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Seven Ganeshas

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$142.50

$190

25% off

Includes any tariffs and taxes

This item can be backordered

Time required to recreate this artwork

6 to 8 weeks

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$28.50 (20%)

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$114

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Specifications

	PC50
	Orissa's Paata Painting Water Color on Tussar Silk
	3.5 ft X 1.1 ft

Delivery and Return Policies


	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

A Symphony of the Divine Remover of Obstacles

This exquisite Orissa Paata painting, rendered in vibrant watercolors on the unique texture of tussar silk, presents a captivating panorama of Lord Ganesha, the beloved elephant-headed deity. Unlike a single depiction, this artwork showcases seven distinct forms of Ganesha, each radiating a unique aura and divine energy. This multiplicity speaks to Ganesha's vast cosmic significance, as he is not merely one deity but a multifaceted representation of wisdom, prosperity, and good fortune, revered in numerous forms across Hindu tradition.

Echoes of Ancient Traditions

The Paata painting style, originating from Odisha, is renowned for its intricate detail, bold outlines, and rich, symbolic imagery. This particular piece likely draws inspiration from the traditional Pattachitra art form, where stories from mythology, epics, and folklore are brought to life with masterful brushstrokes. The use of tussar silk, a natural fiber known for its golden sheen and luxurious feel, adds an inherent elegance and timeless quality to the artwork. The detailed border work, with its repeating motifs, further enhances the visual appeal and hints at the traditional aesthetic sensibilities of Odiya art.

The Auspicious Forms of Ganesha

Each of the seven Ganeshas depicted in this artwork may represent different aspects or epithets of the deity. From the dancing Ganesha to those in meditative poses, or perhaps even the Ashtavinayak forms, the variations offer a visual narrative of Ganesha's expansive influence. In Hindu mythology, Ganesha is the son of Shiva and Parvati, and his wisdom is often invoked before any new undertaking. He is the remover of obstacles, the lord of beginnings, and the patron of arts and sciences. Tales abound of his cleverness, such as when he circumambulated his parents to win a race for a divine mango, or his role as the scribe for the Mahabharata.

A Tapestry of Color and Devotion

The vibrant palette of watercolors used in this painting breathes life into each of Ganesha's forms. The rich reds, auspicious yellows, deep blues, and earthy browns are not merely decorative but carry symbolic weight. The careful rendering of their divine adornments, the subtle expressions on their faces, and the dynamic poses contribute to the overall devotional and artistic merit of the piece. This artwork is more than just a painting; it is a visual mantra, a testament to the enduring faith and artistic heritage of India, bringing the divine presence of Ganesha into any space it adorns.

Mastering the Ancient Technique: Exploring the Meticulous Creation of Pattachitra Paintings

The traditional Pattachitra is a scroll painting that is done on cloth. This is revealed in the name; Pattachitra is a Sanskrit term made from two words i.e. Patta meaning cloth and Chitra meaning picture. The main subject of this painting is portraying Hindu mythological narratives, scenes from religious texts, and folktales. Pattachitra paintings are especially practiced in eastern Indian states such as West Bengal and Odisha, and also in some parts of Bangladesh. This art form is closely related to Shri Jagannath and the tradition of the Vaishnava sect. It is believed that Pattachitra art originated in the 11th century and the people of Odisha practice it even today without any discrepancy. Bengalis use these scroll paintings for ritual purposes (as a visual device) during the performance of a song or Aarti.

Pattachitra paintings are characterized by creative and traditional motifs/designs, decorative borders, and bright colorful applications. The outline of the figure and motifs are bold and sharp. Some common shapes and motifs seen in these paintings are trees, flowers, leaves, elephants, and other creatures. The artists of Odisha and Bengal still use the traditional method of painting which gives a unique look to it altogether.

1. Canvas is prepared

The process of painting a Pattachitra begins by preparing the canvas (patta). Generally, cotton cloth is used for making the canvas. The local artists dip the cotton cloth in a mixture of tamarind seeds and water for a few days. The cloth is then taken out and dried in the sun. Now natural gum is applied over it to stick another layer of cotton cloth on it. Thus a thick layer of cotton cloth is formed. This layered cotton is sun-dried and a paste of chalk powder, tamarind, and gum is applied on both sides. The surface of the cloth is then rubbed with two different stones for smoothening and it is again dried. This process gives the cloth a leathery finish and it is now ready to be painted.

2. Natural colors are made using traditional method

The painters prepare and use vegetable and mineral colors for application in the painting. White color is made from conch shells, black is made by burning coconut shells, Hingula is used for red color, Ramaraja for blue, and Haritala for yellow.

3. Colors are filled in

The artist now makes a double-lined border on all four sides of the canvas. The local artists are so expert in painting that they do not draw figures and motifs with pencil but directly draw them with a brush. The paint brushes that the painters use are made of the hair of domestic animals, a bunch of which is tied to the end of a bamboo stick. The figures are now painted with natural colors using the indigenous brushes. The outline is thickened with black color.

4. Painting is given a finishing

Finally, the painting is varnished/glazed to protect it from any damage and to get a glossy shine on the surface.

The making of a Pattachitra is laborious work and therefore, one painting may sometimes take over a month to complete. Due to their classical look, these paintings are admired by people from all over the world. The artistic skills used in Pattachitra are passed down from one generation to another and thus are preserved to date.