13" Tibetan Buddhist Deity Vajrasattva Copper Statue from Nepal

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13" Tibetan Buddhist Deity Vajrasattva Copper Statue from Nepal

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$947.25

$1263

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Only 1 available

Vajrasattva, a prominent figure in both Mahayana and Vajrayana Buddhist traditions, serves as a guiding force, leading us away from delusion and purifying our karma.

His regal appearance is marked by the crowns atop his head, symbolizing peace and luminance.

Vajrasattva clutches a Vajra in his right hand and a bell in his left, embodying the harmonious balance of these symbolic elements. His attire exudes opulence with its vibrant and resplendent colors, creating a visually striking image. Sitting resolutely in the yogic posture known as Vajrasana, his legs crossed, Vajrasattva's weight rests upon a moon disc and a colorful lotus. Flowing blue silks adorn him, completing the portrayal of this majestic figure.

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Specifications

	MIS767
	COPPER
	Height: 13 inch
	Width: 10 inch
	Depth: 9 inch
	Weight 4 kg

Delivery and Return Policies

	Usually ships in 6 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

The Divine Essence of Purification: Vajrasattva

This exquisite 13-inch statue captures the serene and powerful presence of Vajrasattva, a central figure in Tibetan Buddhism renowned for his role as the deity of purification. Crafted from copper with meticulous attention to detail, this Nepalese masterpiece embodies the spiritual depth and artistic brilliance of Himalayan Buddhist traditions. Vajrasattva is often invoked to cleanse negative karma, overcome obstacles, and achieve spiritual clarity. His practice is considered fundamental for progress on the path to enlightenment, as it purifies the mind and prepares practitioners for deeper meditation and wisdom. ––––––––––

Symbolism and Iconography

Vajrasattva is depicted in this statue seated in the vajra posture, a symbol of indestructibility and stability. His serene expression conveys compassion and unwavering resolve. In his right hand, he holds a vajra, a ritual implement symbolizing the diamond-like indestructible nature of enlightenment, and also representing skillful means. In his left hand, resting on his lap, he holds a bell (ghanta), which symbolizes wisdom and the emptiness of phenomena. The union of the vajra and bell represents the non-duality of wisdom and compassion, a core principle in Mahayana Buddhism. The elaborate crown and ornaments adorning Vajrasattva are not merely decorative but carry significant symbolic meaning. They represent the qualities of a Buddha, including perfect wisdom, boundless compassion, and supreme enlightenment. The deity's radiant golden complexion signifies his enlightened nature, while the colors used in the painting of his garments and ornaments reflect the various energies and aspects of the awakened mind. The lotus pedestal upon which he rests is a universal Buddhist symbol of purity, signifying that enlightenment can blossom even amidst the mire of samsara. ––––––––––

Cultural and Spiritual Significance

Vajrasattva plays a pivotal role in the Vajrayana tradition, particularly in practices aimed at purification. In ancient Indian mythology, the concept of purification through ritual and mantra was deeply ingrained. Vajrasattva's practice, often involving the recitation of his hundred-syllable mantra, is believed to be exceptionally potent in eradicating past negativities and obscurations that hinder spiritual progress. It is said that the Bodhisattva Samantabhadra, a manifestation of enlightenment, achieved his realization by meditating on Vajrasattva. Tibetan Buddhism inherited and enriched these practices, making Vajrasattva a cornerstone of the guru yoga and meditation practices. The creation of such statues is not just an artistic endeavor but a sacred act, imbued with the intention to bring spiritual benefit to all beings. This statue, hailing from Nepal, a land deeply steeped in Buddhist history and art, serves as a powerful reminder of the path to purification and the potential for awakening within every individual. Its presence can inspire devotion, encourage meditation, and foster an atmosphere of peace and spiritual aspiration in any space.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.