BOOKS ON INDIAN CLASSICAL & FOLK DANCE

Показано с 49 до 72 из 319 результатов
Показано с 49 до 72 из 319 результатов
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Repertoire of Kathak In the Various Historical Eras
Repertoire of Kathak In the Various Historical Eras
By Mansi Saxena
CA$43
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Nangiar Koothu: The Classical Dance – Theatre of the Nangiar’s
Nangiar Koothu: The Classical Dance – Theatre of the Nangiar’s
By Nirmala Paniker
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Concept of Dance in Classical Sanskrit Literature
Concept of Dance in Classical Sanskrit Literature
By Dr. G. S. Hegde
CA$33
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Essence and Essentials of Dance
Essence and Essentials of Dance
By S. Divyasena
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Into The World of Kutiyattam: With The Legendary Ammannur Madhavachakyar
Into The World of Kutiyattam: With The Legendary Ammannur Madhavachakyar
By G.Venu
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Puppetry and Lesser Known Dance Traditions of Kerala
Puppetry and Lesser Known Dance Traditions of Kerala
By G. Venu
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Uparupaka-s in Indian Performing Art
Uparupaka-s in Indian Performing Art
By Deepti Omchery Bhalla
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Rescurrecting Durbal Indian Art Forms
Rescurrecting Durbal Indian Art Forms
By Maneesha Agarwal MVG
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Aspects of Abhinaya in Indian Performing Arts-Sastra and Prayoga
Aspects of Abhinaya in Indian Performing Arts-Sastra and Prayoga
By Deepti Omchery Bhalla
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Sangeet Natak- Volume XLVII, Numbers 1-4, 2013
Sangeet Natak- Volume XLVII, Numbers 1-4, 2013
By A. Chatterjee
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Sangeet Natak- Journal of The Sangeet Natak 72-73 (An Old and Rare Book)
Sangeet Natak- Journal of The Sangeet Natak 72-73 (An Old and Rare Book)
Publisher SANGEET NATAK AKADEMI
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Sangeet Natak- Volume XLVIII, Number 1-4,2014
Sangeet Natak- Volume XLVIII, Number 1-4,2014
By Sunil Kothari
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Sangeet Natak - Number 76 April 1985
Sangeet Natak - Number 76 April 1985
Publisher SANGEET NATAK AKADEMI, DELHI
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Sangeet Natak- Numbers 85-86 July - December 1987 (An Old and Rare Book
Sangeet Natak- Numbers 85-86 July - December 1987 (An Old and Rare Book
By A. Chatterjee
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Sattriya The Living Dance Tradition of Assam
Sattriya The Living Dance Tradition of Assam
By Mallika Kandali
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Classical Indian Dance in Literature and the Arts
Classical Indian Dance in Literature and the Arts
By Kapila Vatsyayan
CA$169
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Classical Dances of South India
Classical Dances of South India
By Shovana Narayan
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What is Bharatanatyam?
What is Bharatanatyam?
By Vidya Bhavani Suresh
CA$89
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Nartanam- A Quarterly Journal of Indian Dance, October- December 2016 (Vol-XVI)
Nartanam- A Quarterly Journal of Indian Dance, October- December 2016 (Vol-XVI)
Publisher Sahrdaya Arts Trust, Hyderabad
CA$41
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The Dance of Shiva- Fourteen Indian Essays
The Dance of Shiva- Fourteen Indian Essays
By Ananda K. Coomaraswamy
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Contemporary Dance (Practices, Paradigms and Practitioners)
Contemporary Dance (Practices, Paradigms and Practitioners)
By TRIPURA KASHYAP
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Kathak Dance Education: Contemporary Systems, Problems and Suggestions (Set of 2 Volumes)
Kathak Dance Education: Contemporary Systems, Problems and Suggestions (Set of 2 Volumes)
By Rajeev Indramani Jha
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Asian Dance Multiple Levels
Asian Dance Multiple Levels
By Kapila Vatsyayan
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Music Of Krishnanattam (A Leading Dance Drama of Kerala)
Music Of Krishnanattam (A Leading Dance Drama of Kerala)
By T.V. Manikandan
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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