BOOKS ON INDIAN THEATRE & DRAMA

Показано с 1 до 72 из 193 результатов
Показано с 1 до 72 из 193 результатов
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Books on Kathakali (Set of 14 Books)
Books on Kathakali (Set of 14 Books)
By Various Authors
RM2308
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Our Traditional Leather Shadow Puppeteers (Leather Shadow Puppeteers in South India)
Our Traditional Leather Shadow Puppeteers (Leather Shadow Puppeteers in South India)
By Babu Namboodiri K
RM107
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Natya- Theatre Arts Journal (Spring Number 1959- An Old and Rare Book)
Natya- Theatre Arts Journal (Spring Number 1959- An Old and Rare Book)
By Edited By Som Benegal
RM107
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Tamasha- Loknatya Culture
Tamasha- Loknatya Culture
By Chandrakant Deshmukh
RM107
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Surabhi- The Family Theatres of Andhra Pradesh
Surabhi- The Family Theatres of Andhra Pradesh
By Nagabhushana Sharma
RM134
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Toorpu Bhagavatham- A Monograph on the Folk Theatre Form of Andhra Pradesh
Toorpu Bhagavatham- A Monograph on the Folk Theatre Form of Andhra Pradesh
By Nagabhushana Sharma
RM121
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A Monograph Research and Documentation Project on Shahiri Powada of Maharashtra State
A Monograph Research and Documentation Project on Shahiri Powada of Maharashtra State
By Vishwanath Shinde
RM107
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SANSKRIT DRAMA IN THEORY AND PRACTICE
SANSKRIT DRAMA IN THEORY AND PRACTICE
By S.S. JANAKI
RM67
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Khadi Gammat- Monograph (Reasearch And Documentation Project)
Khadi Gammat- Monograph (Reasearch And Documentation Project)
By Hiraman Lanje "Ramanand"
RM107
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बिदेसिया: Bidesia- Migration, Change and Folk Culture- An Exploratory Documentation
बिदेसिया: Bidesia- Migration, Change and Folk Culture- An Exploratory Documentation
By Badri Narayan
RM112
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A Documentary History: Group Theatre in Odisha (1955-2020)
A Documentary History: Group Theatre in Odisha (1955-2020)
By Gouranga Chandra Rout
RM174
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Theatre Beyond the Threshold: Colonialism, Nationalism and The Bengali Stage 1905-1947 (An Old and Rare Book- Only 1 Quantity)
Theatre Beyond the Threshold: Colonialism, Nationalism and The Bengali Stage 1905-1947 (An Old and Rare Book- Only 1 Quantity)
By Minoti Chatterjee
RM179
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Folk Theatre of Orissa (An Old and Rare Book)
Folk Theatre of Orissa (An Old and Rare Book)
By Dhirendranath Patnaik
RM94
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Perspectives on Odissi Theatre (An Old and Rare Book)
Perspectives on Odissi Theatre (An Old and Rare Book)
By Ramesh Prasad Panigrahi
RM143
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Rangabhumi Bisesanka- Folk Dance and Music Tradition of Odisha: Jhumar and Its Lyrical Beauties and The Five Elements in the Danda Ritual of Orissa (Tenth-Issue 2000: An Old and Rare Book)
Rangabhumi Bisesanka- Folk Dance and Music Tradition of Odisha: Jhumar and Its Lyrical Beauties and The Five Elements in the Danda Ritual of Orissa (Tenth-Issue 2000: An Old and Rare Book)
Publisher Orissa Sangeet Natak Akademi, Bhubaneswar
RM121
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Kalarippayattu (The Complete Guide To Kerala’s Ancient Martial Art)
Kalarippayattu (The Complete Guide To Kerala’s Ancient Martial Art)
By Chirakkal T. Sreedharan Nair
RM179
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Preksaniyam- Essays on Indian Classical Dance and Theatre
Preksaniyam- Essays on Indian Classical Dance and Theatre
By Shatavadhani Dr. R. Ganesh
RM219
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प्राणाहुती: Pranahuti- Two Radio Plays of Self-Sacrifice (An Old and Rare Book) Only 1 Quantity Available
प्राणाहुती: Pranahuti- Two Radio Plays of Self-Sacrifice (An Old and Rare Book) Only 1 Quantity Available
By S.B.Velankar
RM112
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Jumbos and Jumping Devils- A Social History of Indian Circus
Jumbos and Jumping Devils- A Social History of Indian Circus
By Nisha P R
RM197
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Natyasastra-Text with English Translation, Introduction and Indices (Set of Four Volumes)
Natyasastra-Text with English Translation, Introduction and Indices (Set of Four Volumes)
By N. P. Unni
RM1047
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The Jagannatha- Vallabha Nataka (A Study with Introduction and Translation)
The Jagannatha- Vallabha Nataka (A Study with Introduction and Translation)
By Dr. Rajalaxmi Swain
RM161
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The Wedding of Arjuna and Subhadra the Kutiyattam Drama Subhadra Dhananjaya
The Wedding of Arjuna and Subhadra the Kutiyattam Drama Subhadra Dhananjaya
By N. P. Unni & Bruce M. Sullivan
RM112
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The Boy Who Fought an Empire: A Play for Children
The Boy Who Fought an Empire: A Play for Children
By Rajesh Talwar
RM112
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The Boy Who became the Mahatma: A Play for Children on Non-Violence
The Boy Who became the Mahatma: A Play for Children on Non-Violence
By Rajesh Talwar
RM112
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Folk Plays and Dances of Kerala
Folk Plays and Dances of Kerala
By M. D. Raghavan
RM112
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Narrative Traditions Of A Telugu Epic: Palnativirula Katha
Narrative Traditions Of A Telugu Epic: Palnativirula Katha
By Aruna Bommareddi
RM143
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Comparative Study of Chaturvidha Abhinayas Between Kathakali and Kuchipudi Yakshagana (Comprehensive Analysis of Four Kinds of Expressions in Kathakali and Kuchipudi Dance, Drama Traditions)
Comparative Study of Chaturvidha Abhinayas Between Kathakali and Kuchipudi Yakshagana (Comprehensive Analysis of Four Kinds of Expressions in Kathakali and Kuchipudi Dance, Drama Traditions)
By P. Rama Devi
RM255
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Karyala Folk Theatre of Himachal Pradesh
Karyala Folk Theatre of Himachal Pradesh
By S.S.S. Thakur
RM37.70
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2 Books on Folk Culture of Odisha
2 Books on Folk Culture of Odisha
By Bhagabana Sahu, Manmath Kumar
RM295
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Kudiyattam (Set of 2 Books)
Kudiyattam (Set of 2 Books)
By L. S. Rajagopalan
RM215
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The Sun God's Daughter and King Samvarana: Tapati-Samvaranam and the Kutiyattam Drama Tradition (Text with Vivarana Commentary)
The Sun God's Daughter and King Samvarana: Tapati-Samvaranam and the Kutiyattam Drama Tradition (Text with Vivarana Commentary)
By N.P. Unni and Bruce M. Sullivan
RM148
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Sangeet Natak - Special Issue on Kutiyattam
Sangeet Natak - Special Issue on Kutiyattam
By A Chatterjee
RM157
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A Double Life: My Exciting Years in Theatre and Advertising
A Double Life: My Exciting Years in Theatre and Advertising
By Alyque Padamsee
RM112
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Traditional Indian Theatre: Multiple Streams
Traditional Indian Theatre: Multiple Streams
By Kapila Vatsyayan
RM143
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Mimescape of Telangana A Montage on Mime
Mimescape of Telangana A Montage on Mime
By Shalini Mahapatra
RM66.75
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RM89 25% off
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The Beggar Princess (A Historical Drama in Five Acts)
The Beggar Princess (A Historical Drama in Five Acts)
By Dilip Kumar Roy and Indira Devi
RM112
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A Forgotten Thespian: Satu Sen
A Forgotten Thespian: Satu Sen
By Santanu Das, Debesh Chattopadhyay
RM73.50
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Perspectives: The Role of Contemporary Music in Modern Indian Theatre
Perspectives: The Role of Contemporary Music in Modern Indian Theatre
By Anjana Puri
RM89
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Rajinder Nath
Rajinder Nath
By Rajinder Nath
RM66.75
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Theatre India Number 2 (National School of Drama's Theatre Journal)
Theatre India Number 2 (National School of Drama's Theatre Journal)
By Rajinder Nath
RM97.50
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Theatre India Number 11: Half-Yearly Journal Published by National School of Drama (Special Issue: How National is Our National Theatre?)
Theatre India Number 11: Half-Yearly Journal Published by National School of Drama (Special Issue: How National is Our National Theatre?)
By K.S. Rajendran
RM87
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Theatre India Number 10 (National School of Drama's Theatre Journal)
Theatre India Number 10 (National School of Drama's Theatre Journal)
By K.S. Rajendran
RM87
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Theatre India Number 9 (National School of Drama's Theatre Journal)
Theatre India Number 9 (National School of Drama's Theatre Journal)
By K.S. Rajendran
RM90.75
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Kathakali The Dance-Theatre
Kathakali The Dance-Theatre
By Kalamandalam Govindan Kutty
RM148
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The Scenes We Made- An Oral History of Experimental Theatre in Mumbai
The Scenes We Made- An Oral History of Experimental Theatre in Mumbai
By Shanta Gokhale
RM87
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Sangeet Natak Special Issue Rabindranath's East-West Encounters: Performing and Visual Arts- Volume XLVI, Number 1-4, 2012
Sangeet Natak Special Issue Rabindranath's East-West Encounters: Performing and Visual Arts- Volume XLVI, Number 1-4, 2012
By A. Chatterjee
RM84
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Sangeet Natak- Volume XXXVIII, Number 2 2004
Sangeet Natak- Volume XXXVIII, Number 2 2004
Publisher SANGEET NATAK AKADEMI
RM54
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Sangeet Natak- Journal of Th Sangeet Natak Akademi 74 (An Old and Rare Book)
Sangeet Natak- Journal of Th Sangeet Natak Akademi 74 (An Old and Rare Book)
By A. Chatterjee
RM54
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Sangeet Natak- Volume XXXVIII, Number 3, 2004
Sangeet Natak- Volume XXXVIII, Number 3, 2004
Publisher SANGEET NATAK AKADEMI
RM54
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Sangeet Natak- Number 87 January- March 1988 (An Old and Rare Book)
Sangeet Natak- Number 87 January- March 1988 (An Old and Rare Book)
By A. Chatterjee
RM72
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Sangeet Natak- Volume XL, Number3, 2006
Sangeet Natak- Volume XL, Number3, 2006
Publisher SANGEET NATAK AKADEMI
RM54
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Sangeet Natak- Number 99 January- March 1991 (An Old and Rare Book)
Sangeet Natak- Number 99 January- March 1991 (An Old and Rare Book)
By A. Chatterjee
RM54
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Sangeet Natak- Volume XLIII, Number 4, 2009
Sangeet Natak- Volume XLIII, Number 4, 2009
By A. Chatterjee
RM57
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RM76 25% off
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Sangeet Natak - Number 76 April 1985
Sangeet Natak - Number 76 April 1985
Publisher SANGEET NATAK AKADEMI, DELHI
RM57
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Sangeet Natak- Numbers 85-86 July - December 1987 (An Old and Rare Book
Sangeet Natak- Numbers 85-86 July - December 1987 (An Old and Rare Book
By A. Chatterjee
RM57
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Special Issue on Kavalam Narayana Panikkar( Sangeet Natak Vol. LV Numbers 1-4-2021)
Special Issue on Kavalam Narayana Panikkar( Sangeet Natak Vol. LV Numbers 1-4-2021)
By Chavan Pramod R.
RM184.50
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Indian Stage Stories Connecting Civilizations...(A Telling of the Story of Indian Stage and How it Connects to the World)
Indian Stage Stories Connecting Civilizations...(A Telling of the Story of Indian Stage and How it Connects to the World)
By Sohini Roychowdhury
RM147.90
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Ins and Outs of Indian Theatre (Anthology of Essays on Contemporary Indian Theatre)
Ins and Outs of Indian Theatre (Anthology of Essays on Contemporary Indian Theatre)
By H. S. Shivaprakash
RM112
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Rambihagra- The Folk Ramayana of Dangaura Tharus
Rambihagra- The Folk Ramayana of Dangaura Tharus
By Megh Prasad Kharel
RM125
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Parvati Parinaya
Parvati Parinaya
By Tina Sarma
RM81
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Festivals & Folk Theatre of Odisha
Festivals & Folk Theatre of Odisha
By Manmath Kumar
RM148
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Kappiya 70 MM
Kappiya 70 MM
By Kappiya Reading
RM84.70
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Concise Dictionary of Indian Theatre
Concise Dictionary of Indian Theatre
By M. L. Varadpande
RM322
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Tolu Bommalata (The Shadow Puppet Theatre of Andhra Pradesh) (An Old Book)
Tolu Bommalata (The Shadow Puppet Theatre of Andhra Pradesh) (An Old Book)
By M. Nagabhushana Sarma
RM152
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HISTORY OF GUJARATI THEATRE
HISTORY OF GUJARATI THEATRE
By HASMUKH BARADI, Translated. By. Vinod Meghani
RM107
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Indian Drama in English- The Beginnings
Indian Drama in English- The Beginnings
By Ananda Lal
RM144
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The Natakalaksanaratnakosa of Sagaranandin: A Thirteenth- Century Treatise On the Hindu Theatre
The Natakalaksanaratnakosa of Sagaranandin: A Thirteenth- Century Treatise On the Hindu Theatre
By V. Raghavan
RM107
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Kannada Theatre History (1850-1950: A Sourcebook)
Kannada Theatre History (1850-1950: A Sourcebook)
By Akshara K. V. , B.R. Venkataramana Athala and Deepa Ganesh
RM143
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Theatre's Living Legacy
Theatre's Living Legacy
Publisher Kolkata Municipal Corporation, Kolkata
RM100.10
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Purnapurusartha Candrodayam (Sanskrit Allegorical Drama)
Purnapurusartha Candrodayam (Sanskrit Allegorical Drama)
By Thekkeppattu Jatavedasunuh and K. Vijayakrishnan
RM100.10
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Dramas or A Complete Account of the Dramatic Literature of the Hindus (An Old and Rare Book)
Dramas or A Complete Account of the Dramatic Literature of the Hindus (An Old and Rare Book)
By H.H. Wilson
RM112
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The Sanskrit Theatre and Stagecraft (An Old and Rare Book)
The Sanskrit Theatre and Stagecraft (An Old and Rare Book)
By E.W. Marasinghe
RM282
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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