Folk Art Paintings Articles: Explore Traditional Handcrafted Artworks

Named after the city of their origin, Mysore paintings developed from the earlier Vijaynagar murals and art, painted on the walls of the grand temples of the royal city. In the 17th, 18th, and later centuries, inspired by the frescos of sanctums like Hampi’s Virupaksha Mandir, these paintings grew into a distinctive art form. The Chitrakara or painters, engaged in the artworks, were initially nurtured by the Vijayanagara kingdom, but after its fall, they had to scatter and find patrons in neighboring regions. Not just kings, but elites, ministers, and high-ranking officials of the states came forward to patronize the artists, preserving the painting style further.

Tanjore Paintings best known as Thanjavur Paintings showcase a rich cultural significance in the history of Indian paintings. Dated back to the 11th century, Tanjore art can be seen in the Chola wall paintings and the paintings from the Nayak Period. The fall of the Vijayanagar Empire led to the migration of several painters to the region of Thanjavur, who worked for the Nayakas. The Marathas defeated the Thanjavur Nayakas because of which the local artists were greatly influenced by the taste of the Marathas and included that in their painting style. Traditional Thanjavur paintings differ in size according to the occasion. Large paintings of Deities were placed in the Palaces and buildings to accentuate the beauty of the royalties. These paintings were made on canvas along with the walls, glass, paper, mica, and rare materials like Ivory. Small painted Ivory was worn as a pendant known as Rajaharam and was quite popular back in the time.

Kerala Mural Paintings are a sacred traditional art form from South India, rooted in the ancient Dravidian style and scriptures like the Chitrasutra. Known for their vibrant natural colors and spiritual symbolism, these murals depict mythological stories using techniques like fresco and tempera. Once at risk of extinction, the tradition has been revived by cultural institutions and now thrives across temple walls and global galleries alike—preserving divine narratives in stunning visual language.

Sweets and savory dishes on plates, bowls of colors, Gulal in the air, people singing Phaag (folk songs celebrating Phagun or the month of Holi), fervor, and joy all around- the arrival of Holi is a time when everyone welcomes energy, newness, and life with open arms. In the states of India, people have different ways of celebrating the festival with their loved ones. This ancient festival of colors seems to be one of the most important occasions for the people of India till modern times. In this blog, we will relish the vibrancy of Holi through the colors of Indian painting. With each brushstroke and eye-catching color filling the canvas with eternal colors, these paintings perfectly capture the essence of Holi for India and its people.

Cheriyal paintings are colorful and mostly use primary colors only. The trademark feature of a Cheriyal scroll painting is that it has a background that is red in color and a border that has floral motifs. They usually depict scenes from Hindu epics like Ramayana and Mahabharata, incidents mentioned in the Puranas like the Shiv Purana, Garuda Purana, and the Markandeya Purana, and other mythological events like the Krishna Leela. Apart from this they also depict daily scenes from the lives of the common folk. It must be noted that the figures depicted in Cheriyal scroll paintings are always facing each other.

I drank with my eyes the beauty of this glamorous woman who stood near Bihari Lal in ecstasy”. These lines are from the poem of Nagari Das aka Maharaja Savant Singh of Kishangarh, the poet-prince who is associated with the conception and origin of one of the most popular and unparalleled figures in Indian art- Bani-Thani or the “bedecked woman”. Emerging as the “Monalisa of Indian Art”, Bani-Thani is the representative of the luxurious and expressive art of Rajput school and a gem in the crown of Kishangarh paintings.

The well-renowned Warli painting is an art form practiced by the Tribal community of the Palghar district of Maharashtra, India. This art is considered one of the oldest that dates back to as early as the 10th century. At present, it continues to be practiced by the Warli tribe, the skills being passed from one generation to another. Since farming is the main source of their livelihood, these people are extremely close to nature and wildlife. This is reflected in all the Warli paintings that they create. The main theme of the painting centers around Mother nature. Other common depictions are the scenes of tribal festivals, the portrayal of unusual Male gods, and the day-to-day activities of the village people. Tarpa dance associated with the Warli tribe is also sometimes depicted in the paintings. The secondary motifs and patterns are generally repetitive and symbolic.

The allure of traditional Indian artworks and how they majestically stand out in modern spaces can never be overemphasized. Indian paintings, including Pichhwais, are divine images as well as heritage gems, and worshipping one in your home Puja ghar or displaying a Pichhwai masterpiece on your walls will instill in your home the heavenly vibrations of Srinathji. Explore Exotic India Art’s selection of heavenly Srinathji Pichhwais and Sri Krishna Lila Pichhwai paintings, and welcome the Lord of Nathadwara into your home.

There couldn’t be a more comprehensive summing up of the core emotion of Warli art. An art form that is driven by everyday life stories and these tales also in turn become a reminder of traditional values and cultures cherished by the tribe. The Warlis believe that without the ahankaar, there is no kahankar. They have an advanced notion of communication. A story is not just a story, it is the passing of energy from narrator to listener. Warli painting is a form of tribal mural art created by the tribal people from the North Sahyadri Range in Maharashtra, India. The Warlis or Varlis are an indigenous tribe living in mountainous as well as coastal areas of Maharashtra and Gujarat. They speak an unwritten Varli language which belongs to the southern zone of the Indo-Aryan languages. The Warli Tribesmen and women are traditional storytellers; they follow the oral practice of passing down traditions, knowledge and culture. This oral tradition translates into beautifully painted elaborate tales on the wall of their houses, and other common areas of the community.

A Thangka is a painted or embroidered banner which was hung in a monastery or a family altar and carried by lamas in ceremonial processions. In Tibetan the word 'than' means flat and the suffix 'ka' stands for painting. The Thangka is thus a kind of painting done on flat surface but which can be rolled up when not required for display.

"Hindu women who live in villages near the market town of Madhubani in northern India maintain old traditions and teach them to their daughters. Painting is one of the traditional skills that is passed down from generation to generation in the families of some of the women. They paint figures from nature and myth on household and village walls to mark the seasonal festivals of the religious year, for special events of the life-cycle, and when marriages are being arranged they prepare intricately designed wedding proposals." A symbol of Bihar’s cultural richness in the modern world, Madhubani or Mithila Paintings are a prominent folk art form, known for its vivid colors, regional themes, and cultural history. Traditionally, the motifs used in these paintings were made by women on the walls and floors of their houses during festivals, community celebrations, and important religious ceremonies.

In this article, we will take a look at the various sub-schools within the Rajput painting category, the features that distinguish them from one another, themes popular among the artists, and the use of colors in the paintings- a marvelous element of these artworks that makes the subjects come to live with vivid energy and drama. The politics of medieval India was marked by a division of regions among many states, a number of which were known as Rajput kingdoms, populated by royal families and their subjects. Though distinctive in the themes and techniques they favored, these schools also share a cultural background, symbols, and stories that run like a thread connecting the many canvases of Rajput paintings.

Tanjore derives its name from the capital of Chola empire, Thanjavoor. This place has one of the beautiful temple of Lord Shiva-Brigadeeswara temple. This art form was developed with the patronage of the Maratha rulers in the 18th century.This type of art which is famous for its ornamental relief work flourished with the patronage of the kings. The process of making a Tanjore painting requires dedicated skilled labour. There are many stages during the making of this painting. The article celebrates Tanjore paintings as a vital part of India's artistic heritage, showcasing their beauty and the craftsmanship involved in their creation.

Indian miniature paintings, a symbol of India’s rich artistic heritage, are exquisite works of art characterized by their diminutive size and unparalleled detail. These paintings, often no larger than a few inches, encapsulate within their tiny frames a world of intricate patterns, vibrant colors, and profound narratives. Spanning centuries and diverse cultures, Indian miniature paintings offer a fascinating glimpse into the country’s history, religion, and aesthetics. The Mughal miniatures, Rajput painting, and sub-schools within it create a large collection of historical miniatures, however, small images drawn on surfaces is a technique that existed in the country since ancient times.