This form does not confront; it stands guard. The face is present without features, deliberately withdrawn from recognition. What replaces expression is solidity- a closed, shield-like surface that resists penetration, both visually and symbolically. In many cultures, protection does not come from exposure but from concealment, from forms that turn harm away rather than absorb it.
The verticality of the sculpture reinforces this role. It rises like a boundary marker, a threshold object placed not to be admired for likeness but trusted for its presence. The incised central motif reads as a sigil rather than an ornament- a sign carved into stone to hold intent, not narrative. The black marble, dense and light-absorbing, strengthens this sense of warding; it does not reflect the world easily, as if refusing entry.
This is a face meant to be stationed, not approached emotionally. Its power lies in restraint, in the belief that protection is most effective when it remains impersonal, enduring, and alert. The sculpture does not tell a story of evil defeated; it asserts a quieter claim: that some forms exist simply to keep harm at a distance.
Send as free online greeting card
Email a Friend
Visual Search
Manage Wishlist