Dashavatara Of Lord Krishna | Watercolor On Palm Leaf | By Rabi Behra

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Dashavatara Of Lord Krishna | Watercolor On Palm Leaf | By Rabi Behra

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Specifications

	DDC298
	Artist Rabi Behera
	Patachitra On Palm Leaf
	12.50 inch Height X 8.20 inch Width
	Weight 40 gm

Delivery and Return Policies

	Ships in 1-3 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

A Divine Chronicle Unveiled

Immerse yourself in the captivating narrative of the Dashavatara, the ten principal avatars of Lord Vishnu, rendered with exquisite detail and timeless grace. This captivating artwork transcends mere decoration, offering a profound visual journey into the heart of Hindu mythology and artistic heritage, bringing an ancient story to life through the delicate touch of a master.

The Soul of Pattachitra Craftsmanship

Each stroke on the treated palm leaf is a testament to the dedication and skill of Rabi Behra, a custodian of the Pattachitra tradition. This ancient art form, passed down through generations, demands meticulous preparation of the natural substrate and precise application of pigments, creating a piece that is as durable as it is beautiful. You'll appreciate the organic texture of the palm leaf, which imparts a unique character and warmth to the composition, distinguishing it from any mass-produced art.

Intricate Visions and Deliberate Design

The composition unfolds across the 12.50-inch height and 8.20-inch width, divided into meticulously crafted panels that depict each divine incarnation. Observe the delicate linework and subtle watercolor washes that define the figures and their symbolic elements, drawing you into their narratives. The rich decorative borders framing the central imagery add a layer of opulence, enhancing the sacredness of the subject matter and inviting deeper contemplation.

Echoes of Sacred Lore

Rooted in the rich cultural tapestry of Odisha, India, the Pattachitra art form has served for centuries as a medium for storytelling and religious devotion. This depiction of the Dashavatara connects you directly to this enduring lineage, offering a tangible link to a spiritual tradition that has shaped countless lives. It represents not just artistic mastery, but a profound expression of faith and a visual repository of divine tales.

A Sacred Adornment for Your Sanctuary

This exquisite piece is perfectly suited to grace a meditation room, a study, or a living space where you seek to imbue your environment with spiritual resonance and artistic elegance. Its compact yet impactful dimensions allow for versatile placement, whether displayed on a dedicated shelf, a mantelpiece, or as part of a curated gallery wall. You'll find its presence inspires reflection and adds a touch of timeless beauty to your surroundings.

Preserving a Legacy Through Generations

To ensure its enduring beauty, handle this artwork with care, avoiding direct sunlight and excessive humidity. Gentle dusting with a soft, dry cloth will maintain its pristine condition. By following these simple guidelines, you are not only preserving a beautiful object but also safeguarding a piece of cultural heritage, allowing its divine stories to resonate for years to come.

Mastering the Ancient Technique: Exploring the Meticulous Creation of Pattachitra Paintings

The traditional Pattachitra is a scroll painting that is done on cloth. This is revealed in the name; Pattachitra is a Sanskrit term made from two words i.e. Patta meaning cloth and Chitra meaning picture. The main subject of this painting is portraying Hindu mythological narratives, scenes from religious texts, and folktales. Pattachitra paintings are especially practiced in eastern Indian states such as West Bengal and Odisha, and also in some parts of Bangladesh. This art form is closely related to Shri Jagannath and the tradition of the Vaishnava sect. It is believed that Pattachitra art originated in the 11th century and the people of Odisha practice it even today without any discrepancy. Bengalis use these scroll paintings for ritual purposes (as a visual device) during the performance of a song or Aarti.

Pattachitra paintings are characterized by creative and traditional motifs/designs, decorative borders, and bright colorful applications. The outline of the figure and motifs are bold and sharp. Some common shapes and motifs seen in these paintings are trees, flowers, leaves, elephants, and other creatures. The artists of Odisha and Bengal still use the traditional method of painting which gives a unique look to it altogether.

1. Canvas is prepared

The process of painting a Pattachitra begins by preparing the canvas (patta). Generally, cotton cloth is used for making the canvas. The local artists dip the cotton cloth in a mixture of tamarind seeds and water for a few days. The cloth is then taken out and dried in the sun. Now natural gum is applied over it to stick another layer of cotton cloth on it. Thus a thick layer of cotton cloth is formed. This layered cotton is sun-dried and a paste of chalk powder, tamarind, and gum is applied on both sides. The surface of the cloth is then rubbed with two different stones for smoothening and it is again dried. This process gives the cloth a leathery finish and it is now ready to be painted.

2. Natural colors are made using traditional method

The painters prepare and use vegetable and mineral colors for application in the painting. White color is made from conch shells, black is made by burning coconut shells, Hingula is used for red color, Ramaraja for blue, and Haritala for yellow.

3. Colors are filled in

The artist now makes a double-lined border on all four sides of the canvas. The local artists are so expert in painting that they do not draw figures and motifs with pencil but directly draw them with a brush. The paint brushes that the painters use are made of the hair of domestic animals, a bunch of which is tied to the end of a bamboo stick. The figures are now painted with natural colors using the indigenous brushes. The outline is thickened with black color.

4. Painting is given a finishing

Finally, the painting is varnished/glazed to protect it from any damage and to get a glossy shine on the surface.

The making of a Pattachitra is laborious work and therefore, one painting may sometimes take over a month to complete. Due to their classical look, these paintings are admired by people from all over the world. The artistic skills used in Pattachitra are passed down from one generation to another and thus are preserved to date.