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14" Vajrayogini Copper Statue | Tibetan Buddhist Deity Idols

$1251.75
$1669
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Vajrayogini, also known as Vajravarahi in Tantric Buddhism or Vajrayana, holds a significant place as the supreme deity in this tradition, surpassing even male buddhas in reverence.

 

In her right hand, she holds a curved knife, while her left-hand cradles a white skull cup placed at her heart. Additionally, an upright khatvanga staff is positioned at the bend of her left elbow. Her attire is adorned with a tiara featuring five white skulls, green ribbons, and gold and jewel earrings. She wears a garland made of fifty freshly severed heads, another garland of flowers, a necklace of bones, and various bracelets and anklets. Draped around her shoulders is a long green scarf. These intricate details and symbols are all part of her powerful and symbolic representation in Tantric Buddhism.

Specifications
MIS642
Copper with Gold Plated
Height: 14 inch
Width: 10 inch
Depth: 4 inch
Weight 4.20 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Fierce Embrace of Vajrayogini

This magnificent copper statue, intricately detailed and lavishly gold-plated, captures the awe-inspiring presence of Vajrayogini, a supreme yogini and a pivotal figure in Tibetan Buddhism. Vajrayogini, also known as the "Diamond Lady" or "Sky-Dancing Woman," is a wrathful manifestation of female enlightened energy, embodying wisdom, compassion, and the transformative power of overcoming obstacles. Her dynamic posture and fierce expression are not of anger, but of intense spiritual activity, a powerful force that cuts through illusion and delusion to reveal the ultimate reality. The statue depicts Vajrayogini standing in her iconic *pratyalidhasana* pose, with her left leg extended forward and her right leg drawn back, symbolizing her dominion over both mundane existence and the higher realms of enlightenment. She dances upon the prostrate forms of Mara, the demon of attachment, and Kama, the god of desire, signifying her victory over the hindrances that obstruct spiritual progress. The fiery halo that encircles her is a visual representation of her boundless wisdom and the purification of all obscurations. ––––––––––––––––––––

Symbolism and Iconography

Every element of this statue is rich with meaning. Vajrayogini typically wields a curved knife in her right hand, symbolizing the severing of ignorance, and holds a skull cup filled with nectar in her left, representing the essence of wisdom and the enjoyment of spiritual realization. She often wears a necklace of fifty freshly severed heads, signifying her mastery over the fifty letters of the Sanskrit alphabet, and therefore, her profound understanding of all phenomena. The skull drum and katvanga staff, sometimes depicted, further emphasize her role as a tantric practitioner who transmutes the ordinary into the extraordinary. The intricate ornamentation, including beaded necklaces and bracelets, speaks to her divine status and the opulent nature of enlightened qualities. The gold plating further enhances the statue's sacred aura, symbolizing purity, perfection, and the radiant nature of enlightenment. ––––––––––––––––––––

A Pathway to Liberation

Vajrayogini is revered as a fierce protector and a guide on the path to liberation. Her practice is central to many tantric traditions, particularly within the Sarma schools of Tibetan Buddhism. She is seen as the embodiment of the clear light of emptiness and the blissful union of wisdom and method. Devotees invoke her for protection, for the removal of obstacles, and for the swift attainment of Buddhahood. This statue serves as a powerful focal point for meditation and devotion, inviting practitioners to connect with her transformative energy and to cultivate their own inner potential for enlightenment. Its imposing size and exquisite craftsmanship make it a commanding presence in any sacred space, a constant reminder of the ultimate freedom that awaits those who tread the spiritual path with unwavering resolve.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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