BOOKS ON INDIAN MUSIC

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The Sangitopanisat-Saroddharah (A Fourteenth-Century Text on Music from Western India)
The Sangitopanisat-Saroddharah (A Fourteenth-Century Text on Music from Western India)
By Allyn Miner
RM192
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Parde Ke Peechhey- An Autobiography as Told to Anjula Bedi
Parde Ke Peechhey- An Autobiography as Told to Anjula Bedi
By Ila Arun
RM143
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Swathi Thirunal: A Composer Born to a Mother
Swathi Thirunal: A Composer Born to a Mother
By Achuthsankar S. Nair
RM139
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From Udra to Odishi (A Grammatical Overview of Odishi Music)
From Udra to Odishi (A Grammatical Overview of Odishi Music)
By Sangita Panda
RM98.60
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Dvisvabhava (Double-Natured) Music (An Old and Rare Book)
Dvisvabhava (Double-Natured) Music (An Old and Rare Book)
By Ganesh Umakant Thite
RM94
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Zakir Hussain: A Life in Music in Conversation with Nasreen Munni Kabir
Zakir Hussain: A Life in Music in Conversation with Nasreen Munni Kabir
By Nasreen Munni Kabir
RM104.25
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Kalashastra Visharad (Prarambhik, Praveshika Pratham + Poorna) | Madhyama Pratham | Madhyama Poorna - Set of 3 Volumes With Notations
Kalashastra Visharad (Prarambhik, Praveshika Pratham + Poorna) | Madhyama Pratham | Madhyama Poorna - Set of 3 Volumes With Notations
By Shilpa Bahulekar
RM166
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Bhatkhande’s Contribution To Music
Bhatkhande’s Contribution To Music
By Sobhana Nayar
RM100.10
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Forgotten Chapters of Music and 22 Krithis of Thyagaraja on the Science, Art and Beauty of Music)
Forgotten Chapters of Music and 22 Krithis of Thyagaraja on the Science, Art and Beauty of Music)
By G. Dwarkanath
RM103
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Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 2) (Part 6)
Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 2) (Part 6)
By V.K. Krishna Prasad
RM87.50
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Indian Music
Indian Music
By Swami Rama
RM125
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The Role of Criticism in Hindustani Music
The Role of Criticism in Hindustani Music
By Priya Kanungo
RM102.05
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Carnatic Music Reader In Western Staff Notation (A Primer For Guitar, Piano, Keyborad, Saxophone, Violin) (Set of 7 Volumes)
Carnatic Music Reader In Western Staff Notation (A Primer For Guitar, Piano, Keyborad, Saxophone, Violin) (Set of 7 Volumes)
By V. K. Krishna Prasad
RM492
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The Hindu Speaks On Music (A Rare Book)
The Hindu Speaks On Music (A Rare Book)
Publisher THE HINDU GROUP
RM219
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Kriti Sagaram- Edited With Text and Notation (Part- I)
Kriti Sagaram- Edited With Text and Notation (Part- I)
By S. Bhagyalekshmi
RM103
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Manasollasa
Manasollasa
By Deepti Omchery Bhalla
RM130
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Pancharathna Ganamrutham (Text With Notation)
Pancharathna Ganamrutham (Text With Notation)
By A. S. Panchapakesa Iyer
RM81
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Ragas in Carnatic Music
Ragas in Carnatic Music
By Dr. S. Bhagyalekshmi
RM166
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Ganamrutha Keerthanamalika- With Notaion (Vol-I)
Ganamrutha Keerthanamalika- With Notaion (Vol-I)
By A. S. Panchapakesa Iyer
RM130
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Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 3) (Part 7)
Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 3) (Part 7)
By V.K. Krishna Prasad
RM125
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Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 1) (Part 5)
Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 1) (Part 5)
By V.K. Krishna Prasad
RM87.50
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Monograph-Ustad Bismillah Khan by Neena Jha and Shivnath Jha
Monograph-Ustad Bismillah Khan by Neena Jha and Shivnath Jha
By Neena Jha,Shivnath Jha
RM275.25
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The Story of Indian Music and its Instruments (A Study of the Present and a Record of the Past)
The Story of Indian Music and its Instruments (A Study of the Present and a Record of the Past)
By Ethel Rosenthal
RM94
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Music and Modernity - North Indian Classical Music in an Age of Mechanical Reproduction
Music and Modernity - North Indian Classical Music in an Age of Mechanical Reproduction
By Amlan Das Gupta
RM148
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The Grammar of South Indian Music (Karnatic Music)
The Grammar of South Indian Music (Karnatic Music)
By C. Subrahmanya Ayyar
RM121
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Music The Nectar of Life
Music The Nectar of Life
By Pandit Shriram Sharma Acharya
RM78.40
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Karnaataka Sangeetha Dharpana: Senior Grade Theory & Compositional Forms with Notations (Book- 2)
Karnaataka Sangeetha Dharpana: Senior Grade Theory & Compositional Forms with Notations (Book- 2)
By T. Sachidevi
RM130
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Indian Traditions in Search of Unity through Music
Indian Traditions in Search of Unity through Music
Publisher Ramakrishna Mission Institute of Culture
RM60.75
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The Concept and Evolution of Raga and Music Appreciation
The Concept and Evolution of Raga and Music Appreciation
By Geetha Ravikumar
RM166
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Karnatic Music Reader (Part 1) (Containing Introduction Saptha Swara, Sarali Varisa, Janta Varisa, Alankaram, Gitam, Swarajathi )
Karnatic Music Reader (Part 1) (Containing Introduction Saptha Swara, Sarali Varisa, Janta Varisa, Alankaram, Gitam, Swarajathi )
By Dr. S. Bhagyalekshmy
RM92.80
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Ethnomusicology (A Study of Intercultural Musicology)
Ethnomusicology (A Study of Intercultural Musicology)
By S.A.K Durga
RM118.40
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Glimpses of Carnatic Music for NET. SLET. JRF.
Glimpses of Carnatic Music for NET. SLET. JRF.
By Dr. T.V. Manikandan
RM116
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Khyal- Creativity within North India's Classical Music Tradition (With Audio Cassette)
Khyal- Creativity within North India's Classical Music Tradition (With Audio Cassette)
By Bonnie C. Wade
RM278.10
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Heritage of Assamese Music
Heritage of Assamese Music
By Birendranath Datta
RM94
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Pitch Analysis in South Indian Music (With a Critical Examination of The Theory of 22 Sruti-s)
Pitch Analysis in South Indian Music (With a Critical Examination of The Theory of 22 Sruti-s)
By Madhu Mohan Komaragiri
RM197
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Sangita Sastra Sangraha (A Guide to Theory of Indian Music)
Sangita Sastra Sangraha (A Guide to Theory of Indian Music)
By Dr. M.B. Vedavalli
RM116
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Musical Instruments Donated By Raja Sir Sourindro Mohan Tagore (A Tribute To Raja Sourindro Mohun Tagore On The International Museum Day)
Musical Instruments Donated By Raja Sir Sourindro Mohan Tagore (A Tribute To Raja Sourindro Mohun Tagore On The International Museum Day)
By Anup Matilal & Mita Chakrabarty
RM125
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Indian Musicology- Melodic Structure
Indian Musicology- Melodic Structure
By Mriganka Sekhar Chakraborty
RM125
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चतुर्दण्डीप्रकाशिका: Caturdandiprakasika of Venkatamakhin (Critically Edited and Translated with Commentary and Notes in Set of 2 Volumes)
चतुर्दण्डीप्रकाशिका: Caturdandiprakasika of Venkatamakhin (Critically Edited and Translated with Commentary and Notes in Set of 2 Volumes)
By Edited & Translated By: R. Sathyanarayana
RM778
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Karnatic Music Reader
Karnatic Music Reader
By Dr. S. Bhagyalekshmy
RM116
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Literary Music From Jaidev To Gurudev
Literary Music From Jaidev To Gurudev
By Srikumar Chatterjee
RM259
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Uparupaka-s in Indian Performing Art
Uparupaka-s in Indian Performing Art
By Deepti Omchery Bhalla
RM139
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Sangeet Natak- Numbers 89-90 July- December 1988 ( Special Issue Tradition & Modernity)
Sangeet Natak- Numbers 89-90 July- December 1988 ( Special Issue Tradition & Modernity)
By Editor|A. Chatterjee
RM116
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Sangeet Natak- Volume XXXIX, Number, 4, 2005
Sangeet Natak- Volume XXXIX, Number, 4, 2005
Publisher SANGEET NATAK AKADEMI
RM94
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Sangitasamayasara
Sangitasamayasara
By Deepti Omchery Bhalla
RM116
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Indian Music An Overview Essays on Various Aspects of Indian Music
Indian Music An Overview Essays on Various Aspects of Indian Music
By Dr. S. Bhagyalekshmy
RM98
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Reimagining "One Nation, One Music"
Reimagining "One Nation, One Music"
By Iman Das, Lalitha Mutthuswamy and Nandini Mutthuswamy
RM183
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Sangeet Natak- Journal of Th Sangeet Natak Akademi 74 (An Old and Rare Book)
Sangeet Natak- Journal of Th Sangeet Natak Akademi 74 (An Old and Rare Book)
By A. Chatterjee
RM57
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Sangeet Natak: Volume LI, Numbers 1-4, 2017
Sangeet Natak: Volume LI, Numbers 1-4, 2017
Publisher SANGEET NATAK AKADEMI
RM80.25
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Sangeet Natak- Volume XLII, Number 4, 2008
Sangeet Natak- Volume XLII, Number 4, 2008
Publisher SANGEET NATAK AKADEMI
RM57
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Sangeet Natak- Volume, XLI, Number 3, 2007
Sangeet Natak- Volume, XLI, Number 3, 2007
By R.C. Mehta
RM57
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Sangeet Natak: Volume L, Numbers 1-4, 2016
Sangeet Natak: Volume L, Numbers 1-4, 2016
Publisher SANGEET NATAK AKADEMI
RM116
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Sangeet Natak- Journal of The Sangeet Natak Akademi-58 (An Old and Rare Book)
Sangeet Natak- Journal of The Sangeet Natak Akademi-58 (An Old and Rare Book)
By Balraj Verma
RM60.75
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Sangeet Natak- Numbers 85-86 July - December 1987 (An Old and Rare Book
Sangeet Natak- Numbers 85-86 July - December 1987 (An Old and Rare Book
By A. Chatterjee
RM60.75
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Sangeet Natak- Volume XLIII, Number 4, 2009
Sangeet Natak- Volume XLIII, Number 4, 2009
By A. Chatterjee
RM60.75
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Sangeet Natak- Journal of The Sangeet Natak Akademy -29
Sangeet Natak- Journal of The Sangeet Natak Akademy -29
By Uma Anand
RM57
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Prahar: The Singing Clock
Prahar: The Singing Clock
By Pravin Godkhindi
RM121
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Raga 2 Rock: A Mumbai Tamil’s Musical Journey
Raga 2 Rock: A Mumbai Tamil’s Musical Journey
By Madan Mohan
RM84.70
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The Teaching of Music: Fourth Edition
The Teaching of Music: Fourth Edition
By P. Sambamoorthy
RM107
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Tihaai: The Quintessence of Indian Percussive Arts (With Audio CD)
Tihaai: The Quintessence of Indian Percussive Arts (With Audio CD)
By Prabhakar Betrabet & Sandeep Hattangady
RM113.90
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कोहलमतम्- श्रीकोहलमुनिविरचितम्: Kohalamatam of Sri Kohala Muni
कोहलमतम्- श्रीकोहलमुनिविरचितम्: Kohalamatam of Sri Kohala Muni
By R. SATHYANARAYANA
RM193.80
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Music Perception and Congnition
Music Perception and Congnition
By Padma iyer
RM152.15
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Music of India (An Old and Rare Book)
Music of India (An Old and Rare Book)
By William Jones & N. Augustus Willard
RM121.55
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Bhajan Swarlipi (Set of 2 Volumes)
Bhajan Swarlipi (Set of 2 Volumes)
By Vinod Kumar
RM188
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Pannalal Ghosh
Pannalal Ghosh
By Vishvas M. Kulkarni
RM309
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Confluence of Indian Raagaas and Western Musical Scales- A Compilation of Comparative and General Study
Confluence of Indian Raagaas and Western Musical Scales- A Compilation of Comparative and General Study
By K. Chandramohan
RM192
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Appreciation of Music - A Guide (Set of 2 Volumes with CD)
Appreciation of Music - A Guide (Set of 2 Volumes with CD)
By Geetha Ravikumar
RM143
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Folk Musical Instruments of HImachal Pradesh
Folk Musical Instruments of HImachal Pradesh
By Surat Thakur
RM89
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National Eligibility Tests for Indian Music
National Eligibility Tests for Indian Music
By Dr. S. Bhagyalekshmy.M.A.Ph.D
RM103.60
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Music of Brahmans (Ritual and Religious Significance in Everyday Life)
Music of Brahmans (Ritual and Religious Significance in Everyday Life)
By Kumar Sargam
RM106.40
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Proceedings of a Seminar on The Art Experience (A Classical Indian Approach)
Proceedings of a Seminar on The Art Experience (A Classical Indian Approach)
By Satavadhani Dr R Ganesh
RM143
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A Musicological Study of Haridasa Suladi-s (from Thanjavur Maharaja Safroji Saraswati Mahal Library (TMSSML) Collections)
A Musicological Study of Haridasa Suladi-s (from Thanjavur Maharaja Safroji Saraswati Mahal Library (TMSSML) Collections)
By Arati Rao
RM192
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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