BOOKS ON INDIAN CLASSICAL & FOLK DANCE

Affichage de 145 à 168 sur 319 résultats
Affichage de 145 à 168 sur 319 résultats
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Odissi Nrutya Alochana: English Version of the Proceedings of the Seminar Held on 28th-29th July 1975
Odissi Nrutya Alochana: English Version of the Proceedings of the Seminar Held on 28th-29th July 1975
Publisher Orissa Sangeet Natak Akademi, Bhubaneswar
NZ$61
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Folk Dances of Orissa (An Old and Rare Book)
Folk Dances of Orissa (An Old and Rare Book)
By Dhirendranath Patnaik
NZ$36
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Odissi Dance
Odissi Dance
By Dhirendranath Patnaik
NZ$52
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The Sattriya Dance Assam: An Analytical and Critical Study
The Sattriya Dance Assam: An Analytical and Critical Study
By Jagannath Mahanta
NZ$83
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Nrtya Tarangini: English Translation and Transliteration from Telugu Original Text
Nrtya Tarangini: English Translation and Transliteration from Telugu Original Text
By Veena Murthy Vijay
NZ$148
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अंग काव्य: Ang Kavya- Nomenclature for Band Movements and Feet Positions in Kathak
अंग काव्य: Ang Kavya- Nomenclature for Band Movements and Feet Positions in Kathak
By Birju Maharaj
NZ$52
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Bharatanatyam: How to? (A Step-by-Step Approach to Learn the Classical Dance form)
Bharatanatyam: How to? (A Step-by-Step Approach to Learn the Classical Dance form)
By Jayalakshmi Eshwar
NZ$141.60
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NZ$177 20% off
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Newar Theatrical Performances (Religious, Royal, and Comic Aspects)
Newar Theatrical Performances (Religious, Royal, and Comic Aspects)
By Gerard Toffin
NZ$212
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Buddhist Dances: Movement & Mind
Buddhist Dances: Movement & Mind
By Joseph Houseal
NZ$194
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Bharata Natyam on the Global Stage: At Home in the World
Bharata Natyam on the Global Stage: At Home in the World
By Janet O Shea
NZ$57
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World History of the Dance
World History of the Dance
By Curt Sachs
NZ$139
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Mohiniyattam: A Reader (Set of 2 Volumes)
Mohiniyattam: A Reader (Set of 2 Volumes)
By K. R. Kavya Krishna, Mythili Maratt Anoop
NZ$120
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The Mirror of Gesture- Being the Abhinaya Darpana of Nandikesvara
The Mirror of Gesture- Being the Abhinaya Darpana of Nandikesvara
By Nandikesvara
NZ$36
NZ$45 20% off
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Choliya: A Dance of Heritage and Valor
Choliya: A Dance of Heritage and Valor
By Shalini Darmwal
NZ$56
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108 பரதநாட்டிய ஜதிகள்- 108 Bharathanatyam Jathis (Tamil and English With Audio Link)
108 பரதநாட்டிய ஜதிகள்- 108 Bharathanatyam Jathis (Tamil and English With Audio Link)
By Chidambaram R. Suresh and Shobana Suresh
NZ$66
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Swinging Syllables: Aesthetics of Kathak Dance
Swinging Syllables: Aesthetics of Kathak Dance
By Sushil Kumar Saxena
NZ$71
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Odissi Dance (Set of 10 Books)
Odissi Dance (Set of 10 Books)
By Various Authors
NZ$571
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The Natya Sastra of Bharatamuni
The Natya Sastra of Bharatamuni
Publisher Sri Satguru Publications
NZ$94
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Mohiniyattam: A Reader (Set of 2 Volumes)
Mohiniyattam: A Reader (Set of 2 Volumes)
By K. R. Kavya Krishna, Mythili Maratt Anoop
NZ$139
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Mohiniyattam An Indian Dance Tradition (A Language of Feminine Desire)
Mohiniyattam An Indian Dance Tradition (A Language of Feminine Desire)
By Mythili Maratt Anoop
NZ$82
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The World of Koochipoodi Dance
The World of Koochipoodi Dance
By Swapnasundari
NZ$181
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Nataraja: Divine Dance Of The Cosmos
Nataraja: Divine Dance Of The Cosmos
By Kamal Kishor Mishra, Shovana Narayan
NZ$172
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Mohiniyattam: Its Art and Aesthetics
Mohiniyattam: Its Art and Aesthetics
By BharatI Shivaji
NZ$68
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The Mirror of Gesture Being the Abhinaya Darpana of Nandikesvara
The Mirror of Gesture Being the Abhinaya Darpana of Nandikesvara
By Ananda K. Coomaraswamy, Gopala Kristnayya Duggiralla
NZ$52
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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