BOOKS ON INDIAN THEATRE & DRAMA

Affichage de 25 à 48 sur 199 résultats
Affichage de 25 à 48 sur 199 résultats
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Gender, Space and Resistance (Women and Theater in India)
Gender, Space and Resistance (Women and Theater in India)
By Anita Singh and Tarun Tapas Mukherjee
₽5009
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Folk Theatre of Karnataka: A Study
Folk Theatre of Karnataka: A Study
By Basavaraj Donur
₽2418
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Bhand Pather (The Folk Theatre of Kashmir)
Bhand Pather (The Folk Theatre of Kashmir)
By Sushma Jatoo and Sudhir Lall
₽4560
₽5700 20% off
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ANCIENT INDIAN AND INDO-GREEK THEATRE
ANCIENT INDIAN AND INDO-GREEK THEATRE
By M L VARADPANDE
₽2764
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METATHEATER AND SANSKRIT DRAMA
METATHEATER AND SANSKRIT DRAMA
By Michael Lockwood&A. Vishnu Bhat
₽2505
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Kathakali: Dance-Theatre (A Visual Narrative of Sacred Indian Mime)
Kathakali: Dance-Theatre (A Visual Narrative of Sacred Indian Mime)
By K. K. Gopalakrishnan
₽5682.60
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₽8118 30% off
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Rukmini Devi (Dance Drama)
Rukmini Devi (Dance Drama)
Publisher Kalakshetra Publications, Chennai
₽7773
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The Royal Temple Theater of Krishnattam
The Royal Temple Theater of Krishnattam
By Martha Bush Ashton-Sikora, Robert P. Sikora, A. Purushothaman and A. Harindranath
₽5700
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An Indian Bouquet of Dance and Drama (Fragrance & Aroma)
An Indian Bouquet of Dance and Drama (Fragrance & Aroma)
By Utpal K Banerjee
₽5700
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Sanskrit Drama in Performance
Sanskrit Drama in Performance
By Rachel Van M. Baumer and James R. Brandon
₽2332
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Re-scribing Tradition (Modernisation of South Indian Dance Drama)
Re-scribing Tradition (Modernisation of South Indian Dance Drama)
By Guru Rao Bapat
₽4145
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Chinese Theater - Happiness and Sorrows on the Stage
Chinese Theater - Happiness and Sorrows on the Stage
By Wang Wenliang , Wang Huan and Zhang Lina
₽5614
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Folk Theatre Pandwani "Based On The Epic Mahabharata"
Folk Theatre Pandwani "Based On The Epic Mahabharata"
By Niranjan Mahawar
₽4491
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Krishna Theatre In India
Krishna Theatre In India
By M.L. Varadapande
₽3627
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संस्कृत नाट्यशिल्प और रंगमंच: Sanskrit Natyashilpa and Theatre (An Old and Rare Book)
संस्कृत नाट्यशिल्प और रंगमंच: Sanskrit Natyashilpa and Theatre (An Old and Rare Book)
By राम चन्द्र सरोज (Ram Chandra Saroj)
₽3541
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Kathakali The Dance-Theatre
Kathakali The Dance-Theatre
By Kalamandalam Govindan Kutty
₽2936
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Indian Theatre and Dance Traditions
Indian Theatre and Dance Traditions
By Shovana Narayan
₽6218
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Kridaniyakam (Myriad Aspects of Comedy in Sanskrit Drama)
Kridaniyakam (Myriad Aspects of Comedy in Sanskrit Drama)
By N.K. Geetha
₽3023
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Theatric Aspects of Sanskrit Drama (Rare Book)
Theatric Aspects of Sanskrit Drama (Rare Book)
By G.K. Bhat
₽2850
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Journal of Sangeet Natak Akademi
Journal of Sangeet Natak Akademi
By A. Chatterjee
₽2245
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The Laws and Practice of Sanskrit Drama (An Old and Rare Book)
The Laws and Practice of Sanskrit Drama (An Old and Rare Book)
By Surendra Nath Shastri
₽3800
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Dramatic Concepts: Greek and Indian (A Study of Poetics and Natyasastra)
Dramatic Concepts: Greek and Indian (A Study of Poetics and Natyasastra)
By Bharat Gupt
₽2591
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Sanskrit Drama (Its Aesthetics and Production) (A Rare Book)
Sanskrit Drama (Its Aesthetics and Production) (A Rare Book)
By V. Raghavan
₽4232
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Abhinaya Darpana - The Galaxy of Indian Dance and Dramaturgy
Abhinaya Darpana - The Galaxy of Indian Dance and Dramaturgy
By Sayanika Goswami
₽3385.20
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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