12" Vajrasattva Copper Statue from Nepal

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MADE IN INDIA.

12" Vajrasattva Copper Statue from Nepal

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$1176.75

$1569

25% off

Includes any tariffs and taxes

Only 1 available

This copper masterpiece bears profound significance, every detail intricately crafted, from the regal crown's exquisite frills to the omnipresent Vajra. Vajrasattva's aura exudes purity, surrounded by celestial beings mirroring the inherent sanctity within all. Delicately sculpted hands cradle a bell and a vajra, epitomizing supreme wisdom and compassion—the dual virtues essential for traversing the path of Dhamma in Buddhism. Poised gracefully upon a lotus throne, his serene expression echoes the cosmic truth's profound stillness. Vajrasattva's divine energy paves the way to supreme wisdom, illuminating the path towards realizing your faultless true nature.

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Specifications

	MIS563
	Copper
	Height: 12 inch
	Width: 9 inch
	Depth: 5 inch
	Weight 3.50 kg

Delivery and Return Policies

	Ships in 1-3 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

A Manifestation of Purity and Enlightenment

This exquisite copper statue depicts Vajrasattva, a central figure in Vajrayana Buddhism, revered as the embodiment of purity and the primordial Buddha. Crafted in Nepal, a land steeped in spiritual traditions, this artwork radiates a profound sense of serenity and divine presence. The intricate detailing and the warm patina of the copper bring to life the sublime form of this celestial being, inviting contemplation and devotion. Vajrasattva is often invoked for purification, a practice deeply rooted in the understanding that obstacles on the spiritual path stem from accumulated negative karma and obscurations. His practice is believed to cleanse the mind, leading to clarity, wisdom, and the eventual attainment of Buddhahood.

The Iconography of the Divine

Vajrasattva is typically depicted in a seated posture, symbolizing his stable and unwavering nature. He is often shown in the lotus position (vajra posture), with his legs crossed. In his right hand, he holds a vajra (a ritual thunderbolt), which represents skillful means and compassion, the indestructibly brilliant mind of enlightenment. In his left hand, he holds a ghanta (a bell), symbolizing wisdom, the emptiness of all phenomena. Together, the vajra and ghanta represent the inseparable union of wisdom and compassion, the ultimate realization of the enlightened state. The serene expression on his face, with eyes gently closed, conveys a deep inner peace and boundless compassion for all sentient beings. His elaborate crown and adornments signify his princely nature and his position as a celestial being. The lotus base upon which he sits is a potent symbol in Buddhism, representing purity, as the lotus flower rises untainted from muddy waters.

A Legacy of Craftsmanship from the Himalayas

This statue is a testament to the enduring artistic traditions of Nepal, renowned for its skilled artisans who have for centuries created masterpieces of Buddhist art. The use of copper as a medium lends a unique warmth and luminosity to the sculpture, while also signifying longevity and resilience. The detailed carving of the ornaments, the flowing robes, and the serene facial features all speak to the reverence and devotion with which this piece was created. Such statues are not merely decorative objects; they are sacred vessels that carry spiritual energy and serve as focal points for meditation and prayer, connecting the devotee to the profound teachings and benevolent presence of Vajrasattva. Owning such a piece is to invite into your space a tangible representation of purity, wisdom, and the path to enlightenment, a timeless symbol of spiritual aspiration.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.