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12" Vajrasattva Copper Idol from Nepal | Buddhist Deity Statue

$1101.75
$1469
25% off
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Vajrasattva, depicted with a single face and two hands, holds a gold vajra to his heart with his right hand and an upturned bell at his left hip with his left hand. He is adorned luxuriously with golden jewelry—crown, earrings, bracelets, and necklaces wearing fine green and red silk attire. Seated in the vajra posture, his form sways slightly to the left on a moon disc seat atop a lotus.

 

In his right hand, he clasps a vajra, symbolizing active enlightenment methods. His left hand, placed near his left hip, represents emptiness and the perfection of wisdom. Draped in princely garments, he sits elegantly, his legs crossed in vajra posture (vajrāsana) on a moon disk above a white lotus. Some depictions show him with an outstretched right leg, while others portray him standing.

Specifications
CAA105
Copper With Gold
Height: 12.5 inch
Width: 9 inch
Depth: 6 inch
Weight 3.25 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Embodiment of Purity and Enlightenment

Behold this magnificent statue of Vajrasattva, a celestial being revered in Tibetan Buddhism as the embodiment of the purity of mind and the pristine nature of enlightenment. Crafted with exquisite skill from copper and finished with a lustrous layer of gold, this divine representation emanates a profound sense of peace and spiritual power. The gentle expression on Vajrasattva's face, with eyes softly downcast, invites contemplation and inner stillness. Adorned with an elaborate, bejeweled crown and ornate necklaces, the deity is depicted in the full regalia of royalty, symbolizing the inherent majesty and supreme wisdom that enlightenment bestows. The intricate detailing extends to the flowing robes and the delicate ornamentation, showcasing the mastery of the Nepalese artisans who brought this sacred form to life.

A Protector and Purifier

Vajrasattva holds a place of immense importance in Buddhist practice, particularly in the Vajrayana tradition. He is invoked as a powerful deity for purification, offering devotees a path to cleanse negative karma, obscurations, and mental defilements. The vajra (diamond scepter) held in his right hand symbolizes indestructible wisdom and the ultimate reality, while the ghanta (bell) in his left hand represents the wisdom that overcomes ignorance and the melodious sound of the Dharma. In ancient tales, Vajrasattva is believed to have attained Buddhahood through his dedicated practice and vows to purify all sentient beings. His presence is said to dispel obstacles, offering solace and guidance on the spiritual journey.

Artistry from the Heart of Nepal

This resplendent idol originates from Nepal, a land steeped in centuries of Buddhist artistic tradition. The creation of such statues is not merely craftsmanship; it is a spiritual practice in itself, imbued with devotion and reverence. The use of copper, a sacred metal in many cultures, combined with the radiant gold finish, creates a piece that is both aesthetically breathtaking and spiritually potent. The fine etchings and subtle textures on the surface further enhance its visual appeal, drawing the viewer into a meditative state. Each element, from the posture of the lotus seat to the graceful curve of the arms, is rendered with meticulous attention, reflecting a deep understanding of Buddhist iconography and aesthetic principles. This statue serves as a tangible connection to the rich spiritual heritage of Nepal, offering a focal point for prayer, meditation, and the cultivation of inner peace.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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