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14" Lord Aparmita Buddha Statue | Buddhist Deity Copper Idols

$1176.75
$1569
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Amitabha's infinite merits are earned over past lives as the Bodhisattva Dharmakara. Amitabha's counterpart, Amitayus, achieved Buddhahood eons ago through the accumulation of merit as a Bodhisattva.

 

Seated on a double lotus pedestal, Aparmita's hands form a meditative gesture (Dhyana Mudra), holding his distinctive attribute, the elixir vase (Kalasha). This gesture embodies the harmony of wisdom and compassion. Aparmita is adorned with a regal golden and silver crown, intricate necklaces, and large golden earrings, while a flowing red scarf drapes over his shoulders and lower arms.

Specifications
MIS725
COPPER WITH GOLD PLATED
Height: 14 inch
Width: 11 inch
Depth: 6 inch
Weight 3.90 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Benevolent Visage of Lord Aparmita

This magnificent statue depicts Lord Aparmita, a significant deity within Tibetan Buddhism, renowned for his boundless compassion and his ability to dispel hindrances and negative karma. Crafted from enduring copper and embellished with a lustrous gold plating, this artwork embodies the profound spiritual essence and meticulous craftsmanship characteristic of Nepalese artistry. The statue radiates a serene aura, inviting contemplation and spiritual devotion. Lord Aparmita, often identified with Amitayus, the Buddha of Infinite Life, is a manifestation of wisdom and longevity, offering blessings of a long and prosperous existence to his devotees. His presence is a reminder of the impermanence of life and the importance of cultivating merit and spiritual realization.

Symbolism and Iconography

The iconography of Lord Aparmita is rich with meaning. He is depicted in a regal posture, seated in vajra-asana, symbolizing unwavering stability and spiritual grounding. His serene countenance, with eyes half-closed in meditation and a gentle smile, conveys profound inner peace and wisdom. The elaborate crown and ornaments adorning him signify his awakened state and his celestial nature. In his hands, he often holds the vase of immortality, or *kalasha*, filled with the nectar of longevity and wisdom, which he dispenses to those who seek his blessings. The surrounding decorative elements, rendered in vibrant gold and contrasting colors, enhance the divine presence of the deity, echoing the intricate mandalas and sacred geometry found in Buddhist art. Each element of the statue is a visual mantra, meant to inspire mindfulness and evoke the boundless qualities of enlightenment.

Craftsmanship and Cultural Significance

This exceptional statue is a testament to the skill of Nepalese artisans who have preserved ancient techniques for generations. The meticulous attention to detail, from the delicate features of the face to the ornate patterns on the robes and the base, showcases a deep understanding of Buddhist aesthetics and symbolism. The use of copper, a sacred metal in many traditions, combined with the opulent gold plating, lends the idol a sense of divine permanence and sacred radiance. Such statues are not merely decorative objects; they serve as focal points for meditation, prayer, and ritual, bridging the earthly and the divine realms. In Nepalese culture, these idols are revered as embodiments of spiritual power and are often found in monasteries, temples, and private altars, where they offer solace, protection, and guidance. The tradition of creating such powerful religious icons is deeply intertwined with the spiritual landscape of the Himalayas, drawing inspiration from ancient Buddhist teachings and philosophies that have shaped the region for centuries.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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