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MADE IN INDIA.

Krishna with His Female Friends (Scroll Painting)

$237
$316
25% off
Includes any tariffs and taxes
This item can be backordered
Time required to recreate this artwork
6 to 8 weeks
Advance to be paid now
$47.40 (20%)
Balance to be paid once product is ready
$189.60
Specifications
PC01
Orissa's Paata Painting Water Color on Tussar Silk
3.8 ft X 2.0 ft
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Glimpse into Krishna's Divine Play

Immerse yourself in the enchanting world of Krishna, the beloved deity of love, devotion, and playful charm, with this exquisite Paata painting from the heart of Orissa. This captivating artwork depicts Krishna, the eighth avatar of Vishnu, amidst his female companions, a scene brimming with joy, friendship, and spiritual symbolism. The canvas pulsates with life as Krishna, with his characteristic blue hue, stands as the focal point, radiating divine light. He is surrounded by his 'gopis' (cowherd girls), their faces lit with adoration and merriment. The scene portrays a playful moment, perhaps a dance or a joyous celebration in the idyllic Vrindavan, where Krishna spent his childhood. Each figure is meticulously rendered, their expressions and gestures conveying a deep sense of connection and devotion. The surrounding flora and fauna add to the pastoral ambiance, transporting the viewer to a timeless world of beauty and serenity.

The Lore and Legends of Krishna

Krishna's story is one of the most cherished narratives in Hindu mythology. Born to Devaki and Vasudeva in a prison cell, he was secretly taken to Gokul to be raised by Yashoda and Nanda, a cowherd couple. His childhood was filled with playful pranks, miraculous feats, and the vanquishing of demons. Krishna's flute playing was said to enchant all beings, drawing them into a state of blissful devotion. His relationships with the gopis are particularly significant. While some interpret their devotion to Krishna as purely romantic, it is more profoundly understood as the soul's yearning for union with the divine. The gopis represent the ultimate surrender and selfless love, where the individual merges with the cosmic consciousness. The Rasa Lila, the divine dance between Krishna and the gopis, symbolizes this blissful union, a dance of pure love and devotion. The presence of these female figures is not just aesthetic; it is a profound reminder of the path of devotion and the power of divine love.
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Orissa's Paata Tradition: A Legacy of Art

This remarkable artwork is a Paata painting, a traditional art form originating from Orissa, India. Paata paintings are characterized by their intricate details, vibrant colors, and the use of natural pigments. Traditionally, these paintings were created on cloth treated with a mixture of chalk and gum, but this painting employs the luxurious and durable Tussar silk as its base. This choice adds a unique textural element and enhances the vibrancy of the colors. The painting is meticulously crafted using watercolor, applied with fine brushes by skilled artisans who have inherited this art form through generations. The distinctive style of Orissa Paata paintings is evident in the bold outlines, the stylized figures, and the rich, earthy tones that create a visually stunning and spiritually uplifting piece. The painting is a testament to the enduring legacy of Orissan art and its deep connection to Hindu mythology. This painting, with its dimensions of 3.8 ft X 2.0 ft, is perfect as a statement piece for any room in your home or office. It offers not just a beautiful aesthetic but also a glimpse into a rich cultural and spiritual heritage. Owning this piece is a step into appreciating Indian art.

Mastering the Ancient Technique: Exploring the Meticulous Creation of Pattachitra Paintings

The traditional Pattachitra is a scroll painting that is done on cloth. This is revealed in the name; Pattachitra is a Sanskrit term made from two words i.e. Patta meaning cloth and Chitra meaning picture. The main subject of this painting is portraying Hindu mythological narratives, scenes from religious texts, and folktales. Pattachitra paintings are especially practiced in eastern Indian states such as West Bengal and Odisha, and also in some parts of Bangladesh. This art form is closely related to Shri Jagannath and the tradition of the Vaishnava sect. It is believed that Pattachitra art originated in the 11th century and the people of Odisha practice it even today without any discrepancy. Bengalis use these scroll paintings for ritual purposes (as a visual device) during the performance of a song or Aarti.
Pattachitra paintings are characterized by creative and traditional motifs/designs, decorative borders, and bright colorful applications. The outline of the figure and motifs are bold and sharp. Some common shapes and motifs seen in these paintings are trees, flowers, leaves, elephants, and other creatures. The artists of Odisha and Bengal still use the traditional method of painting which gives a unique look to it altogether.

1. Canvas is prepared

The process of painting a Pattachitra begins by preparing the canvas (patta). Generally, cotton cloth is used for making the canvas. The local artists dip the cotton cloth in a mixture of tamarind seeds and water for a few days. The cloth is then taken out and dried in the sun. Now natural gum is applied over it to stick another layer of cotton cloth on it. Thus a thick layer of cotton cloth is formed. This layered cotton is sun-dried and a paste of chalk powder, tamarind, and gum is applied on both sides. The surface of the cloth is then rubbed with two different stones for smoothening and it is again dried. This process gives the cloth a leathery finish and it is now ready to be painted.
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2. Natural colors are made using traditional method

The painters prepare and use vegetable and mineral colors for application in the painting. White color is made from conch shells, black is made by burning coconut shells, Hingula is used for red color, Ramaraja for blue, and Haritala for yellow.
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3. Colors are filled in

The artist now makes a double-lined border on all four sides of the canvas. The local artists are so expert in painting that they do not draw figures and motifs with pencil but directly draw them with a brush. The paint brushes that the painters use are made of the hair of domestic animals, a bunch of which is tied to the end of a bamboo stick. The figures are now painted with natural colors using the indigenous brushes. The outline is thickened with black color.
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4. Painting is given a finishing

Finally, the painting is varnished/glazed to protect it from any damage and to get a glossy shine on the surface.

The making of a Pattachitra is laborious work and therefore, one painting may sometimes take over a month to complete. Due to their classical look, these paintings are admired by people from all over the world. The artistic skills used in Pattachitra are passed down from one generation to another and thus are preserved to date.
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