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Radha Krishna -paata on tussar silk

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$155.25

$207

25% off

Includes any tariffs and taxes

This item can be backordered

Time required to recreate this artwork

6 to 8 weeks

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$31.05 (20%)

Balance to be paid once product is ready

$124.20

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Specifications

	KP01
	Paata Painting on Tussar Silk from Orissa
	15" x 20"

Delivery and Return Policies


	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

A Glimpse of Divine Love on Tussar Silk

Immerse yourself in the timeless love story of Radha and Krishna with this exquisite Paata painting, a vibrant narrative woven onto the luxurious canvas of Tussar silk. Crafted in the artistic tradition of Orissa, this artwork captures the divine essence of devotion and spiritual yearning. Measuring 15" x 20", this piece serves as a window into a world of devotion and grace.

The Enchanting Tale of Radha and Krishna

Radha and Krishna's love story is more than a romance; it's a profound allegory of the soul's yearning for union with the divine. Krishna, the eighth avatar of Vishnu, is often depicted as a playful cowherd, enchanting all with his flute's melodies. Radha, a Gopi (milkmaid), represents the epitome of bhakti, unconditional and selfless love for the Supreme Being. Their relationship transcends the earthly, symbolizing the eternal dance between the individual soul and the divine. Krishna is considered the source of all creation and is sometimes considered as the Supreme being. His consort Radha, similarly, is the source of Shakti or divine feminine energy. Their story is replete with tales of playful encounters in the idyllic Vrindavan, a place filled with lush forests, flowing rivers, and blossoming flowers. These encounters reflect the intimate connection between humanity and divinity. Through Radha's unwavering devotion, Krishna teaches us the power of love as the path to ultimate liberation.

Orissan Paata Painting: A Rich Artistic Heritage

Paata paintings, a traditional art form hailing from the eastern Indian state of Orissa, are renowned for their intricate detail, vibrant colors, and storytelling prowess. Originating in the ancient tradition of depicting Jagannath triad - Lord Jagannath, Balabhadra, and Subhadra – on cloth, these paintings evolved to encompass a wide range of mythological narratives, including those of Krishna, Durga, and various other deities. The creation of a Paata painting is a meticulous process, passed down through generations of artisan families. The artists begin by preparing the Tussar silk, a wild silk prized for its rich texture and golden sheen. Natural pigments, derived from minerals, plants, and even conch shells, are then carefully applied using fine brushes. The vibrant hues, often featuring deep reds, yellows, blues, and greens, are what give Paata paintings their distinctive charm. The meticulous brush strokes and the symbolic imagery create a visual feast that draws the viewer into the heart of the narrative.

Bring Home a Piece of Divine Art

This beautiful Paata painting on Tussar silk is more than just a decorative piece; it's a spiritual artifact. It is a window into a world of devotion, a celebration of artistic tradition, and a timeless reminder of the power of love. Display it in your home to create a peaceful and inspiring atmosphere. Let the vibrant colors and intricate details transport you to the idyllic realm of Vrindavan, where Radha and Krishna's eternal love story unfolds.

Mastering the Ancient Technique: Exploring the Meticulous Creation of Pattachitra Paintings

The traditional Pattachitra is a scroll painting that is done on cloth. This is revealed in the name; Pattachitra is a Sanskrit term made from two words i.e. Patta meaning cloth and Chitra meaning picture. The main subject of this painting is portraying Hindu mythological narratives, scenes from religious texts, and folktales. Pattachitra paintings are especially practiced in eastern Indian states such as West Bengal and Odisha, and also in some parts of Bangladesh. This art form is closely related to Shri Jagannath and the tradition of the Vaishnava sect. It is believed that Pattachitra art originated in the 11th century and the people of Odisha practice it even today without any discrepancy. Bengalis use these scroll paintings for ritual purposes (as a visual device) during the performance of a song or Aarti.

Pattachitra paintings are characterized by creative and traditional motifs/designs, decorative borders, and bright colorful applications. The outline of the figure and motifs are bold and sharp. Some common shapes and motifs seen in these paintings are trees, flowers, leaves, elephants, and other creatures. The artists of Odisha and Bengal still use the traditional method of painting which gives a unique look to it altogether.

1. Canvas is prepared

The process of painting a Pattachitra begins by preparing the canvas (patta). Generally, cotton cloth is used for making the canvas. The local artists dip the cotton cloth in a mixture of tamarind seeds and water for a few days. The cloth is then taken out and dried in the sun. Now natural gum is applied over it to stick another layer of cotton cloth on it. Thus a thick layer of cotton cloth is formed. This layered cotton is sun-dried and a paste of chalk powder, tamarind, and gum is applied on both sides. The surface of the cloth is then rubbed with two different stones for smoothening and it is again dried. This process gives the cloth a leathery finish and it is now ready to be painted.

2. Natural colors are made using traditional method

The painters prepare and use vegetable and mineral colors for application in the painting. White color is made from conch shells, black is made by burning coconut shells, Hingula is used for red color, Ramaraja for blue, and Haritala for yellow.

3. Colors are filled in

The artist now makes a double-lined border on all four sides of the canvas. The local artists are so expert in painting that they do not draw figures and motifs with pencil but directly draw them with a brush. The paint brushes that the painters use are made of the hair of domestic animals, a bunch of which is tied to the end of a bamboo stick. The figures are now painted with natural colors using the indigenous brushes. The outline is thickened with black color.

4. Painting is given a finishing

Finally, the painting is varnished/glazed to protect it from any damage and to get a glossy shine on the surface.

The making of a Pattachitra is laborious work and therefore, one painting may sometimes take over a month to complete. Due to their classical look, these paintings are admired by people from all over the world. The artistic skills used in Pattachitra are passed down from one generation to another and thus are preserved to date.