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13" Ratna Buddha with Crown Gilded Copper Statue from Nepal

$1195.50
$1594
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The term "Ratna Buddha" does not specifically refer to a recognized Buddha in traditional Buddhist scriptures or teachings. However, "Ratna" is a Sanskrit term that translates to "jewel" or "precious," and there are Buddhas associated with this concept within certain Buddhist traditions.


One such Buddha is Ratnasambhava, who is considered one of the Five Dhyani Buddhas in Vajrayana Buddhism. Each Dhyani Buddha represents a particular aspect of enlightenment, and Ratnasambhava is associated with the enlightened quality of generosity and abundance. He is often depicted holding a jewel and is connected to the Southern direction in Buddhist mandalas.


While Ratnasambhava is the Buddha most directly associated with the term "Ratna," the concept of jewels and precious qualities is pervasive in Buddhism. Buddhas, in general, are often referred to as "Ratnas" or jewels due to their exceptional qualities and the profound teachings they bring, likening them to precious gems that illuminate the path to enlightenment.

Specifications
MIU116
Copper Gilded with Gold
Height: 13 inch
Width: 9 inch
Depth: 6.5 inch
Weight 4 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Divine Presence, Exquisitely Crafted

This magnificent statue, forged from rich copper and exquisitely gilded with gold, captures the serene embodiment of enlightenment. Standing at 13 inches tall, it presents a vision of divine beauty and profound peace, a testament to the skilled artistry of Nepalese craftspeople. The Buddha is depicted in a meditative pose, seated upon a lotus base, a symbol of purity and spiritual awakening that blooms even from muddy waters. The intricate details, from the flowing robes to the delicate ornamentation, speak of a devotion that transcends mere form. ––––––––––––––––––

The Crowned Buddha: Symbolism and Significance

The radiant crown adorning the Buddha's head signifies his regal nature, not as a ruler of earthly kingdoms, but as a sovereign of the Dharma, the cosmic order and the path to liberation. In Buddhist iconography, a crowned Buddha often represents Avalokiteśvara, the Bodhisattva of Compassion, or sometimes Buddha Vairocana, the primordial Buddha, embodying wisdom and the sun. This imagery draws parallels with depictions of celestial beings and divine rulers found in various spiritual traditions, highlighting the universal desire for enlightened leadership. The Buddha's serene expression, with downcast eyes, suggests an inward gaze, a deep connection to the cosmic consciousness and an absence of attachment to the illusory world. ––––––––––––––––––

A Legacy of Craftsmanship and Spirituality

Originating from Nepal, a land steeped in spiritual traditions and renowned for its metalworking heritage, this statue is more than an object of beauty; it is a vessel of devotion. For centuries, Nepalese artisans have passed down the intricate techniques of bronze casting and gilding, infusing their creations with a palpable spiritual energy. The use of copper, known for its conductivity and resilience, combined with the auspicious glow of gold, elevates this piece to a sacred artifact. Whether placed in a personal sanctuary, a meditation space, or as a striking centerpiece, this statue invites contemplation, inspires mindfulness, and serves as a constant reminder of the pursuit of inner peace and ultimate truth. Its presence can evoke the tranquil atmosphere of Himalayan monasteries, where such sacred objects are central to daily practice and ritual.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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