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12" Kharchari From Nepal

$942
$1256
25% off
Includes any tariffs and taxes
Only 1 available
Specifications
CAA015
Copper With Gold
Height: 12 inch
Width: 9 inch
Depth: 4 inch
Weight 3.40 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodiment of Compassion: A Nepalese Kharchari

This exquisite statue depicts the serene and benevolent figure of Kharchari, a form of Tara, the female Bodhisattva revered for her compassion and swift action in alleviating suffering. Crafted in Nepal, a land steeped in spiritual traditions, this piece embodies the profound artistry and devotion that characterize Nepalese Buddhist iconography. The figure is seated in a graceful posture, her form radiant with an aura of divine peace and accessibility.

Symbolism and Divine Attributes

The Kharchari is characterized by her serene countenance, her hands held in a gesture of reverence and devotion, palms pressed together. In her left hand, she holds a mala, or prayer beads, symbolizing her continuous meditation and her ability to guide sentient beings through the cycles of samsara. Her right hand is adorned with a delicate lotus flower, a potent symbol of purity, enlightenment, and the blooming of wisdom. The lotus, emerging from the mud of worldly existence yet remaining untainted, represents the Bodhisattva's ability to navigate the complexities of life without being ensnared by them. The intricate details of her adornments, from the delicate necklaces to the ornate crown, speak to her celestial status and her multifaceted nature.

Artistic Mastery and Spiritual Significance

The statue is meticulously fashioned from copper and finished with a rich gold patina, imbuing it with a luminous glow that seems to emanate from within. This combination of materials is a testament to the skill of the Nepalese artisans who have honed their craft over generations, preserving ancient techniques passed down through their lineage. The warm luster of the gold evokes the brilliance of enlightenment and the preciousness of spiritual awakening, while the underlying copper provides a strong and enduring foundation. The subtle turquoise and red accents add vibrancy and depth, drawing the viewer's eye to key symbolic elements. Each curve and contour of the figure is rendered with a delicate precision, capturing the essence of divine grace and compassion. Such statues are not merely decorative objects; they serve as focal points for meditation, aids in spiritual practice, and tangible reminders of the path to liberation. The very act of creating and venerating such an image is considered a meritorious deed, bringing the practitioner closer to the wisdom and boundless compassion embodied by the Bodhisattva.

A Touch of the Himalayas in Your Sanctuary

This remarkable Kharchari statue, standing twelve inches tall, is more than just an artifact; it is an invitation to connect with the profound spiritual heritage of Nepal and the universal message of compassion. Its presence can transform any space into a sanctuary of peace and contemplation, offering solace and inspiration to all who behold it. Whether placed in a home altar, a meditation room, or a study, this golden embodiment of divine kindness will serve as a constant source of serenity and a reminder of the path towards inner peace and enlightenment. It is a piece that resonates with the ancient wisdom of the Himalayas, bringing a touch of its sacred beauty and profound spiritual depth into your life.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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