Shri Jagannatha in Nagarjuna Vesha (Shringar Done Once Every 25 Years) Patachitra Painting | Natural Color Painting on Tussar Silk

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Shri Jagannatha in Nagarjuna Vesha (Shringar Done Once Every 25 Years) Patachitra Painting | Natural Color Painting on Tussar Silk

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$259

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Specifications

	LDC547
	Natural Color on Tussar Silk
	20.75 inch Height X 42.35 inch Width

Delivery and Return Policies

	Usually ships in 20 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

A Tapestry of Divinity and Devotion

Immerse yourself in the sacred artistry that captures a rare and revered spectacle, a visual testament to centuries of spiritual devotion. This meticulously crafted depiction offers a profound connection to the divine, bringing an unparalleled sense of peace and auspiciousness into your space.

The Soul of Odisha's Artisanal Heritage

Each stroke of this masterful creation is born from the hands of skilled artisans in Odisha, preserving a lineage of Pattachitra painting passed down through generations. Rendered on luxurious Tussar silk, the natural pigments, derived from earth and flora, imbue the artwork with a vibrancy and depth that synthetic colors simply cannot replicate. You'll appreciate the exquisite attention to detail, from the intricate borders to the expressive faces of the deities, a hallmark of true artisanal craftsmanship.

Vibrant Symbolism and Rich Detail

The composition unfolds across a generous expanse of 20.75 inches in height and 42.35 inches in width, a scale that allows for an immersive viewing experience. The central figure, radiating divine energy, is flanked by two majestic deities, each adorned in traditional finery and holding symbolic instruments. The use of bold, natural colors against a dramatic dark background creates a striking contrast, drawing your eye to the divine forms and their intricate adornments. You'll discover subtle motifs and patterns woven throughout, each telling a part of the sacred narrative.

Echoes of Sacred Tradition

This Pattachitra painting captures the essence of the Shri Jagannatha tradition, specifically depicting the revered Nagarjuna Vesha. This auspicious adornment is traditionally observed only once every twenty-five years, making this artwork a rare glimpse into a significant spiritual event. The style is deeply rooted in the folk art traditions of Eastern India, celebrating the rich cultural and religious tapestry of the region.

A Sacred Presence in Your Sanctuary

Imagine this striking piece adorning your living room, meditation space, or entryway, serving as a constant source of inspiration and tranquility. Its substantial size makes it a commanding focal point, while its intricate details invite closer contemplation. It is ideally suited for those who seek to infuse their homes with spiritual significance and appreciate the beauty of sacred art.

Preserving Timeless Beauty

To ensure the longevity of this exquisite artwork, we recommend displaying it away from direct sunlight and high humidity. Gentle dusting with a soft, dry cloth will maintain its pristine appearance. By following these simple care instructions, you will preserve the brilliance of the natural colors and the integrity of the Tussar silk for generations to come, ensuring its continued value as a cherished heirloom.

Mastering the Ancient Technique: Exploring the Meticulous Creation of Pattachitra Paintings

The traditional Pattachitra is a scroll painting that is done on cloth. This is revealed in the name; Pattachitra is a Sanskrit term made from two words i.e. Patta meaning cloth and Chitra meaning picture. The main subject of this painting is portraying Hindu mythological narratives, scenes from religious texts, and folktales. Pattachitra paintings are especially practiced in eastern Indian states such as West Bengal and Odisha, and also in some parts of Bangladesh. This art form is closely related to Shri Jagannath and the tradition of the Vaishnava sect. It is believed that Pattachitra art originated in the 11th century and the people of Odisha practice it even today without any discrepancy. Bengalis use these scroll paintings for ritual purposes (as a visual device) during the performance of a song or Aarti.

Pattachitra paintings are characterized by creative and traditional motifs/designs, decorative borders, and bright colorful applications. The outline of the figure and motifs are bold and sharp. Some common shapes and motifs seen in these paintings are trees, flowers, leaves, elephants, and other creatures. The artists of Odisha and Bengal still use the traditional method of painting which gives a unique look to it altogether.

1. Canvas is prepared

The process of painting a Pattachitra begins by preparing the canvas (patta). Generally, cotton cloth is used for making the canvas. The local artists dip the cotton cloth in a mixture of tamarind seeds and water for a few days. The cloth is then taken out and dried in the sun. Now natural gum is applied over it to stick another layer of cotton cloth on it. Thus a thick layer of cotton cloth is formed. This layered cotton is sun-dried and a paste of chalk powder, tamarind, and gum is applied on both sides. The surface of the cloth is then rubbed with two different stones for smoothening and it is again dried. This process gives the cloth a leathery finish and it is now ready to be painted.

2. Natural colors are made using traditional method

The painters prepare and use vegetable and mineral colors for application in the painting. White color is made from conch shells, black is made by burning coconut shells, Hingula is used for red color, Ramaraja for blue, and Haritala for yellow.

3. Colors are filled in

The artist now makes a double-lined border on all four sides of the canvas. The local artists are so expert in painting that they do not draw figures and motifs with pencil but directly draw them with a brush. The paint brushes that the painters use are made of the hair of domestic animals, a bunch of which is tied to the end of a bamboo stick. The figures are now painted with natural colors using the indigenous brushes. The outline is thickened with black color.

4. Painting is given a finishing

Finally, the painting is varnished/glazed to protect it from any damage and to get a glossy shine on the surface.

The making of a Pattachitra is laborious work and therefore, one painting may sometimes take over a month to complete. Due to their classical look, these paintings are admired by people from all over the world. The artistic skills used in Pattachitra are passed down from one generation to another and thus are preserved to date.