At first glance, these three sweeping arcs feel like a gesture frozen mid-flow- something once fluid, now held in luminous marble. Their movement pulls inward toward the circular centre, a shape that feels less like a void and more like a quiet pulse: the point where motion gathers itself before unfurling again.
There is a sense of rhythm here, almost like watching a wave curve toward shore or the way wind shapes the path of a bird’s flight. The form seems to spiral without actually turning, balancing momentum with restraint. It gives the impression of energy learning its own boundaries: an elegant negotiation between expansion and return.
What makes the piece compelling is its emotional neutrality. It does not declare itself a wave, a wing, or a symbol. Instead, it offers an abstract movement that the viewer completes with their own interpretation. The soft sheen of the marble, touched with natural grey veining, keeps the sculpture grounded even as its lines suggest lift.
Placed in a room, it becomes a reminder of cycles: breath, thought, effort, renewal. A shape that is always leaning forward yet always connected to its centre, holding both motion and pause in one continuous curve.
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