessed relics, creating a miniature temple that can be carried close to the heart.

Craftsmanship and Cultural Significance

Originating from Nepal, a land deeply intertwined with Tibetan Buddhism, this Gau box is a product of generations of skilled artisans. The repoussé technique, where the metal is hammered from the reverse side to create a raised design, requires immense precision and patience. The fine lines and delicate curves of the deities and auspicious symbols speak to the dedication of the craftspeople who imbue each piece with their spiritual intent. In Tibetan culture, Gau boxes are more than just containers; they are considered sacred objects in their own right, often passed down through families as heirlooms, carrying the blessings and prayers of ancestors. The ability to keep sacred items close, protected within such a beautiful and meaningful artifact, offers a sense of comfort, guidance, and spiritual presence in all aspects of life.

A Touch of the Divine for Your Journey

This portable shrine is a tangible connection to ancient traditions and a beautiful reminder of the presence of the divine, wherever you may go. Its detailed craftsmanship and profound symbolism make it not only a functional religious item but also a piece of art that enriches any space it inhabits. Whether used for personal devotion, as a gift of spiritual significance, or as an aesthetic addition to your sacred space, this Nepalese-made Gau box offers a unique blend of artistry, spirituality, and cultural heritage.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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