BOOKS ON INDIAN CLASSICAL & FOLK DANCE

Affichage de 25 à 48 sur 289 résultats
Affichage de 25 à 48 sur 289 résultats
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Kathak
Kathak
By Richa Jain
CHF33
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Bharatanatyam Nrithya Darpana (The Basic Knowledge of Theory and Adavus)
Bharatanatyam Nrithya Darpana (The Basic Knowledge of Theory and Adavus)
By N. K. Pratap Sarkar
CHF20
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Nayana-Savana (A Creative Appreciation of the Artistic Works of Dr. Padma Subrahmanyam)
Nayana-Savana (A Creative Appreciation of the Artistic Works of Dr. Padma Subrahmanyam)
By R. Ganesh, Arjun Bharadwaj
CHF23
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Kathak Dance Syllabi (Part One)
Kathak Dance Syllabi (Part One)
By Puru Dadheech
CHF18
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Bharatanatyam
Bharatanatyam
By Varun Khanna
CHF33
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Sangita Sancintanam: Reflections on Art and Artistry (Celebrating Ten Glorious Years of the Naada Bindu Festival 2021)
Sangita Sancintanam: Reflections on Art and Artistry (Celebrating Ten Glorious Years of the Naada Bindu Festival 2021)
By Edited By Swapnil Chaphekar, Ramakrishna Pejathaya
CHF20
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Dance as Yoga (The Spirit and Technique of Odissi)
Dance as Yoga (The Spirit and Technique of Odissi)
By Rekha Tandon
CHF30.40
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Folk Plays and Dances of Kerala
Folk Plays and Dances of Kerala
By M. D. Raghavan
CHF21
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Comparative Study of Chaturvidha Abhinayas Between Kathakali and Kuchipudi Yakshagana (Comprehensive Analysis of Four Kinds of Expressions in Kathakali and Kuchipudi Dance, Drama Traditions)
Comparative Study of Chaturvidha Abhinayas Between Kathakali and Kuchipudi Yakshagana (Comprehensive Analysis of Four Kinds of Expressions in Kathakali and Kuchipudi Dance, Drama Traditions)
By P. Rama Devi
CHF47
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Students Guide to Odissi Dance (Covering Gandharva Mahavidyalaya Syllabus of Prarambhik to Madhyama Pratham)
Students Guide to Odissi Dance (Covering Gandharva Mahavidyalaya Syllabus of Prarambhik to Madhyama Pratham)
By Sneha Gupta
CHF28
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Kathak and Shastra Special Issue by Sangeet Natak (Volume LIV Numbers 14,2020)
Kathak and Shastra Special Issue by Sangeet Natak (Volume LIV Numbers 14,2020)
By Ankur Acharya
CHF30
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Special Issue- Prayog and Shastra (Sangeet Natak Volume, XLIX, Numbers 1-2, 2015
Special Issue- Prayog and Shastra (Sangeet Natak Volume, XLIX, Numbers 1-2, 2015
By Leela Venkataraman
CHF19
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Samsara- The Revived Glory of Indian Art Forms
Samsara- The Revived Glory of Indian Art Forms
By Aleena Anabelly. A
CHF15.75
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Kathak in Two Schools
Kathak in Two Schools
By Dipanwita Roy
CHF23.25
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Zlos-Gar Performing Traditions of Tibet
Zlos-Gar Performing Traditions of Tibet
By Jamyang Norbu
CHF14
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The Sun God's Daughter and King Samvarana: Tapati-Samvaranam and the Kutiyattam Drama Tradition (Text with Vivarana Commentary)
The Sun God's Daughter and King Samvarana: Tapati-Samvaranam and the Kutiyattam Drama Tradition (Text with Vivarana Commentary)
By N.P. Unni and Bruce M. Sullivan
CHF28
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Repertoire of Kathak In the Various Historical Eras
Repertoire of Kathak In the Various Historical Eras
By Mansi Saxena
CHF25
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Nangiar Koothu: The Classical Dance – Theatre of the Nangiar’s
Nangiar Koothu: The Classical Dance – Theatre of the Nangiar’s
By Nirmala Paniker
CHF30
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Two Authentic Books on Kuchipudi by Dr. P. Rama Devi
Two Authentic Books on Kuchipudi by Dr. P. Rama Devi
By P. Rama Devi
CHF36
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Into The World of Kutiyattam: With The Legendary Ammannur Madhavachakyar
Into The World of Kutiyattam: With The Legendary Ammannur Madhavachakyar
By G.Venu
CHF30
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Puppetry and Lesser Known Dance Traditions of Kerala
Puppetry and Lesser Known Dance Traditions of Kerala
By G. Venu
CHF28
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Uparupaka-s in Indian Performing Art
Uparupaka-s in Indian Performing Art
By Deepti Omchery Bhalla
CHF25
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Rescurrecting Durbal Indian Art Forms
Rescurrecting Durbal Indian Art Forms
By Maneesha Agarwal MVG
CHF27
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Aspects of Abhinaya in Indian Performing Arts-Sastra and Prayoga
Aspects of Abhinaya in Indian Performing Arts-Sastra and Prayoga
By Deepti Omchery Bhalla
CHF27
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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