BOOKS ON INDIAN THEATRE & DRAMA

Affichage de 1 à 72 sur 199 résultats
Affichage de 1 à 72 sur 199 résultats
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Drama and Art in Education
Drama and Art in Education
By Sangeeta, Rakesh Kumar, Priyanka Yadav
RM111.20
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Wrenching Wounds of the Sacred Slash: A Study on Kutiyattam & the Ninam Performance
Wrenching Wounds of the Sacred Slash: A Study on Kutiyattam & the Ninam Performance
By Kalamandalam Charu Agaru
RM81
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रणश्रीरङ्गः: Ranashrirangah (A War Trilogy) An Old and Rare Book
रणश्रीरङ्गः: Ranashrirangah (A War Trilogy) An Old and Rare Book
By S.B.Velankar
RM139
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At the Touch of the Philosopher's Stone (A Drama in Five Acts- Adapted from Rupa-Sanatana, A Bengali Drama ) An Old and Rare Book- Only 1 Quantity Available
At the Touch of the Philosopher's Stone (A Drama in Five Acts- Adapted from Rupa-Sanatana, A Bengali Drama ) An Old and Rare Book- Only 1 Quantity Available
By Girishchandra Ghosh
RM228
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Kalarippayattu (The Complete Guide To Kerala’s Ancient Martial Art)
Kalarippayattu (The Complete Guide To Kerala’s Ancient Martial Art)
By Chirakkal T. Sreedharan Nair
RM188
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Natya- Theatre Arts Journal (Spring Number 1959- An Old and Rare Book)
Natya- Theatre Arts Journal (Spring Number 1959- An Old and Rare Book)
By Edited By Som Benegal
RM112
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Tamasha- Loknatya Culture
Tamasha- Loknatya Culture
By Chandrakant Deshmukh
RM112
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Surabhi- The Family Theatres of Andhra Pradesh
Surabhi- The Family Theatres of Andhra Pradesh
By Nagabhushana Sharma
RM139
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Toorpu Bhagavatham- A Monograph on the Folk Theatre Form of Andhra Pradesh
Toorpu Bhagavatham- A Monograph on the Folk Theatre Form of Andhra Pradesh
By Nagabhushana Sharma
RM125
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A Monograph Research and Documentation Project on Shahiri Powada of Maharashtra State
A Monograph Research and Documentation Project on Shahiri Powada of Maharashtra State
By Vishwanath Shinde
RM112
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SANSKRIT DRAMA IN THEORY AND PRACTICE
SANSKRIT DRAMA IN THEORY AND PRACTICE
By S.S. JANAKI
RM72
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Khadi Gammat- Monograph (Reasearch And Documentation Project)
Khadi Gammat- Monograph (Reasearch And Documentation Project)
By Hiraman Lanje "Ramanand"
RM112
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बिदेसिया: Bidesia- Migration, Change and Folk Culture- An Exploratory Documentation
बिदेसिया: Bidesia- Migration, Change and Folk Culture- An Exploratory Documentation
By Badri Narayan
RM116
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A Documentary History: Group Theatre in Odisha (1955-2020)
A Documentary History: Group Theatre in Odisha (1955-2020)
By Gouranga Chandra Rout
RM183
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Theatre Beyond the Threshold: Colonialism, Nationalism and The Bengali Stage 1905-1947 (An Old and Rare Book- Only 1 Quantity)
Theatre Beyond the Threshold: Colonialism, Nationalism and The Bengali Stage 1905-1947 (An Old and Rare Book- Only 1 Quantity)
By Minoti Chatterjee
RM183
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Folk Theatre of Orissa (An Old and Rare Book)
Folk Theatre of Orissa (An Old and Rare Book)
By Dhirendranath Patnaik
RM98
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Natyasastra-Text with English Translation, Introduction and Indices (Set of Four Volumes)
Natyasastra-Text with English Translation, Introduction and Indices (Set of Four Volumes)
By N. P. Unni
RM1078
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Perspectives on Odissi Theatre (An Old and Rare Book)
Perspectives on Odissi Theatre (An Old and Rare Book)
By Ramesh Prasad Panigrahi
RM148
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Rangabhumi Bisesanka- Folk Dance and Music Tradition of Odisha: Jhumar and Its Lyrical Beauties and The Five Elements in the Danda Ritual of Orissa (Tenth-Issue 2000: An Old and Rare Book)
Rangabhumi Bisesanka- Folk Dance and Music Tradition of Odisha: Jhumar and Its Lyrical Beauties and The Five Elements in the Danda Ritual of Orissa (Tenth-Issue 2000: An Old and Rare Book)
Publisher Orissa Sangeet Natak Akademi, Bhubaneswar
RM125
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Preksaniyam- Essays on Indian Classical Dance and Theatre
Preksaniyam- Essays on Indian Classical Dance and Theatre
By R. Ganesh
RM228
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The Wedding of Arjuna and Subhadra the Kutiyattam Drama Subhadra Dhananjaya
The Wedding of Arjuna and Subhadra the Kutiyattam Drama Subhadra Dhananjaya
By N. P. Unni & Bruce M. Sullivan
RM116
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प्राणाहुती: Pranahuti- Two Radio Plays of Self-Sacrifice (An Old and Rare Book) Only 1 Quantity Available
प्राणाहुती: Pranahuti- Two Radio Plays of Self-Sacrifice (An Old and Rare Book) Only 1 Quantity Available
By S.B.Velankar
RM116
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Jumbos and Jumping Devils- A Social History of Indian Circus
Jumbos and Jumping Devils- A Social History of Indian Circus
By Nisha P R
RM201
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The Boy Who Fought an Empire: A Play for Children
The Boy Who Fought an Empire: A Play for Children
By Rajesh Talwar
RM116
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The Boy Who became the Mahatma: A Play for Children on Non-Violence
The Boy Who became the Mahatma: A Play for Children on Non-Violence
By Rajesh Talwar
RM116
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Folk Plays and Dances of Kerala
Folk Plays and Dances of Kerala
By M. D. Raghavan
RM116
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Comparative Study of Chaturvidha Abhinayas Between Kathakali and Kuchipudi Yakshagana (Comprehensive Analysis of Four Kinds of Expressions in Kathakali and Kuchipudi Dance, Drama Traditions)
Comparative Study of Chaturvidha Abhinayas Between Kathakali and Kuchipudi Yakshagana (Comprehensive Analysis of Four Kinds of Expressions in Kathakali and Kuchipudi Dance, Drama Traditions)
By P. Rama Devi
RM264
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Narrative Traditions Of A Telugu Epic: Palnativirula Katha
Narrative Traditions Of A Telugu Epic: Palnativirula Katha
By Aruna Bommareddi
RM111
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The Jagannatha- Vallabha Nataka (A Study with Introduction and Translation)
The Jagannatha- Vallabha Nataka (A Study with Introduction and Translation)
By Dr. Rajalaxmi Swain
RM166
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The Sun God's Daughter and King Samvarana: Tapati-Samvaranam and the Kutiyattam Drama Tradition (Text with Vivarana Commentary)
The Sun God's Daughter and King Samvarana: Tapati-Samvaranam and the Kutiyattam Drama Tradition (Text with Vivarana Commentary)
By N.P. Unni and Bruce M. Sullivan
RM157
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2 Books on Folk Culture of Odisha
2 Books on Folk Culture of Odisha
By Bhagabana Sahu, Manmath Kumar
RM304
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Tradition, Aesthetics and Heritage
Tradition, Aesthetics and Heritage
By Nandini Ramani
RM134
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Sangeet Natak - Special Issue on Kutiyattam
Sangeet Natak - Special Issue on Kutiyattam
By A Chatterjee
RM166
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Traditional Indian Theatre: Multiple Streams
Traditional Indian Theatre: Multiple Streams
By Kapila Vatsyayan
RM152
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Buddhism as/in Performance (Analysis of Meditation and Theatrical Practice)
Buddhism as/in Performance (Analysis of Meditation and Theatrical Practice)
By David E.R. George
RM148
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Nangiar Koothu: The Classical Dance – Theatre of the Nangiar’s
Nangiar Koothu: The Classical Dance – Theatre of the Nangiar’s
By Nirmala Paniker
RM166
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The Beggar Princess (A Historical Drama in Five Acts)
The Beggar Princess (A Historical Drama in Five Acts)
By Dilip Kumar Roy and Indira Devi
RM116
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A Double Life: My Exciting Years in Theatre and Advertising
A Double Life: My Exciting Years in Theatre and Advertising
By Alyque Padamsee
RM87
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Mimescape of Telangana A Montage on Mime
Mimescape of Telangana A Montage on Mime
By Shalini Mahapatra
RM70.50
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Kathakali Kutiyattam and Other Performing Arts: Fifty Years of Theatrical Exploration
Kathakali Kutiyattam and Other Performing Arts: Fifty Years of Theatrical Exploration
By G.Venu
RM166
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A Forgotten Thespian: Satu Sen
A Forgotten Thespian: Satu Sen
By Santanu Das, Debesh Chattopadhyay
RM77.25
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Rajinder Nath
Rajinder Nath
By Rajinder Nath
RM70.50
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Theatre India Number 10 (National School of Drama's Theatre Journal)
Theatre India Number 10 (National School of Drama's Theatre Journal)
By K.S. Rajendran
RM90.75
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Theatre India Number 11: Half-Yearly Journal Published by National School of Drama (Special Issue: How National is Our National Theatre?)
Theatre India Number 11: Half-Yearly Journal Published by National School of Drama (Special Issue: How National is Our National Theatre?)
By K.S. Rajendran
RM93.75
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Theatre India Number 9 (National School of Drama's Theatre Journal)
Theatre India Number 9 (National School of Drama's Theatre Journal)
By K.S. Rajendran
RM93.75
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Theatre India Number 2 (National School of Drama's Theatre Journal)
Theatre India Number 2 (National School of Drama's Theatre Journal)
By Rajinder Nath
RM100.50
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The Scenes We Made- An Oral History of Experimental Theatre in Mumbai
The Scenes We Made- An Oral History of Experimental Theatre in Mumbai
By Shanta Gokhale
RM90.75
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Sangeet Natak Special Issue Rabindranath's East-West Encounters: Performing and Visual Arts- Volume XLVI, Number 1-4, 2012
Sangeet Natak Special Issue Rabindranath's East-West Encounters: Performing and Visual Arts- Volume XLVI, Number 1-4, 2012
By A. Chatterjee
RM90.75
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Sangeet Natak- Journal of Th Sangeet Natak Akademi 74 (An Old and Rare Book)
Sangeet Natak- Journal of Th Sangeet Natak Akademi 74 (An Old and Rare Book)
By A. Chatterjee
RM57
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Sangeet Natak- Volume XXXVIII, Number 2 2004
Sangeet Natak- Volume XXXVIII, Number 2 2004
Publisher SANGEET NATAK AKADEMI
RM57
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Sangeet Natak- Number 87 January- March 1988 (An Old and Rare Book)
Sangeet Natak- Number 87 January- March 1988 (An Old and Rare Book)
By A. Chatterjee
RM76
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Sangeet Natak- Volume XXXVIII, Number 3, 2004
Sangeet Natak- Volume XXXVIII, Number 3, 2004
Publisher SANGEET NATAK AKADEMI
RM57
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Sangeet Natak- Volume XL, Number3, 2006
Sangeet Natak- Volume XL, Number3, 2006
Publisher SANGEET NATAK AKADEMI
RM57
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Sangeet Natak- Number 99 January- March 1991 (An Old and Rare Book)
Sangeet Natak- Number 99 January- March 1991 (An Old and Rare Book)
By A. Chatterjee
RM57
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Sangeet Natak - Number 76 April 1985
Sangeet Natak - Number 76 April 1985
Publisher SANGEET NATAK AKADEMI, DELHI
RM60.75
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Sangeet Natak- Numbers 85-86 July - December 1987 (An Old and Rare Book
Sangeet Natak- Numbers 85-86 July - December 1987 (An Old and Rare Book
By A. Chatterjee
RM60.75
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Sangeet Natak- Volume XLIII, Number 4, 2009
Sangeet Natak- Volume XLIII, Number 4, 2009
By A. Chatterjee
RM60.75
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Special Issue on Kavalam Narayana Panikkar( Sangeet Natak Vol. LV Numbers 1-4-2021)
Special Issue on Kavalam Narayana Panikkar( Sangeet Natak Vol. LV Numbers 1-4-2021)
By Chavan Pramod R.
RM201
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Indian Stage Stories Connecting Civilizations...(A Telling of the Story of Indian Stage and How it Connects to the World)
Indian Stage Stories Connecting Civilizations...(A Telling of the Story of Indian Stage and How it Connects to the World)
By Sohini Roychowdhury
RM152.15
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Ins and Outs of Indian Theatre (Anthology of Essays on Contemporary Indian Theatre)
Ins and Outs of Indian Theatre (Anthology of Essays on Contemporary Indian Theatre)
By H. S. Shivaprakash
RM116
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Rambihagra- The Folk Ramayana of Dangaura Tharus
Rambihagra- The Folk Ramayana of Dangaura Tharus
By Megh Prasad Kharel
RM130
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Parvati Parinaya
Parvati Parinaya
By Tina Sarma
RM85
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Festivals & Folk Theatre of Odisha
Festivals & Folk Theatre of Odisha
By Manmath Kumar
RM152
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Contemporary Theatre of India - An Overview
Contemporary Theatre of India - An Overview
By Chaman Ahuja
RM309
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Kappiya 70 MM
Kappiya 70 MM
By Kappiya Reading
RM87.50
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Concise Dictionary of Indian Theatre
Concise Dictionary of Indian Theatre
By M. L. Varadpande
RM336
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HISTORY OF GUJARATI THEATRE
HISTORY OF GUJARATI THEATRE
By HASMUKH BARADI, Translated. By. Vinod Meghani
RM112
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Indian Drama in English- The Beginnings
Indian Drama in English- The Beginnings
By Ananda Lal
RM147.75
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The Natakalaksanaratnakosa of Sagaranandin: A Thirteenth- Century Treatise On the Hindu Theatre
The Natakalaksanaratnakosa of Sagaranandin: A Thirteenth- Century Treatise On the Hindu Theatre
By V. Raghavan
RM112
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Theatre Movement in Karnataka- Gubbi Company (An Old and Rare Book)
Theatre Movement in Karnataka- Gubbi Company (An Old and Rare Book)
By Sindhuvalli Ananthamurthy
RM116
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Kannada Theatre History (1850-1950: A Sourcebook)
Kannada Theatre History (1850-1950: A Sourcebook)
By Akshara K. V. , B.R. Venkataramana Athala and Deepa Ganesh
RM148
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Theatre's Living Legacy
Theatre's Living Legacy
Publisher Kolkata Municipal Corporation, Kolkata
RM103.60
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
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    India
    Tel:+91-8031404444
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  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
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    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
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