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10" Goddess Manjushri Copper Statue from Nepal | Buddhist Deity Idols

$712.50
$950
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Manjushri, whose name translates to "very auspicious" in Sanskrit, radiates as the Buddha Resplendent, akin to a radiant sun. Revered predominantly among Tibetan Buddhists, he epitomizes compassion and is known as a benevolent companion on the path. This luminous figure also embodies the traditions of Kadampa Buddhism, a tradition renowned for its erudite scholars.

 

Seated tranquility upon a lotus-adorned moon disc, the Bodhisattva of Wisdom graces us in this Symbolism Statue of Manjushri. With his right hand firmly holding the flaming sword of insight, he imparts the 'Vitarka Mudra' with his left hand, symbolizing the discourse and transmission of the Buddha's teachings. The intricate artistry of our skilled artisans shines through the gold-gilded copper body of this masterpiece, a result of months of dedication and craftsmanship.

Specifications
CAA145
Copper With Gold
Height: 10 inch
Width: 7.5 inch
Depth: 4 inch
Weight 2.10 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodiment of Wisdom and Enlightenment

This exquisite statue depicts Manjushri, the Bodhisattva of Wisdom, in a commanding yet serene posture. Crafted from pure copper and adorned with a lustrous gold finish, this artwork hails from the skilled hands of Nepalese artisans, continuing a centuries-old tradition of sacred art creation. Manjushri is revered in Mahayana Buddhism as the embodiment of prajna (wisdom) and the patron of scholarly pursuits. His iconography is rich with symbolism, designed to inspire and guide practitioners on the path to enlightenment. ––––––––––––––––––

The Sword of Discernment

In this majestic representation, Manjushri is depicted holding aloft a gleaming sword in his right hand. This is not merely a weapon of destruction, but a potent symbol of discerning wisdom, capable of cutting through ignorance, delusion, and the veil of illusion. The sharpness of the sword signifies the clarity of insight that comes from true understanding. Legends speak of Manjushri using this sword to sever the knots of attachment and suffering, illuminating the minds of beings with the light of knowledge. His left hand is raised in the gesture of *vitarka mudra*, the teaching gesture, signifying the transmission of wisdom and the dispelling of doubts. The lotus flower he holds in this hand represents purity, enlightenment, and the blossoming of wisdom from the muddy waters of worldly existence. ––––––––––––––––––

A Legacy of Devotion

The intricate details of this statue speak to the profound devotion and masterful craftsmanship of its creators. The delicate ornamentation of the crown, the serene yet piercing gaze, and the flowing drapery all contribute to the divine aura of the deity. The posture of seated meditation, with legs crossed in the lotus position, signifies inner peace and spiritual discipline. The elaborate lotus pedestal upon which Manjushri is seated symbolizes his purity and transcendence. This statue is more than just an object of beauty; it is a focal point for meditation, a reminder of the potential for wisdom within all beings, and a tangible connection to the rich spiritual heritage of Nepal and the wider Buddhist world. It serves as a powerful conduit for invoking the qualities of intelligence, clarity, and insight, aiding devotees in overcoming obstacles on their spiritual journey.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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