Nothing here is fixed, even though it is stone. The form rises in a continuous spiral, each curve answering the one below it, as if motion has been folded upward and held in place. The sculpture does not climb in a straight line; it sways, pauses, gathers itself, and then turns again. Progress here is rhythmic, not forceful.
The marble’s smooth polish allows light to travel along the surface, tracing the contours like a slow pulse. Each swell feels intentional, suggesting breath, tide, or thought rather than physical speed. There is no beginning or end that dominates the eye; instead, the gaze moves back and forth, caught in the logic of repetition and variation.
Anchored on a solid base, the form never feels unstable, yet it resists stillness. It speaks of continuity shaped by change, of ascent that is not linear but earned through turns. What emerges is a quiet insistence: movement does not always surge forward; sometimes it deepens, curves, and rises by returning to itself.
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