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13" Goddess Green Tara Idol | Tibetan Buddhist Deity Gilded Copper Statue

$1139.25
$1519
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One of the most venerated bodhisattvas in Mahayana Buddhism, particularly in Tibetan Buddhism, is Green Tara, also called Arya Tara. She is regarded as a kind individual who exemplifies safety, fast assistance, and sensible action. Devotees seek refuge, guidance, and timely aid from Green Tara during difficult times. Those who truly seek her out are reported to receive timely assistance and she is especially said to be kind.


This statue depicts Green Tara sitting and ready to stand and assist those in need, with one leg extended in copper and the other in gold. Her left hand is holding the stem of a lotus flower, which supports an open blossom, while her right hand is making the wish-granting gesture known as the varada mudra. A small image of Amitabha can be found in the lotus bloom, which links Green Tara and the Buddha of Infinite Light.

Specifications
NLH077
Copper
Height: 13.5 inch
Width: 8.5 inch
Depth: 6 inch
Weight 4.50 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodiment of Compassion: The Green Tara Idol

This exquisite copper statue captures the divine essence of Green Tara, a revered Bodhisattva in Tibetan Buddhism, celebrated for her swift action and boundless compassion. Standing as a beacon of protection and liberation, she embodies the active, dynamic aspect of enlightenment, always ready to respond to the pleas of those in suffering. In Buddhist lore, Tara is said to have sprung from a tear shed by Avalokiteshvara, the Bodhisattva of Compassion, at the sight of the suffering world. Her green hue symbolizes her active, nature-nurturing aspect, representing her ability to overcome obstacles and bring forth abundance and vitality.

Symbolism and Iconography

The artistry of this idol is deeply rooted in Buddhist symbolism. Green Tara is typically depicted seated in a relaxed posture, her right leg extended as if ready to spring into action, symbolizing her swiftness to help. Her left leg is folded, indicating her stable, meditative state. In her left hand, she often holds a lotus, a symbol of purity and spiritual awakening, which she cradles close to her heart. Her right hand is raised in the gesture of granting refuge and fearlessness (Abhaya Mudra), offering solace and protection. The intricate details of her adornments, including the crown and jewelry, signify her enlightened status and regal presence. The turquoise and coral accents woven throughout the sculpture further enhance its visual appeal and carry their own symbolic meanings in Tibetan culture, often associated with protection, health, and spiritual well-being.

A Gateway to Inner Peace

This finely crafted copper statue serves not only as a beautiful object of devotion but also as a powerful aid in meditation and spiritual practice. Placing this idol in your home or meditation space can create an atmosphere of tranquility and evoke the protective energy of Green Tara. It is believed that meditating on Tara's form and reciting her mantra can help to overcome fear, anxiety, and worldly difficulties, paving the way for inner peace and spiritual progress. The warmth and luster of the copper lend a sense of grounding and enduring quality, making this statue a cherished centerpiece for contemplation and a constant reminder of the compassionate presence that is always there to guide and protect. This piece is a testament to the rich artistic traditions of Tibetan craftsmanship, offering a tangible connection to ancient spiritual wisdom.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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