BOOKS ON INDIAN RAGAS

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Bharatiya Sangeet Raganidhi- A Comparative Study of Hindustani and Karnatak Ragas: Only 1 Quantity Available- An Old and Rare Book (K to P, Volume-3)
Bharatiya Sangeet Raganidhi- A Comparative Study of Hindustani and Karnatak Ragas: Only 1 Quantity Available- An Old and Rare Book (K to P, Volume-3)
By B. Subba Rao
AED204
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Bharatiya Sangit Raganidhi- A Comparative Study of Hindustani and Karnatak Raga-s ( A to J and K to Z, Set of 2 Volumes)
Bharatiya Sangit Raganidhi- A Comparative Study of Hindustani and Karnatak Raga-s ( A to J and K to Z, Set of 2 Volumes)
By Subba Rao
AED267
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Sangita Sampradaya Pradarsini of Brahmasri Subbarama Diksitulu (Set of 5 Volumes)
Sangita Sampradaya Pradarsini of Brahmasri Subbarama Diksitulu (Set of 5 Volumes)
By Subbarama Dikshitulu
AED637
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Melaragamalika of Maha Vaidyanatha Sivan- Tamiz, Commentary 'Sivapriya' by V.S.V Guruswamy Sastrigal
Melaragamalika of Maha Vaidyanatha Sivan- Tamiz, Commentary 'Sivapriya' by V.S.V Guruswamy Sastrigal
By V.S.V Guruswamy Sastrigal
AED137
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Ganamrutha Bodhini (Sangeetha Bala Padam)
Ganamrutha Bodhini (Sangeetha Bala Padam)
By A. S. Panchapakesa Iyer
AED119
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The Innovative & Prevalent Ragas and Talas- In North Indian Classical Music (With Notations)
The Innovative & Prevalent Ragas and Talas- In North Indian Classical Music (With Notations)
By Prem Kishor Mishra
AED137
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A Comprehensive Dictionary of Carnatic Music
A Comprehensive Dictionary of Carnatic Music
By Vidya Bhavani Suresh
AED230
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Music and Medicine (Healing Brain Injury Through Ragas - A Study)
Music and Medicine (Healing Brain Injury Through Ragas - A Study)
By Shashi Bhushan Singh
AED96
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Melodic Types of Hindusthan- A Scientific Interpretation of the Raga System of Northern India (An Old and Rare Book)
Melodic Types of Hindusthan- A Scientific Interpretation of the Raga System of Northern India (An Old and Rare Book)
By Narendra Kumar Bose
AED300
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Systematic Analysis of Ragas - In Hindustani Classical Music
Systematic Analysis of Ragas - In Hindustani Classical Music
By Shirish R. Shah
AED148
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The Structure of Music in Raga and Western Systems (An Old and Rare Book)
The Structure of Music in Raga and Western Systems (An Old and Rare Book)
By Raja Ramanna
AED267
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A Book on Orchestra (An Old and Rare Book)
A Book on Orchestra (An Old and Rare Book)
By V. Balsara
AED111
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Theory Of Indian Music (The First Book Containing The Sentiments, Their Effects On Shrutis, Notes And Ragas In Ornamental Shape Along With Formation And Manner Of Display)
Theory Of Indian Music (The First Book Containing The Sentiments, Their Effects On Shrutis, Notes And Ragas In Ornamental Shape Along With Formation And Manner Of Display)
By RAM AVTAR 'VIR
AED115
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Rag Malika With Notation
Rag Malika With Notation
By Shruti Jauhari and Nancy Needhima
AED219
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Ragas in Carnatic Music
Ragas in Carnatic Music
By Dr. S. Bhagyalekshmi
AED137
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The Concept and Evolution of Raga and Music Appreciation
The Concept and Evolution of Raga and Music Appreciation
By Geetha Ravikumar
AED137
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The Doctrine of Raga in Indian Music with Nava Gana Ragas System
The Doctrine of Raga in Indian Music with Nava Gana Ragas System
By Vinod Vidwans
AED122
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The Doctrine of Raga in Indian Music with Nava Gana Ragas System
The Doctrine of Raga in Indian Music with Nava Gana Ragas System
By Vinod Vidwans
AED96
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Relevance of Embellishments in Indian Raga System (With Notations)
Relevance of Embellishments in Indian Raga System (With Notations)
By Divya Dayal
AED107
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Ragamala of Tansen: (Published with Grant from Ministry of Culture, Government of India)
Ragamala of Tansen: (Published with Grant from Ministry of Culture, Government of India)
By Harimohan Malviya
AED74
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सा रे गा मा पा: Sa Re Ga Ma Pa
सा रे गा मा पा: Sa Re Ga Ma Pa
By Hem Bhatnagar
AED30.80
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Sangeet Mala with (Part-2)
Sangeet Mala with (Part-2)
By Dattatreya Velankar
AED96
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कोहलमतम्- श्रीकोहलमुनिविरचितम्: Kohalamatam of Sri Kohala Muni
कोहलमतम्- श्रीकोहलमुनिविरचितम्: Kohalamatam of Sri Kohala Muni
By R. SATHYANARAYANA
AED160.65
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Confluence of Indian Raagaas and Western Musical Scales- A Compilation of Comparative and General Study
Confluence of Indian Raagaas and Western Musical Scales- A Compilation of Comparative and General Study
By K. Chandramohan
AED159
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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