BOOKS ON INDIAN THEATRE & DRAMA

Affichage de 1 à 72 sur 197 résultats
Affichage de 1 à 72 sur 197 résultats
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रणश्रीरङ्गः: Ranashrirangah (A War Trilogy) An Old and Rare Book
रणश्रीरङ्गः: Ranashrirangah (A War Trilogy) An Old and Rare Book
By S.B.Velankar
₽2318
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At the Touch of the Philosopher's Stone (A Drama in Five Acts- Adapted from Rupa-Sanatana, A Bengali Drama ) An Old and Rare Book- Only 1 Quantity Available
At the Touch of the Philosopher's Stone (A Drama in Five Acts- Adapted from Rupa-Sanatana, A Bengali Drama ) An Old and Rare Book- Only 1 Quantity Available
By Girishchandra Ghosh
₽3864
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Natya- Theatre Arts Journal (Spring Number 1959- An Old and Rare Book)
Natya- Theatre Arts Journal (Spring Number 1959- An Old and Rare Book)
By Edited By Som Benegal
₽1855
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Kalarippayattu (The Complete Guide To Kerala’s Ancient Martial Art)
Kalarippayattu (The Complete Guide To Kerala’s Ancient Martial Art)
By Chirakkal T. Sreedharan Nair
₽3091
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Tamasha- Loknatya Culture
Tamasha- Loknatya Culture
By Chandrakant Deshmukh
₽1855
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Surabhi- The Family Theatres of Andhra Pradesh
Surabhi- The Family Theatres of Andhra Pradesh
By Nagabhushana Sharma
₽2318
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Toorpu Bhagavatham- A Monograph on the Folk Theatre Form of Andhra Pradesh
Toorpu Bhagavatham- A Monograph on the Folk Theatre Form of Andhra Pradesh
By Nagabhushana Sharma
₽2086
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A Monograph Research and Documentation Project on Shahiri Powada of Maharashtra State
A Monograph Research and Documentation Project on Shahiri Powada of Maharashtra State
By Vishwanath Shinde
₽1855
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SANSKRIT DRAMA IN THEORY AND PRACTICE
SANSKRIT DRAMA IN THEORY AND PRACTICE
By S.S. JANAKI
₽1159
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Khadi Gammat- Monograph (Reasearch And Documentation Project)
Khadi Gammat- Monograph (Reasearch And Documentation Project)
By Hiraman Lanje "Ramanand"
₽1855
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बिदेसिया: Bidesia- Migration, Change and Folk Culture- An Exploratory Documentation
बिदेसिया: Bidesia- Migration, Change and Folk Culture- An Exploratory Documentation
By Badri Narayan
₽1932
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A Documentary History: Group Theatre in Odisha (1955-2020)
A Documentary History: Group Theatre in Odisha (1955-2020)
By Gouranga Chandra Rout
₽3014
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Theatre Beyond the Threshold: Colonialism, Nationalism and The Bengali Stage 1905-1947 (An Old and Rare Book- Only 1 Quantity)
Theatre Beyond the Threshold: Colonialism, Nationalism and The Bengali Stage 1905-1947 (An Old and Rare Book- Only 1 Quantity)
By Minoti Chatterjee
₽3091
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Folk Theatre of Orissa (An Old and Rare Book)
Folk Theatre of Orissa (An Old and Rare Book)
By Dhirendranath Patnaik
₽1623
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Perspectives on Odissi Theatre (An Old and Rare Book)
Perspectives on Odissi Theatre (An Old and Rare Book)
By Ramesh Prasad Panigrahi
₽2473
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Rangabhumi Bisesanka- Folk Dance and Music Tradition of Odisha: Jhumar and Its Lyrical Beauties and The Five Elements in the Danda Ritual of Orissa (Tenth-Issue 2000: An Old and Rare Book)
Rangabhumi Bisesanka- Folk Dance and Music Tradition of Odisha: Jhumar and Its Lyrical Beauties and The Five Elements in the Danda Ritual of Orissa (Tenth-Issue 2000: An Old and Rare Book)
Publisher Orissa Sangeet Natak Akademi, Bhubaneswar
₽2086
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Preksaniyam- Essays on Indian Classical Dance and Theatre
Preksaniyam- Essays on Indian Classical Dance and Theatre
By R. Ganesh
₽3786
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Natyasastra-Text with English Translation, Introduction and Indices (Set of Four Volumes)
Natyasastra-Text with English Translation, Introduction and Indices (Set of Four Volumes)
By N. P. Unni
₽18,082
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The Wedding of Arjuna and Subhadra the Kutiyattam Drama Subhadra Dhananjaya
The Wedding of Arjuna and Subhadra the Kutiyattam Drama Subhadra Dhananjaya
By N. P. Unni & Bruce M. Sullivan
₽1932
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प्राणाहुती: Pranahuti- Two Radio Plays of Self-Sacrifice (An Old and Rare Book) Only 1 Quantity Available
प्राणाहुती: Pranahuti- Two Radio Plays of Self-Sacrifice (An Old and Rare Book) Only 1 Quantity Available
By S.B.Velankar
₽1932
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Jumbos and Jumping Devils- A Social History of Indian Circus
Jumbos and Jumping Devils- A Social History of Indian Circus
By Nisha P R
₽3400
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The Boy Who Fought an Empire: A Play for Children
The Boy Who Fought an Empire: A Play for Children
By Rajesh Talwar
₽1932
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The Boy Who became the Mahatma: A Play for Children on Non-Violence
The Boy Who became the Mahatma: A Play for Children on Non-Violence
By Rajesh Talwar
₽1932
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The Jagannatha- Vallabha Nataka (A Study with Introduction and Translation)
The Jagannatha- Vallabha Nataka (A Study with Introduction and Translation)
By Dr. Rajalaxmi Swain
₽2782
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Folk Plays and Dances of Kerala
Folk Plays and Dances of Kerala
By M. D. Raghavan
₽1932
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Comparative Study of Chaturvidha Abhinayas Between Kathakali and Kuchipudi Yakshagana (Comprehensive Analysis of Four Kinds of Expressions in Kathakali and Kuchipudi Dance, Drama Traditions)
Comparative Study of Chaturvidha Abhinayas Between Kathakali and Kuchipudi Yakshagana (Comprehensive Analysis of Four Kinds of Expressions in Kathakali and Kuchipudi Dance, Drama Traditions)
By P. Rama Devi
₽4405
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Narrative Traditions Of A Telugu Epic: Palnativirula Katha
Narrative Traditions Of A Telugu Epic: Palnativirula Katha
By Aruna Bommareddi
₽2473
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2 Books on Folk Culture of Odisha
2 Books on Folk Culture of Odisha
By Bhagabana Sahu, Manmath Kumar
₽5100
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The Sun God's Daughter and King Samvarana: Tapati-Samvaranam and the Kutiyattam Drama Tradition (Text with Vivarana Commentary)
The Sun God's Daughter and King Samvarana: Tapati-Samvaranam and the Kutiyattam Drama Tradition (Text with Vivarana Commentary)
By N.P. Unni and Bruce M. Sullivan
₽2550
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Tradition, Aesthetics and Heritage
Tradition, Aesthetics and Heritage
By Nandini Ramani
₽2241
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Kudiyattam (Set of 2 Books)
Kudiyattam (Set of 2 Books)
By L. S. Rajagopalan
₽3709
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Sangeet Natak - Special Issue on Kutiyattam
Sangeet Natak - Special Issue on Kutiyattam
By A Chatterjee
₽2705
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Traditional Indian Theatre: Multiple Streams
Traditional Indian Theatre: Multiple Streams
By Kapila Vatsyayan
₽2473
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A Double Life: My Exciting Years in Theatre and Advertising
A Double Life: My Exciting Years in Theatre and Advertising
By Alyque Padamsee
₽1932
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Buddhism as/in Performance (Analysis of Meditation and Theatrical Practice)
Buddhism as/in Performance (Analysis of Meditation and Theatrical Practice)
By David E.R. George
₽2395
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Nangiar Koothu: The Classical Dance – Theatre of the Nangiar’s
Nangiar Koothu: The Classical Dance – Theatre of the Nangiar’s
By Nirmala Paniker
₽2782
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The Beggar Princess (A Historical Drama in Five Acts)
The Beggar Princess (A Historical Drama in Five Acts)
By Dilip Kumar Roy and Indira Devi
₽1932
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Mimescape of Telangana A Montage on Mime
Mimescape of Telangana A Montage on Mime
By Shalini Mahapatra
₽1158.75
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A Forgotten Thespian: Satu Sen
A Forgotten Thespian: Satu Sen
By Santanu Das, Debesh Chattopadhyay
₽1275
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Rajinder Nath
Rajinder Nath
By Rajinder Nath
₽1158.75
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Theatre India Number 11: Half-Yearly Journal Published by National School of Drama (Special Issue: How National is Our National Theatre?)
Theatre India Number 11: Half-Yearly Journal Published by National School of Drama (Special Issue: How National is Our National Theatre?)
By K.S. Rajendran
₽1506.75
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Theatre India Number 10 (National School of Drama's Theatre Journal)
Theatre India Number 10 (National School of Drama's Theatre Journal)
By K.S. Rajendran
₽1506.75
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Theatre India Number 9 (National School of Drama's Theatre Journal)
Theatre India Number 9 (National School of Drama's Theatre Journal)
By K.S. Rajendran
₽1564.50
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Theatre India Number 2 (National School of Drama's Theatre Journal)
Theatre India Number 2 (National School of Drama's Theatre Journal)
By Rajinder Nath
₽1680.75
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Kathakali Kutiyattam and Other Performing Arts: Fifty Years of Theatrical Exploration
Kathakali Kutiyattam and Other Performing Arts: Fifty Years of Theatrical Exploration
By G.Venu
₽2782
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The Scenes We Made- An Oral History of Experimental Theatre in Mumbai
The Scenes We Made- An Oral History of Experimental Theatre in Mumbai
By Shanta Gokhale
₽1506.75
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Sangeet Natak Special Issue Rabindranath's East-West Encounters: Performing and Visual Arts- Volume XLVI, Number 1-4, 2012
Sangeet Natak Special Issue Rabindranath's East-West Encounters: Performing and Visual Arts- Volume XLVI, Number 1-4, 2012
By A. Chatterjee
₽1449
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Sangeet Natak- Journal of Th Sangeet Natak Akademi 74 (An Old and Rare Book)
Sangeet Natak- Journal of Th Sangeet Natak Akademi 74 (An Old and Rare Book)
By A. Chatterjee
₽927
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Sangeet Natak- Volume XXXVIII, Number 2 2004
Sangeet Natak- Volume XXXVIII, Number 2 2004
Publisher SANGEET NATAK AKADEMI
₽927
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Sangeet Natak- Number 87 January- March 1988 (An Old and Rare Book)
Sangeet Natak- Number 87 January- March 1988 (An Old and Rare Book)
By A. Chatterjee
₽1236
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Sangeet Natak- Volume XXXVIII, Number 3, 2004
Sangeet Natak- Volume XXXVIII, Number 3, 2004
Publisher SANGEET NATAK AKADEMI
₽927
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Sangeet Natak- Volume XL, Number3, 2006
Sangeet Natak- Volume XL, Number3, 2006
Publisher SANGEET NATAK AKADEMI
₽927
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Sangeet Natak- Number 99 January- March 1991 (An Old and Rare Book)
Sangeet Natak- Number 99 January- March 1991 (An Old and Rare Book)
By A. Chatterjee
₽927
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Sangeet Natak - Number 76 April 1985
Sangeet Natak - Number 76 April 1985
Publisher SANGEET NATAK AKADEMI, DELHI
₽985.50
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Sangeet Natak- Numbers 85-86 July - December 1987 (An Old and Rare Book
Sangeet Natak- Numbers 85-86 July - December 1987 (An Old and Rare Book
By A. Chatterjee
₽985.50
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Sangeet Natak- Volume XLIII, Number 4, 2009
Sangeet Natak- Volume XLIII, Number 4, 2009
By A. Chatterjee
₽985.50
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Special Issue on Kavalam Narayana Panikkar( Sangeet Natak Vol. LV Numbers 1-4-2021)
Special Issue on Kavalam Narayana Panikkar( Sangeet Natak Vol. LV Numbers 1-4-2021)
By Chavan Pramod R.
₽3187.50
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Indian Stage Stories Connecting Civilizations...(A Telling of the Story of Indian Stage and How it Connects to the World)
Indian Stage Stories Connecting Civilizations...(A Telling of the Story of Indian Stage and How it Connects to the World)
By Sohini Roychowdhury
₽2561.90
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Ins and Outs of Indian Theatre (Anthology of Essays on Contemporary Indian Theatre)
Ins and Outs of Indian Theatre (Anthology of Essays on Contemporary Indian Theatre)
By H. S. Shivaprakash
₽1932
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Rambihagra- The Folk Ramayana of Dangaura Tharus
Rambihagra- The Folk Ramayana of Dangaura Tharus
By Megh Prasad Kharel
₽2164
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Parvati Parinaya
Parvati Parinaya
By Tina Sarma
₽1391
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Festivals & Folk Theatre of Odisha
Festivals & Folk Theatre of Odisha
By Manmath Kumar
₽2550
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Contemporary Theatre of India - An Overview
Contemporary Theatre of India - An Overview
By Chaman Ahuja
₽5023
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Kappiya 70 MM
Kappiya 70 MM
By Kappiya Reading
₽1460.20
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Concise Dictionary of Indian Theatre
Concise Dictionary of Indian Theatre
By M. L. Varadpande
₽5564
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Tolu Bommalata (The Shadow Puppet Theatre of Andhra Pradesh) (An Old Book)
Tolu Bommalata (The Shadow Puppet Theatre of Andhra Pradesh) (An Old Book)
By M. Nagabhushana Sarma
₽2627
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HISTORY OF GUJARATI THEATRE
HISTORY OF GUJARATI THEATRE
By HASMUKH BARADI, Translated. By. Vinod Meghani
₽1855
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Indian Drama in English- The Beginnings
Indian Drama in English- The Beginnings
By Ananda Lal
₽2492.25
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The Natakalaksanaratnakosa of Sagaranandin: A Thirteenth- Century Treatise On the Hindu Theatre
The Natakalaksanaratnakosa of Sagaranandin: A Thirteenth- Century Treatise On the Hindu Theatre
By V. Raghavan
₽1855
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Kannada Theatre History (1850-1950: A Sourcebook)
Kannada Theatre History (1850-1950: A Sourcebook)
By Akshara K. V. , B.R. Venkataramana Athala and Deepa Ganesh
₽2473
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Theatre's Living Legacy
Theatre's Living Legacy
Publisher Kolkata Municipal Corporation, Kolkata
₽1731.10
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Purnapurusartha Candrodayam (Sanskrit Allegorical Drama)
Purnapurusartha Candrodayam (Sanskrit Allegorical Drama)
By Thekkeppattu Jatavedasunuh and K. Vijayakrishnan
₽1731.10
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
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    India
    Tel:+91-8031404444
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Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
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    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
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