Divine Lord Ganesha | Watercolor On Palm Leaf | By Rabi Behra

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Divine Lord Ganesha | Watercolor On Palm Leaf | By Rabi Behra

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Specifications

	DDC297
	Artist Rabi Behera
	Patachitra On Palm Leaf
	12.50 inch Height X 8.20 inch Width
	Weight 40 gm

Delivery and Return Policies

	Ships in 1-3 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

A Testament to Divine Grace

Invite the remover of obstacles and the bestower of wisdom into your sanctuary. This exquisite piece, rendered on natural palm leaf, captures the essence of devotional art, offering a unique focal point that resonates with peace and spiritual depth. Its intricate storytelling and delicate execution promise to enrich any space it graces.

The Art of the Palm Leaf Master

Experience the meticulous craftsmanship passed down through generations. Each stroke of the brush, a whisper of tradition, brings this Pattachitra to life on the subtly textured surface of meticulously prepared palm leaves. The artist, Rabi Behra, employs a fine point to define the detailed figures and ornamental borders, ensuring every element possesses a clarity and grace that speaks volumes of his mastery. You'll appreciate the inherent organic beauty of the palm leaf, which lends an unparalleled depth and warmth to the narrative depicted.

Visual Narrative and Enduring Beauty

The composition unfolds with a central depiction of Lord Ganesha, surrounded by a series of circular vignettes, each telling a story or portraying a deity. The fine lines and subtle use of watercolor create a harmonious interplay of light and shadow, drawing the viewer into its detailed world. Measuring approximately 12.5 inches in height and 8.2 inches in width, its scale is perfectly suited to command attention without overwhelming your space. The vibrant red border frames the delicate artwork, enhancing its visual impact and signifying its sacred nature.

Echoes of Ancient Odisha

This creation is a beautiful representation of Pattachitra, an ancient folk art form originating from the eastern Indian state of Odisha. Traditionally painted on palm leaves or cloth, Pattachitra art is known for its vibrant colors, intricate details, and mythological themes. This particular piece, focusing on Lord Ganesha, a universally revered deity symbolizing new beginnings and prosperity, connects you to a rich cultural heritage and a lineage of artistic expression that has endured for centuries.

A Spiritual Accent for Your Home

Imagine this captivating piece adorning your meditation room, a quiet corner of your study, or as a serene addition to your living area. Its presence invites contemplation and conversation, serving as a constant reminder of divine presence and artistic excellence. It is an ideal choice for those who appreciate the spiritual and the aesthetic, bringing a touch of ancient Indian artistry into the contemporary home.

Preserving Timeless Value

To ensure the longevity of this treasured artwork, avoid direct sunlight and excessive humidity, which can affect the palm leaf and watercolor. Gentle dusting with a soft, dry cloth is sufficient for its upkeep. By adhering to these simple care instructions, you will preserve its delicate beauty and its cultural significance, ensuring it remains a source of inspiration and a cherished heirloom for years to come.

Mastering the Ancient Technique: Exploring the Meticulous Creation of Pattachitra Paintings

The traditional Pattachitra is a scroll painting that is done on cloth. This is revealed in the name; Pattachitra is a Sanskrit term made from two words i.e. Patta meaning cloth and Chitra meaning picture. The main subject of this painting is portraying Hindu mythological narratives, scenes from religious texts, and folktales. Pattachitra paintings are especially practiced in eastern Indian states such as West Bengal and Odisha, and also in some parts of Bangladesh. This art form is closely related to Shri Jagannath and the tradition of the Vaishnava sect. It is believed that Pattachitra art originated in the 11th century and the people of Odisha practice it even today without any discrepancy. Bengalis use these scroll paintings for ritual purposes (as a visual device) during the performance of a song or Aarti.

Pattachitra paintings are characterized by creative and traditional motifs/designs, decorative borders, and bright colorful applications. The outline of the figure and motifs are bold and sharp. Some common shapes and motifs seen in these paintings are trees, flowers, leaves, elephants, and other creatures. The artists of Odisha and Bengal still use the traditional method of painting which gives a unique look to it altogether.

1. Canvas is prepared

The process of painting a Pattachitra begins by preparing the canvas (patta). Generally, cotton cloth is used for making the canvas. The local artists dip the cotton cloth in a mixture of tamarind seeds and water for a few days. The cloth is then taken out and dried in the sun. Now natural gum is applied over it to stick another layer of cotton cloth on it. Thus a thick layer of cotton cloth is formed. This layered cotton is sun-dried and a paste of chalk powder, tamarind, and gum is applied on both sides. The surface of the cloth is then rubbed with two different stones for smoothening and it is again dried. This process gives the cloth a leathery finish and it is now ready to be painted.

2. Natural colors are made using traditional method

The painters prepare and use vegetable and mineral colors for application in the painting. White color is made from conch shells, black is made by burning coconut shells, Hingula is used for red color, Ramaraja for blue, and Haritala for yellow.

3. Colors are filled in

The artist now makes a double-lined border on all four sides of the canvas. The local artists are so expert in painting that they do not draw figures and motifs with pencil but directly draw them with a brush. The paint brushes that the painters use are made of the hair of domestic animals, a bunch of which is tied to the end of a bamboo stick. The figures are now painted with natural colors using the indigenous brushes. The outline is thickened with black color.

4. Painting is given a finishing

Finally, the painting is varnished/glazed to protect it from any damage and to get a glossy shine on the surface.

The making of a Pattachitra is laborious work and therefore, one painting may sometimes take over a month to complete. Due to their classical look, these paintings are admired by people from all over the world. The artistic skills used in Pattachitra are passed down from one generation to another and thus are preserved to date.